In the third film in the series, in 1908, Henry Jones Sr. takes his wife, son and the boy's tutor to the world's first psycho-analytical conference in Viena, Austria. Young Indy meets Princess Sophie of Austia, daughter of Archduke Franz Ferdinand and develops deep feelings for her. He even asks Sigmund Freud, Carl Jung and Alfred Adler for love advice. On their next stop in Florence, Anna Jones becomes the object of affection for the persuasive opera composer Giacomo Puccini. With her husband away in Rome, Anna is torn between her feelings for her husband and the impulsive Italian.
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| Directing | Bille August | Director |
| Directing | Mike Newell | Director |
| Writing | Matthew Jacobs | Screenplay |
| Writing | George Lucas | Story |
| Writing | Jule Selbo | Screenplay |
| Crew | Jörgen Persson | Cinematography |
| Editing | Edgar Burcksen | Editor |
| Editing | Louise Rubacky | Editor |
| Production | George Lucas | Executive Producer |
| Production | Rick McCallum | Producer |
| Sound | Laurence Rosenthal | Music |
| Art | Gavin Bocquet | Production Design |
| Art | Karel Vacek | Art Direction |
| Art | Maggie Gray | Set Decoration |
| Art | Peter Walpole | Set Decoration |
| Costume & Make-Up | Charlotte Holdich | Costume Design |
| Costume & Make-Up | Pat Hay | Makeup Artist |
| Production | Roger Mussenden | Casting |
| Production | Jane Jenkins | Casting |
| Production | Janet Hirshenson | Casting |
| Camera | David Tattersall | Director of Photography |
