In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
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Art | Lyle R. Wheeler | Art Direction |
Production | Darryl F. Zanuck | Executive Producer |
Sound | Alfred Newman | Original Music Composer |
Sound | Alfred Newman | Music Director |
Art | Mark-Lee Kirk | Art Direction |
Art | Thomas Little | Set Decoration |
Sound | Roger Heman Sr. | Sound |
Art | Walter M. Scott | Set Decoration |
Costume & Make-Up | Charles LeMaire | Wardrobe Master |
Costume & Make-Up | Ben Nye | Makeup Artist |
Costume & Make-Up | Dick Smith | Makeup Artist |
Camera | Joseph MacDonald | Director of Photography |
Directing | Henry Hathaway | Director |
Writing | Quentin Reynolds | Adaptation |
Writing | Jay Dratler | Screenplay |
Editing | J. Watson Webb Jr. | Editor |
Costume & Make-Up | Sam Benson | Wardrobe Designer |
Writing | Jerome Cady | Screenplay |
Writing | Leonard Hoffman | Adaptation |
Writing | James P. McGuire | Writer |
Crew | James P. McGuire | Technical Advisor |
Production | Otto Lang | Producer |
Costume & Make-Up | Thomas Tuttle | Makeup Artist |
Visual Effects | Fred Sersen | Visual Effects |
Sound | Edward B. Powell | Orchestrator |
Production | Raymond A. Klune | Production Manager |
Costume & Make-Up | Kay Nelson | Costume Design |
Directing | Joseph E. Rickards | Assistant Director |
Production | Sam Wurtzel | Production Manager |
Directing | Stanley K. Scheuer | Script Supervisor |
Directing | Abe Steinberg | Assistant Director |
Writing | Jack McPhaul | Story Consultant |
Costume & Make-Up | Myrtle Ford | Hairstylist |
Camera | Frank Cory | Grip |
Sound | W.D. Flick | Sound |
Camera | Til Gabani | Camera Operator |
Camera | Jerry Milligan | Still Photographer |
Camera | Paul Russell | Still Photographer |