The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.
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Camera | Jesús Torres Torres | Still Photographer |
Production | Iliana Reyes | Production Manager |
Art | Jesús Torres Torres | Art Direction |
Crew | Víctor Velázquez | Post-Production Manager |
Editing | Jacobo Hernández | Editor |
Costume & Make-Up | Maripaz Robles | Makeup Artist |
Editing | Emiliano Arenales Osorio | Editorial Manager |
Camera | Alejandro Cantú | Additional Photography |
Crew | Jesús Jiménez | Video Assist Operator |
Crew | Yadira Ávalos | Post Production Assistant |
Writing | Roberto Fiesco | Screenplay |
Crew | Armando Casas | Production Intern |
Sound | Omar Juárez | Sound Designer |
Costume & Make-Up | Laura García de la Mora | Costume Design |
Camera | Juan Carlos Carrasco | Additional Photography |
Visual Effects | Fabián García | Color Designer |
Costume & Make-Up | Carlos Merino | Makeup Artist |
Directing | Roberto Fiesco | Director |
Writing | Julián Hernández | Screenplay |
Production | Hugo Espinosa | Producer |
Production | Ernesto Martínez Arévalo | Producer |
Camera | Mario Guerrero | Director of Photography |
Sound | Alejandro Zuno | Sound |
Sound | Armando Narváez | Sound |