Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.
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| Production | Juliet Taylor | Casting |
| Production | Howard Feuer | Casting |
| Production | Robert F. Colesberry | Producer |
| Art | Gretchen Rau | Assistant Set Decoration |
| Costume & Make-Up | Aude Bronson-Howard | Costume Design |
| Directing | Aldric La'Auli Porter | First Assistant Director |
| Sound | Trevor Jones | Original Music Composer |
| Camera | Peter Biziou | Director of Photography |
| Art | Jim Erickson | Set Decoration |
| Editing | Gerry Hambling | Editor |
| Directing | Alan Parker | Director |
| Camera | David Appleby | Still Photographer |
| Art | Steve Arnold | Assistant Art Director |
| Writing | Chris Gerolmo | Screenplay |
| Art | Philip Harrison | Production Design |
| Costume & Make-Up | Ellen Lutter | Costume Supervisor |
| Art | Geoffrey Kirkland | Production Design |
| Editing | Mayin Lo | Assistant Editor |
| Production | Frederick Zollo | Producer |
| Sound | Danny Michael | Sound Recordist |
| Crew | Steve Kelso | Stunts |
| Crew | John Robotham | Stunt Coordinator |
| Production | Barbara Harris | ADR Voice Casting |
| Art | John Willett | Art Direction |
| Directing | Robin Squibb | Script Supervisor |
| Sound | Pieter Hubbard | Sound Editor |
| Crew | Nicholas Paleologos | Thanks |
| Costume & Make-Up | Helen P. Butler | Costume Supervisor |
| Costume & Make-Up | David Forrest | Makeup Designer |
| Crew | Maida N. Morgan | Thanks |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Art | James C. Feng | Assistant Art Director |
| Art | E.W. Bradford | Construction Coordinator |
| Crew | Roger Dietz | Scenic Artist |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Camera | Mike Roberts | Camera Operator |
| Crew | David Linck | Unit Publicist |
| Crew | Stan Parks | Special Effects Coordinator |
| Costume & Make-Up | Paul LeBlanc | Hair Designer |
| Art | Polar Bear Shaw | Set Dresser |
| Lighting | Dennis J. Lootens | Electrician |
| Art | Jerry G. Henery | Construction Foreman |
| Costume & Make-Up | Cynthia L. Hamilton | Assistant Costume Designer |
| Sound | Paul Hulme | Sound Engineer |
| Sound | Hal Sanders | Sound Editor |
| Sound | Bill Phillips | Supervising Sound Editor |
| Sound | Bruce Lacey | Sound Editor |
| Art | Ron Stone | Property Master |
| Production | Tom Razzano | Unit Production Manager |
| Camera | Bob Leitelt | Grip |
| Lighting | Willie Mann | Best Boy Electric |
| Editing | Gary Burritt | Negative Cutter |
| Camera | Eamonn O'Keeffe | First Assistant Camera |
| Art | David Brace | Leadman |
| Crew | Rick Davis | Transportation Captain |
| Camera | Mike Moad | Dolly Grip |
| Editing | Glenn Cunningham | First Assistant Editor |
| Sound | John Phillips | Sound Editor |
| Camera | Les Percy | Key Grip |
| Sound | Anthony Starbuck | Boom Operator |
| Production | Judith Lyn Brown | Production Coordinator |
| Sound | David Grannis | Assistant Sound Editor |
| Crew | Jerry Jackson | Transportation Coordinator |
| Directing | Brenda Kalosh | Second Assistant Director |
| Art | John Bromell | Set Dresser |
| Directing | Carol D. Bonnefil | Second Second Assistant Director |
