After years of treatment at a mental institution for the criminally insane, serial killer Norman Bates is finally released. Deciding to move back into his long-dead mother's infamous old house, he soon finds himself tormented by 'her' demands and begins to question his own sanity.
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| Camera | Dean Cundey | Director of Photography |
| Production | Jackie Burch | Casting |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Hilton A. Green | Producer |
| Writing | Robert Bloch | Characters |
| Editing | Andrew London | Editor |
| Sound | Andrew London | Sound Designer |
| Sound | Lon Bender | Sound Editor |
| Art | John W. Corso | Production Design |
| Art | Jennifer Polito | Set Decoration |
| Crew | Bob Yerkes | Stunts |
| Directing | Richard Franklin | Director |
| Camera | Raymond Stella | Camera Operator |
| Writing | Tom Holland | Writer |
| Production | Bernard Schwartz | Executive Producer |
| Crew | Greg C. Jensen | Special Effects |
| Costume & Make-Up | Brian Wade | Makeup Effects Designer |
| Sound | Glenn T. Morgan | Assistant Sound Editor |
| Sound | John Roesch | Foley Artist |
| Camera | Ronald Batzdorff | Still Photographer |
| Sound | Anthony Milch | Sound Editor |
| Sound | Bob Newlan | Foley Editor |
| Sound | Randy Kelley | Sound Effects Editor |
| Art | Martha Johnston | Set Designer |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | Michael D. Wilhoit | Sound Editor |
| Costume & Make-Up | Peter V. Saldutti | Costume Design |
| Costume & Make-Up | Marla Denise Schlom | Costume Design |
| Directing | Don Zepfel | First Assistant Director |
| Sound | James R. Alexander | Sound Mixer |
| Sound | Mark Server | Boom Operator |
| Sound | Patrick Clark | Boom Operator |
| Directing | Lisa Marmon | Second Assistant Director |
