After Alicia Velorus' father is convicted as a communist spy, CIA asks her to prove her loyalty by getting close to her father's friend, who's a suspected arms dealer. In the meantime she and her CIA contact Devlin fall in love.
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| Directing | Colin Bucksey | Director |
| Sound | Don Davis | Music |
| Production | Hilary Botchin | Casting |
| Directing | Christine Raffa-Catonné | Script Supervisor |
| Sound | Jean-Philippe Le Roux | Sound Mixer |
| Production | Dominique Planchenau | Production Accountant |
| Production | Patrick Millet | Unit Production Manager |
| Directing | Frank Meagher | Assistant Director |
| Directing | Denis Seurat | Assistant Director |
| Production | Jim Painten | Production Supervisor |
| Sound | James Troutman | Supervising Sound Editor |
| Crew | Johnny Martin | Stunts |
| Lighting | Barry Miller | Gaffer |
| Crew | Gregg Rudloff | Sound Recordist |
| Camera | Alain Manzon | Grip |
| Production | Sophie Ravard | Producer |
| Camera | Peter Sinclair | Director of Photography |
| Art | Françoise De Leu | Art Direction |
| Costume & Make-Up | Marie-José Escolar | Costume Design |
| Costume & Make-Up | Debra McGuire | Costume Design |
| Sound | Jim Harrison | Music Supervisor |
| Writing | Douglas Lloyd McIntosh | Teleplay |
| Art | Cécile Deleu | Set Decoration |
| Camera | Beatrice Mizrahi | First Assistant Camera |
| Editing | John A. Martinelli | Editor |
| Crew | Laurent Desaleux | Property Master |
| Costume & Make-Up | Chantal Durpoix | Hairstylist |
| Costume & Make-Up | Patrice Iva | Hairstylist |
| Production | Ina Bernstein | Casting |
| Costume & Make-Up | Lydia Pujols | Makeup Artist |
| Production | Thomas H. Brodek | Executive In Charge Of Production |
| Crew | David E. Campbell | Sound Recordist |
| Production | Ilene Amy Berg | Executive Producer |
| Production | Alexandre Déon | Unit Manager |
| Production | Max Morel | Casting |
| Editing | Mark Mangione | Assistant Editor |
| Editing | Anne de Montangon | Assistant Editor |
| Crew | John T. Reitz | Sound Recordist |
