In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.
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Camera | Ted D. McCord | Director of Photography |
Directing | Robert Wise | Director |
Editing | William Reynolds | Editor |
Costume & Make-Up | Dorothy Jeakins | Costume Design |
Writing | Ernest Lehman | Screenplay |
Production | Lee Wallace | Casting |
Art | Walter M. Scott | Set Decoration |
Production | Saul Wurtzel | Unit Production Manager |
Directing | Ridgeway Callow | Assistant Director |
Sound | Irwin Kostal | Original Music Composer |
Production | Robert Wise | Producer |
Art | Ruby R. Levitt | Set Decoration |
Art | Boris Leven | Production Design |
Production | Richard D. Zanuck | Executive Producer |
Production | Peter Levathes | Executive Producer |
Production | Saul Chaplin | Associate Producer |
Writing | Oscar Hammerstein II | Lyricist |
Sound | Richard Rodgers | Songs |
Writing | Richard Rodgers | Lyricist |
Costume & Make-Up | Margaret Donovan | Hairstylist |
Costume & Make-Up | Ben Nye | Makeup Artist |
Sound | Bernard Freericks | Sound |
Sound | Murray Spivack | Sound |
Camera | Paul Beeson | Additional Photography |
Editing | Mark Griffith | Digital Intermediate Colorist |
Editing | John Sellars | Colorist |
Sound | Oscar Hammerstein II | Music |
Sound | Irwin Kostal | Conductor |
Sound | Irwin Kostal | Music Arranger |
Sound | Irwin Kostal | Music Supervisor |
Sound | Robert Mayer | Music Editor |
Sound | Richard Rodgers | Music |
Crew | Marc Breaux | Choreographer |
Crew | Dee Dee Wood | Choreographer |
Lighting | Adolfo Bartoli | Lighting Technician |
Writing | Howard Lindsay | Book |
Writing | Russel Crouse | Book |