Kenneth Bianchi, one of the two serial rapists and killers who terrorized the Los Angeles area in the late 1970s, is giving police station interviews to psychiatrist Samantha Stone, who has disquieting lifestyle issues of her own. It falls to her to delve into the details of the case to determine the veracity of Bianchi's claims of multiple personality disorder, but in so doing, she is forced to relive the horrific crimes, one of which occurs at her very doorstep.
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| Directing | Chris Fisher | Director |
| Writing | Aaron Pope | Writer |
| Production | David Hillary | Co-Executive Producer |
| Writing | Chris Fisher | Writer |
| Production | Chris Fisher | Producer |
| Production | Timothy Wayne Peternel | Co-Executive Producer |
| Production | Todd King | Executive Producer |
| Production | Ash R. Shah | Producer |
| Production | Clifton Collins Jr. | Co-Producer |
| Camera | Eliot Rockett | Director of Photography |
| Camera | Peter DePhilippis | Second Assistant Camera |
| Production | Jay Scully | Casting Director |
| Editing | Annette Davey | Editor |
| Art | Leslie Keel | Production Design |
| Camera | Ryan McCoy | Camera Loader |
| Production | Anne McCarthy | Casting Director |
| Lighting | Wadsworth Peters | Best Boy Electric |
| Directing | Judy Rachel | Script Supervisor |
| Costume & Make-Up | Lesley Poling | Key Hair Stylist |
| Art | Eok Ngo | Set Dresser |
| Sound | Yolanda Markopoulou | Assistant Foley Artist |
| Art | Chris Davis | Set Decoration |
| Sound | Wayne Heitman | Sound Re-Recording Mixer |
| Sound | Ryan Beveridge | Original Music Composer |
| Sound | Mary Jo Devenney | Sound Mixer |
| Lighting | Sean Haeseler | Electrician |
| Sound | John Marquis | Supervising Sound Editor |
| Directing | Nicholas Lee | First Assistant Director |
| Camera | Fingerz | Grip |
| Art | Gino Azurmendi | Set Dresser |
| Art | Leia Dunlap | Set Dresser |
| Art | Eric Katz | Set Dresser |
| Costume & Make-Up | Annette Lorant | First Assistant Makeup Artist |
| Costume & Make-Up | Jewels Steger | Costume Designer |
| Production | William Clark Coit III | Location Manager |
| Sound | Christopher Sheldon | Supervising Sound Editor |
| Camera | Florencia Perez Cardenal | Camera Loader |
| Directing | David Harari | Second Second Assistant Director |
| Sound | Monica Ruiz | Foley Editor |
| Art | Genevieve Liebowitz | Property Master |
| Sound | Pablo Solorzano | Foley Recordist |
| Sound | Pablo Solorzano | ADR Recordist |
| Camera | Mike Steffen | Grip |
| Production | Colleen Wassel | Production Coordinator |
| Costume & Make-Up | Alex Finkel | Wardrobe Assistant |
| Art | Jamila Saaed | Title Designer |
| Editing | Daniel R. Padgett | Editor |
| Camera | Paul Parkus | Still Photographer |
| Production | Brigitte Mueller | Unit Production Manager |
| Sound | Matthew Nicolay | Sound Mixer |
| Lighting | Rex Kenney | Electrician |
| Production | Michele Rosenblum | Assistant Production Coordinator |
| Sound | Robert Morton | Music Supervisor |
| Camera | Joe Solari | First Assistant Camera |
| Crew | Stephen R. Hudis | Stunt Coordinator |
| Directing | Kyle Andrezski | Second Assistant Director |
| Sound | Marco Dennett | Boom Operator |
| Camera | William Hall | Best Boy Grip |
| Production | Freddy Freelove | Casting Associate |
| Sound | Monroe Cummings | Boom Operator |
| Art | David Ebarle | Set Dresser |
| Sound | Christopher Eakins | Sound Effects Editor |
| Sound | Mikhail Davies | Sound Assistant |
| Lighting | Albert Winbush | Electrician |
| Art | Esther Scannell | Set Dresser |
| Costume & Make-Up | Robin Glaser | Key Makeup Artist |
| Lighting | Bill Reilly | Gaffer |
| Camera | James 'Slim Jim' Ballard | Key Grip |
| Costume & Make-Up | Johnny Wujek | Costume Designer |
| Sound | Ryan Nuber | Assistant Foley Artist |
