In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?
Is Warlock on Netflix? Unfortunately the movie Warlock is not yet available on Netflix. Follow us on Facebook to see when Warlock becomes available on Netflix!
| Production | Steve Miner | Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Arnold Kopelson | Executive Producer |
| Directing | Steve Miner | Director |
| Camera | David Eggby | Director of Photography |
| Writing | David Twohy | Screenplay |
| Production | Brian Yuzna | Executive Producer |
| Editing | David Finfer | Editor |
| Sound | Todd Toon | Assistant Sound Editor |
| Production | Melissa Skoff | Casting |
| Sound | James M. Tanenbaum | Sound Mixer |
| Sound | John Kwiatkowski | Sound Effects Editor |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Crew | Ken Pepiot | Special Effects Coordinator |
| Costume & Make-Up | Neal Martz | Special Effects Makeup Artist |
| Directing | David R. Ellis | Second Unit Director |
| Costume & Make-Up | Leslie Ann Anderson | Hairstylist |
| Crew | David R. Ellis | Stunt Coordinator |
| Costume & Make-Up | Tom Woodruff Jr. | Special Effects Makeup Artist |
| Editing | Gary Burritt | Negative Cutter |
| Art | Roy Forge Smith | Production Design |
| Costume & Make-Up | Peter Montagna | Special Effects Makeup Artist |
| Sound | Lee Strosnider | Sound Mixer |
| Production | Michael Fottrell | Associate Producer |
| Art | Jon Gary Steele | Art Direction |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Costume & Make-Up | Pat Gerhardt | Makeup Artist |
| Costume & Make-Up | Peter Montagna | Assistant Makeup Artist |
| Costume & Make-Up | Dan Platt | Special Effects Makeup Artist |
| Art | Jennifer Williams | Set Decoration |
| Costume & Make-Up | Carl Fullerton | Special Effects Makeup Artist |
| Lighting | Robert Driskell | Gaffer |
| Camera | Dylan Shephard | Key Grip |
| Camera | Skip Cook | Dolly Grip |
| Production | Michael Fottrell | Unit Production Manager |
| Directing | Matt Earl Beesley | First Assistant Director |
| Directing | Frank Capra III | Second Assistant Director |
| Camera | Bruce M. Pasternack | Camera Operator |
| Camera | Walt Lloyd | Camera Operator |
| Camera | Randy Nolen | Steadicam Operator |
| Sound | Ken Beauchene | Boom Operator |
| Costume & Make-Up | Mary Law Weir | Costume Supervisor |
| Art | Gary Wissner | Assistant Art Director |
| Art | Theresa Pedemonte | Leadman |
| Art | Edwin M. Brewer | Property Master |
| Art | W. Wayne Walser | Construction Coordinator |
| Visual Effects | Robert Habros | Visual Effects Supervisor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Sound | Ken Hall | Music Editor |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Tom Hammond | Foley Editor |
| Sound | G.W. Brown | ADR Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Randy Vandegrift | Dialogue Editor |
| Editing | Tom Shaffer | Color Timer |
| Crew | Eddie Lee Voelker | Transportation Coordinator |
| Crew | Mario Simon | Transportation Captain |
| Crew | Annie Ellis | Stunts |
| Crew | Richard M. Ellis | Stunts |
| Crew | John C. Meier | Stunts |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Crew | Doc Duhame | Stunts |
