Struggling director Sing is forced to make a Category III film for a triad boss who wants his girlfriend to star, leading to conflicts over artistic integrity, nudity, and his relationship with his own girlfriend.
Is Viva Erotica on Netflix? Unfortunately the movie Viva Erotica is not yet available on Netflix.
| Sound | Anthony Chue Chan-Tung | Music Arranger |
| Writing | Derek Yee | Writer |
| Writing | Lo Chi-Leung | Writer |
| Directing | Derek Yee | Director |
| Art | Kenneth Yee | Production Design |
| Art | Pen Pang Yat-Sang | Assistant Art Director |
| Camera | Jingle Ma Choh-Sing | Director of Photography |
| Production | Catherine Hun | Producer |
| Directing | Lo Chi-Leung | Director |
| Costume & Make-Up | Ben Luk Man-Wah | Costume Designer |
| Lighting | Ho Pik-On | Lighting Technician |
| Directing | Wong Man-Ching | Script Supervisor |
| Lighting | Wong Wai-Chuen | Lighting Director |
| Art | Wong Sai-Kit | Property Master |
| Crew | Raymond Chow | Presenter |
| Crew | Ho Chi-Wai | Transportation Captain |
| Costume & Make-Up | Middi Yau | Makeup Artist |
| Editing | Azrael Chung | Assistant Editor |
| Directing | Wong Man-Ching | Assistant Director |
| Camera | Chan Kwok-Hung | Focus Puller |
| Directing | Kingson Shek Siu-Lun | Assistant Director |
| Costume & Make-Up | Chan Wing-Yee | Special Effects Makeup Artist |
| Production | William Wong Mei-Keung | Production Manager |
| Costume & Make-Up | Chan Sau-Ming | Wardrobe Designer |
| Production | Gin Lau Sin-Hing | Production Manager |
| Production | Ray Pang Lap-Wai | Associate Producer |
| Camera | Piggy Chan Kam-Chuen | Still Photographer |
| Sound | Lee Hing-Keung | Boom Operator |
| Art | Wong Kim-Kwong | Props |
| Sound | Clarence Hui | Music Editor |
| Costume & Make-Up | Samuel Wong Kwok-Hung | Hair Designer |
| Art | Tang King-Wah | Props |
| Editing | Eric Kwong Chi-Leung | Editor |
| Sound | Leung Chi-Tat | Sound Recordist |
| Sound | George Lee Yiu-Keung | Dialogue Editor |
| Crew | Fong Kam-Mui | Mixing Engineer |
| Sound | Ronny Ching Siu-Lung | Foley |
| Sound | Hui Chi-Hoi | Dialogue Editor |
| Writing | Lung Po-Tin | Dialogue |
| Sound | Hui Chi-Hoi | Foley Recording Engineer |
| Writing | Zhao Lingzhi | Dialogue |
| Crew | William Wong Mei-Keung | Post-Production Manager |
| Art | Bo Wai-Tong | Props |
| Production | Keith Lee Pak-Ling | Business Affairs Coordinator |
| Production | Benny Tse Chi-Wah | Unit Manager |
| Crew | Kingson Shek Siu-Lun | Post-Production Manager |
| Sound | Chan Hon-Bong | Dialogue Editor |
| Sound | George Lee Yiu-Keung | Foley Recording Engineer |
| Crew | Yeung Kin-Keung | Mixing Engineer |
| Sound | Chan Hon-Bong | Foley Recording Engineer |
| Sound | Jordan Chan Siu-Chun | Theme Song Performance |
| Sound | Karen Mok Man-Wai | Theme Song Performance |
| Production | Johnny Wang Yin-Ming | Associate Producer |
| Writing | Bosco Lam Tsz-Ho | Story |
| Production | Raymond Chow | Producer |
| Sound | Duck Lau Cho-Tak | Original Music Composer |
| Sound | Chiu Tsang-Hei | Original Music Composer |
| Art | Kenneth Yee | Art Direction |
| Art | Ringo Fung Gai-Fai | Art Direction |
| Writing | Ka Man | Co-Writer |
