Fa Mulan gets the surprise of her young life when her love, Captain Li Shang asks for her hand in marriage. Before the two can have their happily ever after, the Emperor assigns them a secret mission, to escort three princesses to Chang'an, China. Mushu is determined to drive a wedge between the couple after he learns that he will lose his guardian job if Mulan marries into the Li family.
Is Mulan II on Netflix? Unfortunately the movie Mulan II is not yet available on Netflix.
| Sound | Joel McNeely | Original Music Composer |
| Directing | Darrell Rooney | Director |
| Editing | Pam Ziegenhagen | Editor |
| Directing | Lynne Southerland | Director |
| Art | Robert St. Pierre | Production Design |
| Production | Jennifer Blohm | Producer |
| Art | Lin Hua Zheng | Art Direction |
| Writing | Jane Wu | Story Artist |
| Art | Dennis Venizelos | Background Designer |
| Visual Effects | Masaru Ohshiro | Animation |
| Visual Effects | Yoshitake Iwakami | Animation Manager |
| Sound | Jeanine Tesori | Music |
| Visual Effects | Hiroyuki Hatada | CGI Director |
| Visual Effects | Kazuyoshi Takeuchi | Animation Director |
| Visual Effects | Madoka Yasue | Supervising Animation Director |
| Sound | Alexa Junge | Songs |
| Sound | Joel McNeely | Conductor |
| Visual Effects | Hiroshi Ohno | Animation Supervisor |
| Production | Toshiyuki Fukai | Production Supervisor |
| Production | Jamie Thomason | Casting Director |
| Production | Deanne Koehn | Production Manager |
| Visual Effects | Tohru Kobayashi | Compositing Lead |
| Visual Effects | Hiroshi Kawamata | Lead Animator |
| Visual Effects | Hisashi Wada | Lead Animator |
| Visual Effects | Lajos Kamocsay | CGI Director |
| Visual Effects | Jenny North | Color Designer |
| Production | Ken Poteat | Post Production Coordinator |
| Visual Effects | Chen-Yi Chang | Animation |
| Visual Effects | Tomokatsu Nagasaku | Animation |
| Sound | Craig Pettigrew | Music Editor |
| Writing | Roger S.H. Schulman | Screenplay |
| Visual Effects | Ritsuko Notani | Character Designer |
| Writing | Chris Parker | Screenplay |
| Visual Effects | Gang Peng | Animation |
| Visual Effects | Colin Hodges | CGI Director |
| Crew | Doug Little | Digital Producer |
| Production | Jeffrey Moznett | Production Coordinator |
| Sound | Donald J. Malouf | Supervising Sound Editor |
| Visual Effects | Wallace Williamson | Animation |
| Visual Effects | Tracy Jones | Color Designer |
| Sound | Thomas Whiting | Supervising ADR Editor |
| Sound | Doug Jackson | Sound Effects Editor |
| Production | Catherine A. Jones | Production Manager |
| Production | Ellen Williams | Production Coordinator |
| Sound | Cindy Jo Hinkleman | Assistant Sound Editor |
| Production | Takeshi Eriguchi | Production Supervisor |
| Visual Effects | Junpei Tatenaka | Lead Animator |
| Production | Heidi Friese | Production Coordinator |
| Sound | Brett Swain | Music Producer |
| Visual Effects | Kenichi Tsuchiya | Lead Animator |
| Editing | Lisa Linder | Assistant Editor |
| Visual Effects | Katsuya Kozutsumi | Compositing Lead |
| Visual Effects | Yuji Watanabe | Lead Animator |
| Directing | Yumiko Suzuki | Assistant Director |
| Crew | Mark A. Bollinger | Post Production Supervisor |
| Writing | Michael Lucker | Screenplay |
| Sound | Steven Gizicki | Music Supervisor |
| Sound | Dan Yale | Foley Editor |
| Sound | Charles W. Ritter | Supervising Dialogue Editor |
| Art | Skip Jones | Additional Storyboarding |
