Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother's scooter for fun. The boys' father refuses to pay them back the price of the scooter. The fight for "fair is fair" takes the teens around the state and produces an unlikely hero.
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| Camera | Jeffrey L. Kimball | Director of Photography |
| Writing | Lawrence Konner | Writer |
| Production | Lawrence Konner | Co-Producer |
| Writing | Mark Rosenthal | Writer |
| Production | Mark Rosenthal | Co-Producer |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Production | Peter Guber | Executive Producer |
| Production | Jon Peters | Executive Producer |
| Art | Cheryl Carasik | Leadman |
| Sound | Dennie Thorpe | Foley Artist |
| Art | Ted Haworth | Production Design |
| Directing | Matthew Robbins | Director |
| Art | William J. Durrell Jr. | Set Designer |
| Sound | Ken Johnson | Music Editor |
| Crew | Bobby Bass | Stunt Coordinator |
| Production | Rob Cohen | Producer |
| Sound | John Nutt | Supervising Dialogue Editor |
| Crew | Ken Pepiot | Special Effects Coordinator |
| Production | George Parra | Location Assistant |
| Production | John Panzarella | Location Manager |
| Sound | Craig Safan | Original Music Composer |
| Editing | Cynthia Scheider | Editor |
| Directing | Thomas J. Mack | First Assistant Director |
| Art | R. Chris Westlund | Set Decoration |
| Crew | Robin Forman | Post Production Supervisor |
| Costume & Make-Up | Alan Friedman | Makeup Designer |
| Costume & Make-Up | Alan Friedman | Makeup Supervisor |
| Production | Paula Herold | Casting |
| Costume & Make-Up | Lynn Del Kail | Hairstylist |
| Sound | Karen Spangenberg | ADR Editor |
| Camera | Kristin R. Glover | First Assistant Camera |
| Sound | Ken Fischer | Sound Effects Editor |
| Costume & Make-Up | Rosalie Wallace | Costumer |
| Crew | Gary Hellerstein | Transportation Coordinator |
| Sound | Marilyn McCoppen | Dialogue Editor |
| Editing | Rick Derby | Assistant Editor |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Art | William Maldonado | Construction Coordinator |
| Sound | Diana Pellegrini | Foley Editor |
| Costume & Make-Up | Donna Linson | Costume Design |
| Sound | Charles M. Wilborn | Sound Mixer |
| Costume & Make-Up | Kim Samson | Hairstylist |
| Camera | James R. Connell | Camera Operator |
| Sound | Vivien Hillgrove Gilliam | ADR Editor |
| Directing | Louise Jaffe | Script Supervisor |
| Crew | Michael Arbogast | Special Effects |
| Production | Pat Orseth | Location Casting |
| Directing | J. Tom Archuleta | Second Second Assistant Director |
| Camera | J. Michael Popovich | Dolly Grip |
| Camera | Larry Sweet | Grip |
| Camera | Thomas Prophet | Key Grip |
| Sound | Jolene Cherry | Music Supervisor |
| Sound | Jay Boekelheide | Supervising Sound Editor |
| Camera | Dennis J. Laine | Second Assistant Camera |
| Lighting | Stanley L. Gonsales | Electrician |
| Editing | David Dresher | Assistant Editor |
| Directing | Mark Radcliffe | Second Assistant Director |
| Production | Sheila A. Warner | Production Coordinator |
| Lighting | Kevin Kelley | Best Boy Electric |
| Costume & Make-Up | Alfred N. Martin Jr. | Costumer |
| Sound | William Gocke | Boom Operator |
| Art | Steven Westlund | Property Master |
| Production | Tony Wade | Production Manager |
