Brad and Janet Majors find their strained marriage put to the test on popular Denton TV show Marriage Maze. Poor Brad is heavily sedated and institutionalised, whilst Janet is given a radical makeover and primed for stardom. But what are the real motivations behind the kooky DTV crew and their enigmatic head-honcho, Farley Flavors?
Is Shock Treatment on Netflix? Unfortunately the movie Shock Treatment is not yet available on Netflix.
| Directing | Jim Sharman | Director |
| Camera | Mike Molloy | Director of Photography |
| Sound | Richard Hartley | Songs |
| Writing | Richard O'Brien | Lyricist |
| Sound | Richard Hartley | Original Music Composer |
| Writing | Richard O'Brien | Screenplay |
| Sound | Richard O'Brien | Music |
| Art | Brian Thomson | Production Design |
| Art | Norman Hart | Other |
| Camera | Brian King | Other |
| Editing | Richard Bedford | Editor |
| Art | Darryl Paterson | Other |
| Sound | John Chandler | Sound Assistant |
| Sound | Ian Fuller | Other |
| Sound | Bruce White | Sound Recordist |
| Lighting | Reg Parsons | Electrician |
| Writing | Jim Sharman | Screenplay |
| Production | Lou Adler | Executive Producer |
| Art | Andrew Sanders | Art Direction |
| Costume & Make-Up | Sandra Exelby | Makeup Artist |
| Production | John Comfort | Production Supervisor |
| Art | John Paterson | Construction Manager |
| Art | Arthur Wicks | Other |
| Production | John Goldstone | Producer |
| Costume & Make-Up | Mike Lockey | Other |
| Directing | Chris Brock | Third Assistant Director |
| Art | Len Huntingford | Other |
| Lighting | Chuck Finch | Electrician |
| Camera | Bob Smith | Camera Operator |
| Lighting | Brian Sullivan | Electrician |
| Sound | Mark Griffiths | Musician |
| Production | Michael White | Executive Producer |
| Costume & Make-Up | Chris Taylor | Other |
| Costume & Make-Up | Joan Hills | Makeup Artist |
| Sound | Simon Hayter | Other |
| Lighting | Tommy Finch | Electrician |
| Crew | Gillian Gregory | Choreographer |
| Costume & Make-Up | Carol Devine | Makeup Artist |
| Art | Bryn Siddall | Other |
| Sound | Anthony Sloman | Sound Editor |
| Camera | George Whitear | Still Photographer |
| Sound | Richard Hartley | Musician |
| Costume & Make-Up | Sue Blane | Costume Design |
| Costume & Make-Up | Pat Hay | Key Makeup Artist |
| Art | John Beard | Assistant Art Director |
| Crew | Joe Dunton | Other |
| Directing | Michael Murray | Second Assistant Director |
| Editing | Paul Edmunds | Assistant Editor |
| Sound | Phil Chapman | Music |
| Sound | Les Morgan | Musician |
| Sound | Michael Weaver | Musician |
| Production | Andy Birmingham | Production Accountant |
| Art | Ken Wheatley | Set Decoration |
| Sound | Hugh Strain | Other |
| Directing | Alison Thorne | Continuity |
| Sound | Richard Hartley | Music |
| Production | Debbie McWilliams | Casting |
| Art | John Leuenberger | Property Master |
| Camera | Kenneth Atherfold | Other |
| Lighting | Roy Rodhouse | Gaffer |
| Costume & Make-Up | Janet Lucas | Other |
| Costume & Make-Up | James Wakely | Other |
| Sound | Dave Wintour | Musician |
| Production | Ruth Bourchier | Producer's Assistant |
| Costume & Make-Up | David Perry | Costume Design |
| Sound | Hugh Burns | Musician |
| Production | Ray Parsons | Assistant Accountant |
| Production | Ann Tasker | Publicist |
| Art | Peter Collins | Other |
| Camera | John Ignatius | Other |
| Editing | Hamilton Hawksworth | Assistant Editor |
| Production | Marilyn Clarke | Production Coordinator |
| Directing | Roger Simons | First Assistant Director |
| Camera | Laurie Frost | Other |
| Production | Ellen Chenoweth | Casting |
| Sound | Richard Hartley | Music Arranger |
| Production | Tim Vaughan-Hughes | Producer's Assistant |
