Autumn in New York follows the sexual exploits of Will Keane - New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction - until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will's age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.
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| Directing | Joan Chen | Director |
| Production | Tom Rosenberg | Producer |
| Production | Gary Lucchesi | Producer |
| Sound | Gabriel Yared | Original Music Composer |
| Writing | Allison Burnett | Screenplay |
| Editing | Ruby Yang | Editor |
| Camera | Gu Changwei | Director of Photography |
| Art | Mark Friedberg | Production Design |
| Production | Sheila Jaffe | Casting |
| Production | Georgianne Walken | Casting |
| Production | Andre Lamal | Co-Producer |
| Sound | Peter Afterman | Music Supervisor |
| Costume & Make-Up | Carol Oditz | Costume Design |
| Production | Ted Tannebaum | Executive Producer |
| Production | Ronald M. Bozman | Executive Producer |
| Production | Amy Robinson | Producer |
| Production | Harvey Waldman | Unit Production Manager |
| Directing | Joseph R. Burns | First Assistant Director |
| Directing | Michelle L. Keiser | Second Assistant Director |
| Crew | Jodi Michelle Pynn | Stunt Coordinator |
| Crew | Blaise Corrigan | Stunt Driver |
| Crew | Al Cerullo | Pilot |
| Crew | James McQuaide | Post Production Supervisor |
| Sound | Pat Jackson | Supervising Sound Editor |
| Sound | David Parker | Sound Re-Recording Mixer |
| Sound | Todd Boekelheide | Sound Re-Recording Mixer |
| Sound | Dan Olmsted | Sound Re-Recording Mixer |
| Art | Jess Gonchor | Art Direction |
| Art | Catherine Davis | Set Decoration |
| Art | Mario Ventenilla | Assistant Art Director |
| Art | Nancy Winters | Assistant Art Director |
| Art | Jacqueline Jacobson Scarfo | Assistant Set Decoration |
| Camera | Phil Oetiker | Camera Operator |
| Camera | Andrew Priestley | First Assistant Camera |
| Camera | Rod Calarco | Second Assistant Camera |
| Camera | Stephen Consentino | "B" Camera Operator |
| Camera | Stephen Consentino | Steadicam Operator |
| Camera | Chris Silano | First Assistant "B" Camera |
| Camera | Andrew D. Schwartz | Still Photographer |
| Directing | Lisa Katcher | Script Supervisor |
| Lighting | Robert Sciretta | Chief Lighting Technician |
| Lighting | Thomas Ford | Assistant Chief Lighting Technician |
| Camera | Richard Guinness Jr. | Key Grip |
| Camera | Glen Engels | Best Boy Grip |
| Camera | Rick Marroquin | Dolly Grip |
| Lighting | Billy Kerwick | Key Rigging Grip |
| Sound | Chris Newman | Sound Mixer |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Crew | Gregg Harris | Cableman |
| Art | Diana Burton | Property Master |
| Art | Rena DeAngelo | Assistant Property Master |
| Art | Sarah Frank | Graphic Designer |
| Art | Timothy Metzger | Leadman |
| Production | Winnie Cheng | Post Production Coordinator |
| Editing | Mike Bruining | First Assistant Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Crew | Julie Kuehndorf | Unit Publicist |
| Production | Katharina Eggmann | Casting Assistant |
| Production | Grant Wilfley | Extras Casting |
| Crew | Steven R. Hammond | Transportation Captain |
| Crew | Gene O'Neill | Transportation Co-Captain |
| Crew | Brian Carmichael | Video Assist Operator |
| Sound | Daniel Sperry | Dolby Consultant |
| Editing | Stephen R. Sheridan | Color Timer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | Karen G. Wilson | Dialogue Editor |
| Sound | Kyrsten Mate | Sound Effects Editor |
| Sound | Robert Shoup | Sound Effects Editor |
| Sound | Malcolm Fife | Sound Effects Editor |
| Sound | Eric Thompson | ADR Mixer |
| Sound | Marnie Moore | Foley Artist |
| Sound | Margie O'Malley | Foley Artist |
| Sound | Frank Canonica | Sound Recordist |
| Sound | Andrew Dorfman | Music Editor |
| Production | Sean Garrett Fogel | Production Coordinator |
