Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life -- with the coldhearted Ginnie in tow -- Arlis must deal with his past demons.
Is Flesh and Bone on Netflix? Unfortunately the movie Flesh and Bone is not yet available on Netflix.
| Directing | Steve Kloves | Director |
| Art | Darren Patnode | Set Dresser |
| Directing | Jordan Stone | Second Second Assistant Director |
| Art | Jerry King | Set Dresser |
| Sound | Ann Hadsell | Sound Recordist |
| Sound | Samuel F. Kaufman | Sound Recordist |
| Sound | Ralph Osborn | Dialogue Editor |
| Sound | Andrea Lakin | Sound Recordist |
| Sound | Brian Ruberg | ADR Mixer |
| Art | Marcus Brown | Set Dresser |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Directing | Marge Piane | Second Assistant Director |
| Sound | Gary Lewis | Dialogue Editor |
| Crew | Brad Bovee | Stunt Double |
| Art | Shane Patrick | Set Dresser |
| Sound | Joe Earle | Sound Effects Editor |
| Art | Jeff Schwan | Set Dresser |
| Directing | Cara Giallanza | First Assistant Director |
| Sound | Joan Chamberlain | Sound Recordist |
| Sound | Simon Coke | Sound Effects Editor |
| Sound | Bruce Tanis | Sound Effects Editor |
| Art | Lisa K. Sessions | Set Dresser |
| Sound | Pat McCormick | Dialogue Editor |
| Art | Joe Self | Set Dresser |
| Writing | Steve Kloves | Screenplay |
| Costume & Make-Up | Elizabeth McBride | Costume Designer |
| Crew | Margaret Johnson | Special Effects Coordinator |
| Costume & Make-Up | Dorothy J. Pearl | Makeup Artist |
| Sound | Danny Michael | Sound Mixer |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Crew | Andy Armstrong | Stunt Coordinator |
| Art | Charles William Breen | Art Direction |
| Sound | Bill Bernstein | Music Editor |
| Visual Effects | Randy E. Moore | Special Effects Supervisor |
| Sound | Joel Sill | Music Consultant |
| Crew | Sara Romilly | Post Production Supervisor |
| Art | Samara Schaffer | Set Decoration |
| Costume & Make-Up | Leonard Engelman | Makeup Artist |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Crew | Mark Rosenberg | In Memory Of |
| Production | Sue Bokobza | Production Accountant |
| Editing | Jim Makiej | Assistant Editor |
| Art | Trish Gallaher Glenn | Property Master |
| Camera | C. Alan Rawlins Sr. | First Company Grip |
| Production | Andrew D. Cooke | Location Manager |
| Camera | Anastas N. Michos | Camera Operator |
| Camera | Robert Hicks | Grip |
| Production | G. Mac Brown | Unit Production Manager |
| Lighting | Jack English | Chief Lighting Technician |
| Art | Patricia Malone | Assistant Set Decoration |
| Lighting | Scott Graves | Lighting Technician |
| Costume & Make-Up | Eva Prappas | Set Costumer |
| Lighting | James Babineaux | Assistant Chief Lighting Technician |
| Camera | Ted Morris | First Assistant Camera |
| Costume & Make-Up | Taneia Lednicky | Assistant Costume Designer |
| Art | John D. Kretschmer | Lead Set Dresser |
| Art | Gary Diamond | Assistant Art Director |
| Sound | Dean Drabin | Foley Mixer |
| Crew | Brian Stultz | Charge Scenic Artist |
| Camera | Alan J. Bullard | Grip |
| Lighting | George M. Chappell | Lighting Technician |
| Editing | Mike Milliken | Color Timer |
| Editing | Heather Persons | Assistant Editor |
| Camera | C. Ashley Sudge | Dolly Grip |
| Sound | Adam Sawelson | Dialogue Editor |
| Camera | Lorey Sebastian | Still Photographer |
| Lighting | Daniel Murphy | Rigging Gaffer |
| Production | Mari-Jo Winkler | Production Coordinator |
| Art | Christopher Carlson | Assistant Property Master |
| Crew | Elizabeth Smith Maxwell | Catering |
| Sound | Steve F.B. Smith | Dolby Consultant |
| Sound | Andrew Schmetterling | Boom Operator |
| Camera | J. Steven Latham | Second Assistant Camera |
| Editing | Anthony Sherin | Additional Editor |
| Art | Tom Dreesen | Construction Coordinator |
| Sound | Joe Dorn | Supervising ADR Editor |
| Editing | Gary Burritt | Negative Cutter |
| Art | Beth Bernstein | Art Department Coordinator |
| Crew | Mauriece Jacks Jr. | Cableman |
| Camera | Michael Alexonis | Grip |
| Sound | Christopher Flick | Sound Effects Editor |
| Camera | J. Wayne Parker | Second Company Grip |
| Camera | Steve Belsky | Grip |
| Sound | Doug Kent | First Assistant Sound Editor |
| Directing | Valerie E. Norman | Script Supervisor |
| Crew | Michael Maxwell | Catering |
| Sound | Thomas Newman | Original Music Composer |
| Art | Jon Hutman | Production Design |
| Production | Mark Rosenberg | Producer |
| Production | Juel Bestrop | Casting |
| Production | Paula Weinstein | Producer |
| Camera | Philippe Rousselot | Director of Photography |
| Production | G. Mac Brown | Co-Producer |
| Production | Sydney Pollack | Executive Producer |
| Editing | Mia Goldman | Editor |
| Production | Risa Bramon Garcia | Casting |