Miles Logan is a jewel thief who just hit the big time by stealing a huge diamond. However, after two years in jail, he comes to find out that he hid the diamond in a police building that was being built at the time of the robbery. In an attempt to regain his diamond, he poses as an LAPD detective.
Is Blue Streak on Netflix? Yes! The movie Blue Streak is now on Netflix in the countries listed below.
| Editing | Michael Tronick | Editor |
| Sound | Ed Shearmur | Original Music Composer |
| Directing | David R. Ellis | Second Unit Director |
| Production | Michael Fottrell | Unit Production Manager |
| Production | Neal H. Moritz | Producer |
| Production | Daniel Melnick | Executive Producer |
| Crew | Freddie Hice | Stunts |
| Costume & Make-Up | Denise Wingate | Costume Design |
| Camera | David Eggby | Director of Photography |
| Lighting | Steve Reinhardt | Assistant Chief Lighting Technician |
| Art | Bill Brzeski | Production Design |
| Production | Toby Jaffe | Producer |
| Directing | Les Mayfield | Director |
| Writing | Stephen Carpenter | Screenplay |
| Editing | Greg Parsons | Additional Editing |
| Production | Allen Shapiro | Executive Producer |
| Art | Brana Rosenfeld | Set Decoration |
| Writing | Michael Berry | Screenplay |
| Writing | John Blumenthal | Screenplay |
| Sound | Kim H. Ornitz | Production Sound Mixer |
| Directing | Bruce Franklin | First Assistant Director |
| Sound | Brydon Baker III | Boom Operator |
| Sound | Gary A. Hecker | Foley Artist |
| Lighting | Jeff Murrell | Chief Lighting Technician |
| Sound | John Joseph Thomas | Sound Editor |
| Art | Philip Toolin | Art Direction |
| Costume & Make-Up | Anthony J. Scarano | Wardrobe Supervisor |
| Sound | Tom Kramer | Music Editor |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Sound | Michael Magill | Sound Editor |
| Crew | Mike Fenster | Transportation Co-Captain |
| Crew | Michael Antunez | Transportation Captain |
| Art | A. Todd Holland | Set Designer |
| Crew | Troy Robinson | Stunts |
| Sound | Michael J. Broomberg | Foley Artist |
| Sound | Susan Dudeck | ADR Supervisor |
| Art | Fanée Aaron | Set Designer |
| Sound | Amanda Goodpaster | Music Editor |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Greg Orloff | Sound Re-Recording Mixer |
| Art | Wayne Shepherd | Leadman |
| Art | John H. Samson | Construction Coordinator |
| Editing | Heather Goodwin | Assistant Editor |
| Sound | Richard Burton | Sound Editor |
| Art | Tommy Tomlinson | Property Master |
| Sound | Alison Fisher | Sound Editor |
| Crew | Carol McConnaughey | Unit Publicist |
| Sound | Thom Brennan | Sound Editor |
| Directing | Jeanne Byrd | Script Supervisor |
| Art | Kris Peck | Assistant Property Master |
| Sound | Melodee Sutton | Music Coordinator |
| Sound | John Morris | Supervising Sound Editor |
| Camera | Nicola Goode | Still Photographer |
| Editing | James Andrykowski | Assistant Editor |
| Sound | Mark Pappas | Foley Supervisor |
| Editing | Mike Stanwick | Color Timer |
| Crew | Richard Cody | Craft Service |
| Editing | Aaron Brock | Assistant Editor |
| Sound | Tricia Linklater | First Assistant Sound Editor |
| Camera | Audie Aragon | Dolly Grip |
| Directing | Conte Mark Matal | Second Assistant Director |
| Sound | Ken Ross | Music Supervisor |
| Sound | Richard Duarte | Foley Mixer |
| Crew | Tony R. Medina | Propmaker |
| Camera | Butch Von Bulow | Dolly Grip |
| Visual Effects | Clayton Pinney | Special Effects Supervisor |
