A jeweled Madonna, property of rancher Joe Salinas, attracts two crooks to his ranch, Monica Dell, a smooth operator, and ruthless Nick Julian. Joe believe that the statue has a miraculous power to ward off evil, and Monica, after a narrow escape from injury while trying to steal the statue, is converted to Joe's faith and refuses to go through with the robbery. Nick has no such intentions.
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| Directing | George Blair | Director |
| Writing | Albert DeMond | Screenplay |
| Writing | Frank Wisbar | Story |
| Production | Stephen Auer | Associate Producer |
| Sound | Mort Glickman | Music |
| Camera | John MacBurnie | Director of Photography |
| Editing | Harry Keller | Editor |
| Art | Frank Arrigo | Art Direction |
| Art | John McCarthy Jr. | Set Decoration |
| Art | George Milo | Set Decoration |
| Costume & Make-Up | Bob Mark | Makeup Artist |
| Costume & Make-Up | Louise Landmier | Hairstylist |
| Directing | Joe Dill | Assistant Director |
| Sound | Fred Stahl | Sound |
| Camera | Herbert Kirkpatrick | Camera Operator |
| Camera | Donald Biddle Keyes | Still Photographer |
| Directing | Dorothy Yutzi | Script Supervisor |
| Crew | Howard Lydecker | Special Effects |
| Crew | Theodore Lydecker | Special Effects |
| Camera | C.B. Lawrence | Grip |
| Costume & Make-Up | Adele Palmer | Costume Supervisor |
| Sound | Joseph Dubin | Music |
| Sound | Ernest Gold | Music |
| Sound | William Lava | Music |
| Sound | Walter Scharf | Music |
