Rusty James, an absent-minded street thug, struggles to live up to his legendary older brother's reputation, and longs for the days when gang warfare was going on.
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| Writing | Francis Ford Coppola | Screenplay |
| Directing | Francis Ford Coppola | Director |
| Production | Francis Ford Coppola | Executive Producer |
| Production | Fred Roos | Producer |
| Art | Dean Tavoularis | Production Design |
| Directing | David Valdes | First Assistant Director |
| Camera | Stephen H. Burum | Director of Photography |
| Art | Dennis Gassner | Graphic Designer |
| Writing | S.E. Hinton | Screenplay |
| Writing | S.E. Hinton | Novel |
| Production | Janet Hirshenson | Additional Casting |
| Sound | Richard Beggs | Sound Designer |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Production | Doug Claybourne | Producer |
| Sound | Stewart Copeland | Original Music Composer |
| Editing | Barry Malkin | Editor |
| Crew | Buddy Joe Hooker | Stunts |
| Crew | Buddy Joe Hooker | Stunt Coordinator |
| Directing | Mark Radcliffe | Second Assistant Director |
| Crew | Freddie Hice | Stunts |
| Art | Mary Swanson | Set Decoration |
| Sound | Leslie Shatz | Dialogue Editor |
| Sound | Randy Thom | Sound Recordist |
| Directing | Sandy King | Script Supervisor |
| Production | Roman Coppola | Associate Producer |
| Production | Thomas M. Hammel | Unit Production Manager |
| Art | Donald Elmblad | Set Dresser |
| Crew | Dick Ziker | Stunts |
| Sound | Tom Bellfort | Assistant Sound Editor |
| Costume & Make-Up | Marjorie Bowers | Costume Design |
| Lighting | Alex Skvorzov | Best Boy Electric |
| Crew | Martin Bresin | Special Effects |
| Art | Robert C. Goldstein | Set Designer |
| Costume & Make-Up | Jeff Kennemore | Makeup Artist |
| Costume & Make-Up | Ernest Misko | Costume Supervisor |
| Crew | Tim A. Davison | Stunts |
| Sound | David Parker | Sound Mixer |
| Sound | Maurice Schell | Sound Editor |
| Costume & Make-Up | Peter Tothpal | Hairstylist |
| Costume & Make-Up | Susan Mills | Hairstylist |
| Crew | Robert Spurlock | Special Effects |
| Sound | Mark Rathaus | Assistant Sound Editor |
| Production | Jeff Block | Extras Casting |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Camera | Dustin Blauvelt | Assistant Camera |
| Sound | Robert Randles | Music Editor |
| Crew | Daniel R. Suhart | Dialogue Coach |
| Production | Teri Fettis-D'Ovidio | Production Coordinator |
| Sound | Edward Beyer | Supervising Sound Editor |
| Camera | Steven Hiller | Second Assistant Camera |
| Camera | James Zenk | Still Photographer |
| Art | John J. Rutchland III | Construction Foreman |
| Camera | Bill Fleming | Grip |
| Production | Gian-Carlo Coppola | Associate Producer |
| Sound | Michael Jacobi | Sound Editor |
| Camera | Ben Beaird | Dolly Grip |
| Crew | Dennis Dion | Special Effects Coordinator |
| Sound | C.J. Appel | Sound Editor |
| Sound | Kevin Lee | Assistant Sound Editor |
| Lighting | Lou Tobin | Gaffer |
| Production | Paul Tompkins | Location Manager |
| Crew | Billy Hank Hooker | Stunts |
| Production | John Robert Askew | Extras Casting |
| Production | Laurel Walter | Producer's Assistant |
| Camera | Ted Bokhof | Camera Operator |
| Art | Nick F. Caprarelli | Leadman |
| Art | Sue Belknap | Set Dresser |
| Art | Douglas | Property Master |
| Art | Allan Kuhn | Assistant Property Master |
| Costume & Make-Up | Tim McNally | Makeup Artist |
| Camera | Emmett Brown | Key Grip |
| Camera | John Englert | Best Boy Grip |
| Camera | Larry Lydia | Dolly Grip |
| Camera | Jack Bauer | Grip |
| Art | John O'Connell | Set Painter |
| Art | Kurt Ehlers | Construction Foreman |
| Crew | Joseph W. Hunt | Transportation Coordinator |
| Crew | William Jakubecy | Transportation Captain |
| Crew | Corky Coble | Projection |
| Crew | Richard Fitzgerald | Craft Service |
| Sound | Marissa De Guzman | Assistant Sound Editor |
| Sound | James Austin | Sound Re-Recording Mixer |
| Crew | August Coppola | Thanks |
