Working in Dr. Cranley's laboratory, scientist Jack Griffin was always given the latitude to conduct some of his own experiments. His sudden departure, however, has Cranley's daughter Flora worried about him. Griffin has taken a room at the nearby Lion's Head Inn, hoping to reverse an experiment he conducted on himself that made him invisible. But the experimental drug has also warped his mind, making him aggressive and dangerous. He's prepared to do whatever it takes to restore his appearance.
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Production | Carl Laemmle Jr. | Producer |
Art | Charles D. Hall | Art Direction |
Editing | Maurice Pivar | Editorial Manager |
Camera | Arthur Edeson | Director of Photography |
Camera | Arthur Edeson | Camera Operator |
Directing | James Whale | Director |
Editing | Ted J. Kent | Editor |
Camera | John J. Mescall | Director of Photography |
Visual Effects | John J. Mescall | Visual Effects Camera |
Writing | H.G. Wells | Novel |
Sound | W. Franke Harling | Music |
Crew | Carl Laemmle | Presenter |
Writing | Philip Wylie | Writer |
Costume & Make-Up | Jack Pierce | Makeup Artist |
Writing | Preston Sturges | Writer |
Sound | Heinz Roemheld | Original Music Composer |
Sound | Heinz Roemheld | Conductor |
Writing | R.C. Sherriff | Screenplay |
Visual Effects | Frank D. Williams | Visual Effects Supervisor |
Crew | John P. Fulton | Special Effects |
Directing | Joseph A. McDonough | Assistant Director |
Sound | William Hedgcock | Sound Recordist |
Camera | King D. Gray | Camera Operator |
Sound | Gilbert Kurland | Music Supervisor |
Sound | Gilbert Kurland | Sound Supervisor |
Visual Effects | Cleo E. Baker | Visual Effects |
Sound | William Schiller | Orchestrator |
Art | Wally Kirkpatrick | Props |
Visual Effects | Roswell A. Hoffmann | Visual Effects |
Visual Effects | Roswell A. Hoffmann | Visual Effects Camera |
Camera | Roman Freulich | Still Photographer |
Camera | Fred Stoll | Grip |
Sound | John Kemp | Sound Recordist |
Camera | Jack Eagan | Assistant Camera |
Visual Effects | Bill Heckler | Visual Effects |
Camera | Peter Abriss | Grip |