Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
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Costume & Make-Up | Julie Weiss | Costume Design |
Production | Todd M. Thaler | Extras Casting |
Sound | Carter Burwell | Original Music Composer |
Production | John S. Lyons | Casting |
Editing | Barry Malkin | Editor |
Crew | Manny Siverio | Stunts |
Sound | Dan Korintus | Dialogue Editor |
Crew | Deborah Habberstad | Stunts |
Crew | Jeff Habberstad | Stunt Coordinator |
Camera | Caleb Deschanel | Director of Photography |
Crew | Jeff Levine | Actor's Assistant |
Production | Gary Adelson | Executive Producer |
Production | Craig Baumgarten | Executive Producer |
Art | Dennis Bradford | Art Direction |
Sound | Tony Martinez | ADR Editor |
Art | Nicholas Lundy | Assistant Art Director |
Production | Alexis Alexanian | Production Coordinator |
Sound | Todd Kasow | Music Editor |
Camera | Scott Rathner | First Assistant Camera |
Art | George DeTitta Jr. | Set Decoration |
Art | Maria Nay | Art Department Coordinator |
Production | Christine Sheaks | Casting Associate |
Production | Mike Lobell | Producer |
Costume & Make-Up | Alan D'Angerio | Hairstylist |
Costume & Make-Up | Francesca Paris | Hairstylist |
Costume & Make-Up | Lizbeth Williamson | Makeup Artist |
Crew | Peter Bucossi | Stunts |
Directing | Andrew Bergman | Director |
Sound | Peter Afterman | Music Supervisor |
Writing | Jane Anderson | Screenplay |
Production | Joseph Hartwick | Executive Producer |
Production | Joseph Hartwick | Unit Production Manager |
Crew | Paul A. Levin | Post Production Supervisor |
Sound | Joe Mulherin | Original Music Composer |
Sound | Marko Costanzo | Foley Artist |
Sound | Lee Dichter | Sound Re-Recording Mixer |
Camera | Ted Churchill | Steadicam Operator |
Production | Douglas Tirola | Location Manager |
Crew | Gary Tacon | Stunts |
Crew | Alex Stevens | Stunts |
Sound | Laura Civiello | Dialogue Editor |
Crew | Michael Russo | Stunts |
Editing | David Orr | Color Timer |
Crew | John Cenatiempo | Stunts |
Costume & Make-Up | Suzanne Schwarzer | Assistant Costume Designer |
Art | Bill Groom | Production Design |
Lighting | Richard Quinlan | Gaffer |
Lighting | Richard Quinlan | Chief Lighting Technician |
Editing | Sam Adelman | First Assistant Editor |
Crew | Jim Lovelett | Stunts |
Directing | Robin Squibb | Script Supervisor |
Directing | Henry J. Bronchtein | First Assistant Director |
Crew | Jeff Ward | Stunts |
Sound | Frank Kern | Foley Editor |
Camera | Henry Lynk | Camera Operator |
Crew | Thomas Reilly | Transportation Captain |
Sound | Michael W. Mitchell | Apprentice Sound Editor |
Camera | Myles Aronowitz | Still Photographer |
Art | Ann Miller | Property Master |
Art | Martin Bernstein | Construction Coordinator |
Sound | Bitty O'Sullivan-Smith | Dialogue Editor |
Camera | Kurt E. Soderling | Aerial Camera |
Art | Gerald DeTitta | Leadman |
Costume & Make-Up | Kevin P. Faherty | Costume Supervisor |
Sound | Michael Kirchberger | Supervising Sound Editor |
Crew | Tim Gallin | Stunts |
Sound | Eliza Paley | Foley Editor |
Sound | Warren Shaw | Assistant Sound Editor |
Sound | Thomas S. Drescher | Music Editor |
Costume & Make-Up | Timothy Alberts | Costumer |
Sound | Gary Alper | Sound Mixer |
Sound | Gary Alper | Production Sound Mixer |
Sound | Sonny Kompanek | Orchestrator |
Sound | Paul P. Soucek | Sound Editor |
Directing | Julie A. Bloom | Second Second Assistant Director |
Production | Betty Chin | Assistant Production Coordinator |
Art | Robin F. Samson | Location Scout |
Camera | Mike Miller | Key Grip |
Sound | Bruce Pross | Foley Supervisor |
Costume & Make-Up | Melissa Stanton | Costume Supervisor |
Crew | Al Griswold | Special Effects |
Sound | Marc-Jon Sullivan | Boom Operator |
Crew | John Patrick McLaughlin | Stunts |
Production | Drew Dillard | Assistant Location Manager |
Crew | John Carrafa | Choreographer |
Production | Pamela Thur | Location Manager |
Sound | Jane McCulley | ADR Editor |
Crew | Betsy Sokolow-Sherman | Unit Publicist |
Crew | Norman Douglass | Stunts |
Sound | Michael J. Wechsler | Apprentice Sound Editor |
Sound | Michael Schmidt | Sound Recordist |
Production | David Diamond | Casting Associate |
Art | Nina Saxon | Title Designer |
Camera | James R. Belletier | Second Assistant Camera |
Camera | Thomas Jirgal | Best Boy Grip |
Crew | Mike Lisenco | Stunts |
Art | Kathleen Dolan | Assistant Property Master |
Crew | Jeffrey H. Kaufman | Stunts |
Lighting | Greg Quinlan | Best Boy Electric |
Production | Judie Fixler | Extras Casting |
Crew | Don Hewitt Sr. | Stunts |
Camera | Patrick McGrath | Dolly Grip |
Sound | Jeffrey Pollack | Music Consultant |
Crew | Paul Sklar | Stunts |
Art | Laura Lambert | Art Department Assistant |
Directing | Michael DeCasper | Second Assistant Director |
Crew | Bill Traynor | Special Effects |
Production | Peter Lombardi | Production Accountant |
Production | Mara Hade Connolly | Assistant Accountant |
Production | Diane L. Langone | Post Production Accountant |
Crew | Steven Arvanites | Stunts |
Crew | Gary Cerveny | Stunts |
Crew | Suzanne Klein | Stunts |
Art | Donald Caruthers | Storyboard Artist |