Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
Is The Adventures of Priscilla, Queen of the Desert on Netflix? Unfortunately the movie The Adventures of Priscilla, Queen of the Desert is not yet available on Netflix.
| Editing | Sue Blainey | Editor |
| Production | Al Clark | Producer |
| Camera | Brian J. Breheny | Director of Photography |
| Costume & Make-Up | Lizzy Gardiner | Costume Design |
| Writing | Stephan Elliott | Screenplay |
| Production | Michael Hamlyn | Producer |
| Directing | Stephan Elliott | Director |
| Sound | Guy Gross | Original Music Composer |
| Camera | Pat Nash | Key Grip |
| Camera | Elise Lockwood | Still Photographer |
| Camera | Adrien Seffrin | Focus Puller |
| Visual Effects | Roger Cowland | Visual Effects |
| Camera | Anna Wareham | Clapper Loader |
| Art | Owen Paterson | Production Design |
| Production | Rebel Penfold-Russell | Executive Producer |
| Art | Colin Gibson | Art Direction |
| Production | Esther Rodewald | Production Coordinator |
| Production | Sue Seeary | Associate Producer |
| Directing | Stuart Freeman | First Assistant Director |
| Production | Sue Seeary | Production Secretary |
| Production | John May | Production Accountant |
| Directing | Emma Schofield | Second Assistant Director |
| Directing | Maria Phillips | Second Assistant Director |
| Directing | Jamie Platt | Third Assistant Director |
| Sound | Grant Shepherd | Sound Recordist |
| Art | Yann Vignes | Art Department Assistant |
| Costume & Make-Up | Cassie Hanlon | Key Makeup Artist |
| Costume & Make-Up | Brett Cooper | Wardrobe Coordinator |
| Crew | Sue Seeary | Post Production Supervisor |
| Directing | Kate Dennis | Continuity |
| Lighting | Paul Booth | Gaffer |
| Crew | Jenny Lee-Robinson | Studio Teacher |
| Lighting | Matt Inglis | Best Boy Electric |
| Lighting | Peter A. Holland | Electrician |
| Costume & Make-Up | Adam Dalli | Costume Assistant |
| Sound | Fiona McBain | Boom Operator |
| Sound | Guntis Sics | Sound Recordist |
| Editing | Andrew Yuncken | Assistant Editor |
| Sound | Angus Robertson | Dialogue Editor |
| Costume & Make-Up | Angela Conte | Makeup & Hair |
| Crew | Robert Simper | Stunt Coordinator |
| Production | Rick Kornaat | Location Manager |
| Sound | Steve Erskine | Sound Effects Editor |
| Sound | Tim Colvin | Sound Effects |
| Costume & Make-Up | Emily Seresin | Wardrobe Supervisor |
| Crew | Catherine Lavelle | Unit Publicist |
| Crew | Mark White | Choreographer |
| Art | Libby Blainey | Title Designer |
| Production | Bobbie Pick-up | Local Casting |
| Sound | Simon Hewitt | ADR Recordist |
| Sound | Gerry Long | Foley Editor |
| Costume & Make-Up | Cassie Hanlon | Key Hair Stylist |
| Production | Faith Martin | Additional Casting |
| Sound | Phil Judd | Sound Supervisor |
| Camera | Ian McAlpine | Grip |
| Production | Rick Kornaat | Unit Manager |
| Sound | Phil Judd | Sound Mixer |
| Sound | Guntis Sics | Sound Designer |
| Sound | Steve Burgess | Foley Editor |
| Costume & Make-Up | Tim Chappel | Costume Design |
| Costume & Make-Up | Strykermeyer | Makeup Artist |
