Carrie and Justin Palmer are the perfect couple to everyone around them. Or so it seems. They recently celebrated ten years of marriage and are talking about starting a family. After a wine filled evening, Carrie's girlfriends press her to share who her "hall pass" would be. Carrie admits that she has had a crush on famed rocker, Dante Jones, since she was in college but would never betray Justin if given the opportunity. After a business trip to Vegas and a chance meeting with Dante himself after his concert, her obsession suddenly becomes his. Carrie does everything in her power to keep her secret away from her friends and more importantly, Justin, but Dante's stalking and relentless infatuation becomes all-consuming and far too dangerous to hide.
Is Hall Pass Nightmare on Netflix? Yes! The movie Hall Pass Nightmare is now on Netflix in the countries listed below.
| Production | Brian Nolan | Producer |
| Editing | Mark Noad | Online Editor |
| Costume & Make-Up | Jacqueline Holden | Key Makeup Artist |
| Production | Nima Azadi | Production Supervisor |
| Sound | Chris Ridenhour | Original Music Composer |
| Editing | Michael Kuge | Editor |
| Directing | Marla Sokoloff | Director |
| Writing | Peter Sullivan | Writer |
| Writing | Jeffrey Schenck | Story |
| Costume & Make-Up | Emily Mefford | Key Makeup Artist |
| Visual Effects | Joseph J. Lawson | Visual Effects |
| Sound | Marc Ferrari | Music Supervisor |
| Production | Christopher Ray | Line Producer |
| Art | Dave Rose | Set Dresser |
| Sound | Dave Moorman | Sound Re-Recording Mixer |
| Crew | Sean Christopher | Stunt Coordinator |
| Crew | Brandon Amano | Stunt Double |
| Camera | Emmeline Shafer | Key Grip |
| Sound | Christopher Cano | Original Music Composer |
| Writing | Peter Sullivan | Story |
| Art | Taylor Venegas | Set Dresser |
| Camera | Alexander Yellen | Director of Photography |
| Production | Dean E. Fronk | Casting Director |
| Production | Donald Paul Pemrick | Casting Director |
| Costume & Make-Up | Michael Spezzano | Makeup Department Head |
| Production | Barry Barnholtz | Executive Producer |
| Production | Peter Sullivan | Co-Producer |
| Costume & Make-Up | Kris Deskins | Costume Design |
| Production | Jeffrey Schenck | Executive Producer |
| Production | Gene George | Co-Executive Producer |
| Production | Dakotah Hitt | Unit Production Manager |
| Sound | David Michael Erwin | Sound Designer |
| Production | Zelma Kiwi | Executive Producer |
| Art | Joe Cox | Production Design |
| Production | Brian Nolan | Co-Producer |
| Directing | Marquis Willis | Second Assistant Director |
| Directing | Xavier S. Puslowski | First Assistant Director |
| Camera | Kasee Shambora | Still Photographer |
| Editing | Allen Kelly | Colorist |
| Costume & Make-Up | Rachelle Moser | Key Costumer |
| Crew | Dianna Rochelle Johnson | Set Medic |
| Crew | Morris Aroesti | Transportation Coordinator |
| Sound | Mark McBryde | Foley Artist |
| Camera | Tommy Crockett | Digital Imaging Technician |
| Lighting | Michael Stark | Gaffer |
| Directing | Cassidy Warren | Script Supervisor |
| Sound | Alexander Hutchinson | Production Sound Mixer |
| Camera | Sebastian DeLorey | First Assistant "B" Camera |
| Directing | Nathan Gallie | Second Second Assistant Director |
| Camera | Ryan Wilson | "B" Camera Operator |
| Art | William French | Art Direction |
| Costume & Make-Up | Matthew Brandon | Key Makeup Artist |
| Camera | Oliver Pipkin | First Assistant "A" Camera |
| Production | Josh Best | Production Coordinator |
| Production | Virginija Lewis | Accountant |
| Sound | Jeff Noller | Dialogue Editor |
| Production | Christopher Ray | Associate Producer |
