James Reese has a good job as an ambassador's aid in France, but his real passion is a side gig—working in a minor role in the CIA. He would love to be a full-fledged agent and can't believe his luck when he lands an assignment with Charlie Wax. Trigger-happy Charlie soon has James crying for his desk job, but when he learns that the same guys they're trying to catch are after him, James realises that Charlie may be his only hope of survival.
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Directing | Pierre Morel | Director |
Writing | Adi Hasak | Screenplay |
Production | India Osborne | Producer |
Costume & Make-Up | Olivier Bériot | Costume Design |
Art | Jacques Bufnoir | Production Design |
Writing | Luc Besson | Story |
Crew | Jean-Christophe Magnaud | Special Effects Coordinator |
Camera | Eric Caro | Still Photographer |
Costume & Make-Up | Vesna Estord | Makeup Artist |
Sound | Vincent Cosson | Sound Re-Recording Mixer |
Camera | Rico Torres | Still Photographer |
Editing | Anne Delacour | Dialogue Editor |
Sound | Damien Aubry | Sound Editor |
Visual Effects | Thierry Flament | Visual Effects Producer |
Lighting | Gregory Fromentin | Gaffer |
Camera | Michel Abramowicz | Director of Photography |
Visual Effects | Roxane Fechner | Visual Effects Supervisor |
Crew | Gil Pannetier | Second Unit Cinematographer |
Camera | Magali Bragard | Still Photographer |
Editing | Frédéric Thoraval | Editor |
Art | Véronique Melery | Set Decoration |
Costume & Make-Up | Marthe Faucouit | Makeup Artist |
Crew | Philippe Guégan | Stunt Coordinator |
Crew | Olivier Schneider | Choreographer |
Art | Anne Dolet | Sculptor |
Sound | Capucine Courau | Sound Editor |
Camera | Susie Allnutt | Still Photographer |
Sound | Philippe Penot | Foley |
Visual Effects | Pascal Laurent | Visual Effects Producer |
Directing | Isabelle Querrioux | Script Supervisor |
Production | Sandra Marthon | Casting |
Sound | François Lepeuple | Foley |
Costume & Make-Up | Diane Duroc | Key Hair Stylist |
Costume & Make-Up | Myriam Hottois | Makeup Department Head |
Production | Marc Guidetti | Unit Manager |
Sound | Alexandre Mahout | Music Supervisor |
Production | Anson Downes | Co-Executive Producer |
Production | Thierry Guilmard | Production Manager |
Production | Swan Pham | Casting |
Visual Effects | Philippe Hubin | Special Effects Supervisor |
Production | Virginie Besson-Silla | Executive Producer |
Costume & Make-Up | Ali Guemraoui | Hairstylist |
Costume & Make-Up | Marc Villeneuve | Hairstylist |
Costume & Make-Up | Corinne Bruand | Costume Design |
Sound | Stéphane Vizet | Boom Operator |
Crew | Clara Vincienne | Post Production Supervisor |
Sound | Lucien Balibar | Sound |
Sound | Frédéric Dubois | Sound |
Sound | François-Joseph Hors | Sound |
Art | Philippe Letode | Location Scout |
Production | Monica Gil | Production Coordinator |
Crew | Eric Bassoff | Post Production Supervisor |
Art | Claire Galloy | Location Scout |
Production | Dominique Guerin | Production Coordinator |
Production | Didier de Keyser | Production Manager |
Production | Linda Favila | Co-Executive Producer |
Camera | Pierre Morel | Steadicam Operator |
Visual Effects | Elodie Glain | Visual Effects Coordinator |
Sound | David Buckley | Original Music Composer |
Crew | Frédéric Dessains | Stunts |
Art | Eric Gandois | Storyboard Artist |
Art | Christophe Niaux | Property Master |
Art | Olivier Nguyen | Property Master |
Art | Gilles Geraud | Property Master |
Costume & Make-Up | Guillaume Castagné | Special Effects Makeup Artist |
Sound | Lucien Balibar | Dialogue Editor |