Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and finding new horizons.
Is The Adventures of Priscilla, Queen of the Desert on Netflix? Unfortunately the movie The Adventures of Priscilla, Queen of the Desert is not yet available on Netflix. Follow us on Facebook to see when The Adventures of Priscilla, Queen of the Desert becomes available on Netflix!
| Art | Owen Paterson | Production Design |
| Costume & Make-Up | Lizzy Gardiner | Costume Design |
| Crew | Robert Simper | Stunt Coordinator |
| Writing | Stephan Elliott | Screenplay |
| Directing | Stephan Elliott | Director |
| Camera | Brian J. Breheny | Director of Photography |
| Sound | Guy Gross | Original Music Composer |
| Production | Al Clark | Producer |
| Production | Michael Hamlyn | Producer |
| Editing | Sue Blainey | Editor |
| Production | Faith Martin | Additional Casting |
| Lighting | Peter A. Holland | Electrician |
| Costume & Make-Up | Emily Seresin | Wardrobe Supervisor |
| Sound | Phil Judd | Sound Mixer |
| Sound | Phil Judd | Sound Supervisor |
| Visual Effects | Roger Cowland | Visual Effects |
| Production | Rebel Penfold-Russell | Executive Producer |
| Directing | Kate Dennis | Continuity |
| Art | Colin Gibson | Art Direction |
| Sound | Guntis Sics | Sound Designer |
| Sound | Guntis Sics | Sound Recordist |
| Costume & Make-Up | Tim Chappel | Costume Design |
| Sound | Fiona McBain | Boom Operator |
| Directing | Emma Schofield | Second Assistant Director |
| Sound | Gerry Long | Foley Editor |
| Sound | Simon Hewitt | ADR Recordist |
| Costume & Make-Up | Angela Conte | Makeup & Hair |
| Sound | Steve Burgess | Foley Editor |
| Sound | Angus Robertson | Dialogue Editor |
| Costume & Make-Up | Brett Cooper | Wardrobe Coordinator |
| Art | Libby Blainey | Title Designer |
| Camera | Ian McAlpine | Grip |
| Sound | Grant Shepherd | Sound Recordist |
| Lighting | Paul Booth | Gaffer |
| Costume & Make-Up | Cassie Hanlon | Key Hair Stylist |
| Costume & Make-Up | Cassie Hanlon | Key Makeup Artist |
| Costume & Make-Up | Adam Dalli | Costume Assistant |
| Directing | Stuart Freeman | First Assistant Director |
| Crew | Sue Seeary | Post Production Supervisor |
| Production | Sue Seeary | Associate Producer |
| Production | Sue Seeary | Production Secretary |
| Production | Esther Rodewald | Production Coordinator |
| Camera | Adrien Seffrin | Focus Puller |
| Camera | Pat Nash | Key Grip |
| Production | Rick Kornaat | Location Manager |
| Production | Rick Kornaat | Unit Manager |
| Directing | Maria Phillips | Second Assistant Director |
| Crew | Jenny Lee-Robinson | Studio Teacher |
| Art | Yann Vignes | Art Department Assistant |
| Camera | Elise Lockwood | Still Photographer |
| Camera | Anna Wareham | Clapper Loader |
| Production | John May | Production Accountant |
| Directing | Jamie Platt | Third Assistant Director |
| Lighting | Matt Inglis | Best Boy Electric |
| Crew | Mark White | Choreographer |
| Crew | Catherine Lavelle | Unit Publicist |
| Production | Bobbie Pick-up | Local Casting |
| Editing | Andrew Yuncken | Assistant Editor |
| Sound | Steve Erskine | Sound Effects Editor |
| Sound | Tim Colvin | Sound Effects |
