Kenai finds his childhood human friend Nita and the two embark on a journey to burn the amulet he gave to her before he was a bear, much to Koda's dismay.
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| Sound | Dave Metzger | Original Music Composer |
| Production | Jim Ballantine | Producer |
| Production | Carolyn Bates | Producer |
| Directing | Ben Gluck | Director |
| Art | Mary Locatell | Art Direction |
| Editing | Nick Kenway | Editor |
| Writing | Rich Burns | Screenplay |
| Production | Andrew Meagher | Production Accountant |
| Editing | Barbara Gerety | Assistant Editor |
| Production | Peter J. Deluca | Location Manager |
| Crew | Michael Badman | Supervising Animator |
| Sound | Dominick Certo | Music Editor |
| Sound | Steven Gizicki | Music Supervisor |
| Sound | Erik Flockoi | Sound Recordist |
| Directing | Archie Bolina | Layout |
| Directing | Arlan S. Jewell | Layout |
| Directing | Stefano Pastorino | Layout |
| Directing | Alex Casin | Layout |
| Crew | Doug Little | Digital Producer |
| Editing | Anthony Rocco | Editor |
| Production | Keiji Kishi | Production Supervisor |
| Directing | Zhiqiang Ding | Layout |
| Directing | Vincenzo Nisco | Layout |
| Art | Carolyn Guske | Background Designer |
| Production | Jamie Thomason | Casting |
| Visual Effects | Ritsuko Notani | Character Designer |
| Art | Sara Rivers | Background Designer |
| Production | Kip B. Lewis | Production Supervisor |
| Art | Sai Ping Lok | Background Designer |
| Editing | Gina Gallo | Additional Editing |
| Directing | Mark Sonntag | Layout |
| Crew | Noel Cleary | Supervising Animator |
| Art | Barry Dean | Background Designer |
| Editing | Karen Hathaway | Additional Editing |
| Directing | Benoît Le Pennec | Layout |
| Art | James Zheng | Background Designer |
| Production | Todd Popp | Production Manager |
| Writing | Chris Otsuki | Story |
| Writing | Arturo A. Hernandez | Story |
| Visual Effects | Greg Guler | Character Designer |
| Art | Miguel Gil | Background Designer |
| Editing | Timothy P. Vila | Assistant Editor |
| Editing | Robert S. Birchard | Additional Editing |
| Writing | Carole Holliday | Story |
| Crew | Adam Murphy | Supervising Animator |
| Art | Doug Ball | Background Designer |
| Writing | Larry Leker | Story |
| Directing | Jason Hand | Layout |
| Crew | Lianne Hughes | Supervising Animator |
| Art | Michael Rule | Background Designer |
| Art | Bernard Yohalin | Background Designer |
| Editing | Tony Mizgalski | Additional Editing |
| Art | James Aaron Finch | Production Design |
| Visual Effects | Libby Wilson | Animation Supervisor |
| Crew | Matthew Jones | CGI Supervisor |
| Writing | Nick Filippi | Story |
| Production | Leif Green | Production Manager |
| Writing | Kevin Harkey | Story |
| Visual Effects | Arturo A. Hernandez | Character Designer |
| Crew | Mark A. Bollinger | Post Production Supervisor |
| Writing | Carolyn Gair | Story |
| Directing | Gener Ocampo | Layout |
| Art | Silvana Ambar | Background Designer |
| Art | George Humphry | Background Designer |
| Art | Pierre Lorenzi | Background Designer |
| Crew | Peiyu Foley | Post Production Supervisor |
| Writing | Robert Lence | Story |
| Art | Christopher Brock | Background Designer |
| Art | Jerry Liew | Background Designer |
| Art | David Wang | Background Designer |
| Sound | Carol Lewis | Supervising Dialogue Editor |
| Sound | Keith Rogers | Sound Re-Recording Mixer |
| Editing | Desi Scarpone | Editorial Coordinator |
| Sound | Ronald Eng | Supervising Sound Editor |
| Sound | Carol Lewis | Supervising ADR Editor |
| Sound | Dana LeBlanc Frankley | Assistant Sound Editor |
| Sound | Doug Jackson | Supervising Sound Editor |
| Sound | Terry O'Bright | Sound Re-Recording Mixer |
| Visual Effects | Jill Stirdivant | Color Designer |
| Sound | Robert Troy | Dialogue Editor |
| Visual Effects | Warwick Gilbert | Animation |
