In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
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Writing | Quentin Reynolds | Adaptation |
Camera | Joseph MacDonald | Director of Photography |
Directing | Henry Hathaway | Director |
Writing | Leonard Hoffman | Adaptation |
Editing | J. Watson Webb Jr. | Editor |
Writing | Jay Dratler | Screenplay |
Writing | James P. McGuire | Writer |
Writing | Jerome Cady | Screenplay |
Sound | Alfred Newman | Original Music Composer |
Production | Otto Lang | Producer |
Art | Lyle R. Wheeler | Art Direction |
Art | Thomas Little | Set Decoration |
Art | Mark-Lee Kirk | Art Direction |
Costume & Make-Up | Kay Nelson | Costume Design |
Costume & Make-Up | Ben Nye | Makeup Artist |
Production | Darryl F. Zanuck | Executive Producer |
Art | Walter M. Scott | Set Decoration |
Writing | Jack McPhaul | Story Consultant |
Costume & Make-Up | Myrtle Ford | Hairstylist |
Costume & Make-Up | Dick Smith | Makeup Artist |
Costume & Make-Up | Thomas Tuttle | Makeup Artist |
Production | Raymond A. Klune | Production Manager |
Production | Sam Wurtzel | Production Manager |
Directing | Joseph E. Rickards | Assistant Director |
Directing | Abe Steinberg | Assistant Director |
Sound | W.D. Flick | Sound |
Sound | Roger Heman Sr. | Sound |
Visual Effects | Fred Sersen | Visual Effects |
Camera | Frank Cory | Grip |
Camera | Til Gabani | Camera Operator |
Camera | Jerry Milligan | Still Photographer |
Camera | Paul Russell | Still Photographer |
Costume & Make-Up | Charles LeMaire | Wardrobe Master |
Costume & Make-Up | Sam Benson | Wardrobe Designer |
Sound | Edward B. Powell | Orchestrator |
Sound | Alfred Newman | Music Director |
Directing | Stanley K. Scheuer | Script Supervisor |
Crew | James P. McGuire | Technical Advisor |