In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?
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| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Roger Corman | Producer |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Crew | David R. Ellis | Stunt Coordinator |
| Directing | David R. Ellis | Second Unit Director |
| Production | Michael Fottrell | Unit Production Manager |
| Production | Michael Fottrell | Associate Producer |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Art | Jennifer Williams | Set Decoration |
| Camera | Walt Lloyd | Camera Operator |
| Art | Roy Forge Smith | Production Design |
| Production | Arnold Kopelson | Executive Producer |
| Art | Jon Gary Steele | Art Direction |
| Art | Gary Wissner | Assistant Art Director |
| Costume & Make-Up | Neal Martz | Special Effects Makeup Artist |
| Editing | David Finfer | Editor |
| Production | Brian Yuzna | Executive Producer |
| Crew | Ken Pepiot | Special Effects Coordinator |
| Writing | David Twohy | Screenplay |
| Camera | David Eggby | Director of Photography |
| Production | Melissa Skoff | Casting |
| Directing | Frank Capra III | Second Assistant Director |
| Directing | Steve Miner | Director |
| Production | Steve Miner | Producer |
| Costume & Make-Up | Leslie Ann Anderson | Hairstylist |
| Sound | G.W. Brown | ADR Editor |
| Sound | John Kwiatkowski | Sound Effects Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Todd Toon | Assistant Sound Editor |
| Sound | Tom Hammond | Foley Editor |
| Sound | Randy Vandegrift | Dialogue Editor |
| Costume & Make-Up | Tom Woodruff Jr. | Special Effects Makeup Artist |
| Directing | Matt Earl Beesley | First Assistant Director |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Lee Strosnider | Sound Mixer |
| Visual Effects | Robert Habros | Visual Effects Supervisor |
| Lighting | Robert Driskell | Gaffer |
| Crew | Eddie Lee Voelker | Transportation Coordinator |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Costume & Make-Up | Carl Fullerton | Special Effects Makeup Artist |
| Camera | Randy Nolen | Steadicam Operator |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Costume & Make-Up | Mary Law Weir | Costume Supervisor |
| Costume & Make-Up | Peter Montagna | Assistant Makeup Artist |
| Costume & Make-Up | Peter Montagna | Special Effects Makeup Artist |
| Sound | James M. Tanenbaum | Sound Mixer |
| Camera | Bruce M. Pasternack | Camera Operator |
| Crew | Richard M. Ellis | Stunts |
| Sound | Ken Beauchene | Boom Operator |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Mario Simon | Transportation Captain |
| Camera | Skip Cook | Dolly Grip |
| Costume & Make-Up | Pat Gerhardt | Makeup Artist |
| Art | Edwin M. Brewer | Property Master |
| Art | W. Wayne Walser | Construction Coordinator |
| Crew | Annie Ellis | Stunts |
| Editing | Tom Shaffer | Color Timer |
| Costume & Make-Up | Dan Platt | Special Effects Makeup Artist |
| Camera | Dylan Shephard | Key Grip |
| Sound | Ken Hall | Music Editor |
| Art | Theresa Pedemonte | Leadman |
