Autumn in New York follows the sexual exploits of Will Keane - New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction - until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will's age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.
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Production | Tom Rosenberg | Producer |
Production | Amy Robinson | Producer |
Sound | Chris Newman | Sound Mixer |
Production | Ronald M. Bozman | Executive Producer |
Production | Gary Lucchesi | Producer |
Crew | James McQuaide | Post Production Supervisor |
Art | Mark Friedberg | Production Design |
Art | Sarah Frank | Graphic Designer |
Art | Jess Gonchor | Art Direction |
Sound | Kyrsten Mate | Sound Effects Editor |
Sound | Gabriel Yared | Original Music Composer |
Sound | Pat Jackson | Supervising Sound Editor |
Production | Sheila Jaffe | Casting |
Production | Georgianne Walken | Casting |
Directing | Joan Chen | Director |
Production | Ted Tannebaum | Executive Producer |
Art | Catherine Davis | Set Decoration |
Costume & Make-Up | Carol Oditz | Costume Design |
Art | Mario Ventenilla | Assistant Art Director |
Sound | Peter Afterman | Music Supervisor |
Production | Andre Lamal | Co-Producer |
Writing | Allison Burnett | Screenplay |
Editing | Ruby Yang | Editor |
Camera | Gu Changwei | Director of Photography |
Crew | Al Cerullo | Pilot |
Lighting | Thomas Ford | Assistant Chief Lighting Technician |
Lighting | Robert Sciretta | Chief Lighting Technician |
Crew | Blaise Corrigan | Stunt Driver |
Production | Barbara Harris | ADR Voice Casting |
Sound | Margie O'Malley | Foley Artist |
Sound | Todd Boekelheide | Sound Re-Recording Mixer |
Art | Rena DeAngelo | Assistant Property Master |
Sound | Andrew Dorfman | Music Editor |
Camera | Phil Oetiker | Camera Operator |
Art | Diana Burton | Property Master |
Sound | Marnie Moore | Foley Artist |
Camera | Stephen Consentino | Steadicam Operator |
Camera | Stephen Consentino | "B" Camera Operator |
Camera | Andrew D. Schwartz | Still Photographer |
Sound | Robert Shoup | Sound Effects Editor |
Crew | Julie Kuehndorf | Unit Publicist |
Sound | Dianna Stirpe | Dialogue Editor |
Sound | Daniel Sperry | Dolby Consultant |
Art | Nancy Winters | Assistant Art Director |
Sound | David Parker | Sound Re-Recording Mixer |
Sound | Malcolm Fife | Sound Effects Editor |
Sound | Karen G. Wilson | Dialogue Editor |
Production | Harvey Waldman | Unit Production Manager |
Directing | Lisa Katcher | Script Supervisor |
Art | Jacqueline Jacobson Scarfo | Assistant Set Decoration |
Editing | Stephen R. Sheridan | Color Timer |
Lighting | Billy Kerwick | Key Rigging Grip |
Camera | Rod Calarco | Second Assistant Camera |
Crew | Steven R. Hammond | Transportation Captain |
Sound | Marc-Jon Sullivan | Boom Operator |
Crew | Gene O'Neill | Transportation Co-Captain |
Camera | Rick Marroquin | Dolly Grip |
Sound | Dan Olmsted | Sound Re-Recording Mixer |
Crew | Brian Carmichael | Video Assist Operator |
Art | Timothy Metzger | Leadman |
Crew | Gregg Harris | Cableman |
Camera | Richard Guinness Jr. | Key Grip |
Camera | Andrew Priestley | First Assistant Camera |
Sound | Frank Canonica | Sound Recordist |
Editing | Theresa Repola Mohammed | Negative Cutter |
Production | Sean Fogel | Production Coordinator |
Production | Katharina Eggmann | Casting Assistant |
Production | Grant Wilfley | Extras Casting |
Sound | Eric Thompson | ADR Mixer |
Crew | Jodi Michelle Pynn | Stunt Coordinator |
Camera | Glen Engels | Best Boy Grip |
Editing | Mike Bruining | First Assistant Editor |
Production | Winnie Cheng | Post Production Coordinator |
Camera | Chris Silano | First Assistant "B" Camera |
Directing | Michelle L. Keiser | Second Assistant Director |
Directing | Joseph R. Burns | First Assistant Director |