A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.
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| Writing | Edward T. Lowe Jr. | Scenario Writer |
| Sound | Alfonso Corelli | Music |
| Directing | Robert Ross | Assistant Director |
| Art | Thomas F. O'Neill | Assistant Art Director |
| Sound | C. Roy Hunter | Recording Supervision |
| Camera | Eddie Ellsworth | Still Photographer |
| Visual Effects | Walter Lantz | Animation |
| Visual Effects | William Nolan | Animation |
| Editing | Maurice Pivar | Supervising Editor |
| Sound | Milton Ager | Songs |
| Crew | James Dietrich | Additional Music |
| Crew | George Gershwin | Additional Music |
| Sound | Ferde Grofé Sr. | Music Director |
| Sound | Ferde Grofé Sr. | Orchestrator |
| Crew | Billy Rose | Additional Music |
| Crew | Mabel Wayne | Additional Music |
| Sound | Jack Yellen | Songs |
| Crew | Carl Laemmle | Presenter |
| Crew | Russell Markert | Choreographer |
| Directing | John Murray Anderson | Director |
| Production | Carl Laemmle Jr. | Producer |
| Camera | Jerome Ash | Director of Photography |
| Camera | Hal Mohr | Director of Photography |
| Camera | Ray Rennahan | Director of Photography |
| Editing | Robert Carlisle | Editor |
| Art | Herman Rosse | Art Direction |
| Costume & Make-Up | Herman Rosse | Costume Design |
| Costume & Make-Up | Jack Pierce | Makeup Artist |
| Crew | Roswell A. Hoffmann | Special Effects Assistant |
| Writing | Harry Ruskin | Writer |
| Directing | Pál Fejős | Assistant Director |