In 1930s England, 17-year-old Cassandra Mortmain and her eccentric family struggle to survive in a decaying English castle.
Is I Capture the Castle on Netflix? Unfortunately the movie I Capture the Castle is not yet available on Netflix.
| Directing | Tim Fywell | Director |
| Art | Bill Hargreaves | Props |
| Art | Mike Stallion | Art Direction |
| Production | Sarah Wheale | Assistant Production Coordinator |
| Sound | Evelyn Ficarra | Supervising Dialogue Editor |
| Costume & Make-Up | Kate Eden | Costume Supervisor |
| Art | Thomas Brown | Assistant Art Director |
| Art | Barry Gibbs | Property Master |
| Directing | Guy Heeley | First Assistant Director |
| Production | Amanda Stevens | Location Manager |
| Costume & Make-Up | Richard Cooke | Assistant Costume Designer |
| Directing | Phil Booth | Second Assistant Director |
| Camera | Ed Rutherford | Clapper Loader |
| Sound | Bernard O'Reilly | Supervising Sound Editor |
| Sound | Dave McGrath | ADR Recordist |
| Camera | Dermot Hickey | Focus Puller |
| Costume & Make-Up | Jayne Buxton | Makeup & Hair |
| Crew | Darren Mackie | Floor Runner |
| Camera | Nick Beeks-Sanders | Camera Operator |
| Directing | Vicky Marks | Third Assistant Director |
| Sound | Fiona Curran | Dialogue Editor |
| Sound | Maggie Rodford | Music Supervisor |
| Visual Effects | Dominic Tuohy | Special Effects Supervisor |
| Editing | Jason Wheeler | Negative Cutter |
| Art | Paul Cross | Supervising Art Director |
| Art | Leigh Walker | Art Direction |
| Art | Roger Holden | Greensman |
| Production | Becky Scoffield | Production Runner |
| Visual Effects | Simon Frame | Visual Effects Supervisor |
| Editing | Ian Differ | Assistant Editor |
| Lighting | Wick Finch | Gaffer |
| Camera | Keith Hamshere | Still Photographer |
| Crew | Julia Wilson Dickson | Dialogue Coach |
| Art | Judy Farr | Set Decoration |
| Costume & Make-Up | Deborah Jarvis | Makeup & Hair |
| Crew | Jane Gibson | Choreographer |
| Camera | Jon Hurley | Camera Trainee |
| Art | John Bohan | Construction Manager |
| Lighting | Steve Pattenden | Electrician |
| Crew | Eamon McLoughlin | Carpenter |
| Sound | Hugh Johnson | Sound Re-Recording Mixer |
| Crew | Jim Dowdall | Stunt Coordinator |
| Production | Jeremy Johns | Production Manager |
| Sound | Peter Glossop | Sound Mixer |
| Production | Marshall Leviten | Production Coordinator |
| Art | Zoe Smith | Property Buyer |
| Production | Jo Beckett | Unit Manager |
| Camera | Glyn Williams | Assistant Camera |
| Editing | Laura Evans | Assistant Editor |
| Sound | Miriam Ludbrook | ADR Editor |
| Crew | Mark Barry-Jackson | Pilot |
| Camera | Steve Weightman | Grip |
| Sound | Barnaby Smyth | ADR & Dubbing |
| Sound | Paula Boram | Foley Artist |
| Sound | Melissa Lake | Foley Artist |
| Crew | Victoria Mielewska | Dialogue Coach |
| Camera | Adam Dale | Aerial Camera |
| Sound | Matt Biffa | Music Supervisor |
| Writing | Irena Brignull | Script Editor |
| Costume & Make-Up | Carin Hoff | Assistant Costume Designer |
| Sound | Ruth Sullivan | Foley Artist |
| Art | John Paul Kelly | Production Design |
| Production | Mark Cooper | Co-Producer |
| Costume & Make-Up | Lisa Westcott | Makeup Designer |
| Costume & Make-Up | Lisa Westcott | Hair Designer |
| Costume & Make-Up | Charlotte Walter | Costume Design |
| Writing | Heidi Thomas | Screenplay |
| Production | David Parfitt | Producer |
| Writing | Dodie Smith | Novel |
| Editing | Roy Sharman | Editor |
| Camera | Richard Greatrex | Director of Photography |
| Production | David M. Thompson | Producer |
| Production | Anant Singh | Producer |
| Production | Tricia Wood | Casting |
| Production | Deborah Aquila | Casting |
| Directing | Sue Hills | Script Supervisor |
| Production | Kate Rhodes James | Casting |
| Sound | Dario Marianelli | Original Music Composer |
| Lighting | Jim Smart | Electrician |
