A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
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| Writing | John Paizs | Writer |
| Directing | John Paizs | Director |
| Production | John Paizs | Producer |
| Sound | Randolph Peters | Music |
| Crew | John Paizs | Cinematography |
| Editing | John Paizs | Editor |
| Editing | Jon Coutts | Editor |
| Editing | Gerry Klym | Editor |
| Costume & Make-Up | Maria Paizs | Costume Design |
| Sound | Gerry Klym | Sound |
| Sound | Clive Perry | Sound Re-Recording Mixer |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Visual Effects | Martin Bresin | Special Effects Supervisor |
| Writing | George Toles | Story Consultant |
| Art | John Paizs | Graphic Designer |
| Art | John Paizs | Art Direction |
| Art | John Paizs | Production Design |
| Camera | Tom Fijal | Camera Operator |
| Art | Nick Burns | Props |
