When Heather and Sarah Ann were growing up they told each other every secret. But Heather left their small town on the last day of high school vowing never to return. Forced to come back when her father becomes ill, the young documentary filmmaker is pressured into filming Sarah Ann's wedding video. Heather is convinced that the edgy filmmaker and bubbly pink-wearing bride have nothing in common, but as the big day approaches she finds that no one is quite what they seem – especially the old friend she thought she knew better than anyone.
Is Happily Ever After on Netflix? Unfortunately the movie Happily Ever After is not yet available on Netflix.
| Directing | Joan Carr-Wiggin | Director |
| Sound | Jimmy Robb | Assistant Sound Editor |
| Writing | Savitri Gordian | Story |
| Editing | Rose Mayes | Editor |
| Camera | Shane Kirkpatrick | Grip |
| Sound | Mark Dejczak | Sound Effects Editor |
| Crew | Jayme Alter | Legal Services |
| Writing | Joan Carr-Wiggin | Screenplay |
| Writing | Joan Carr-Wiggin | Story |
| Production | Stephanie Gorin | Casting |
| Camera | Mike Lawrence | Key Grip |
| Visual Effects | Jeff Bruneel | Visual Effects |
| Production | Alan Latham | Producer |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Crew | Christina Buchli | Legal Services |
| Camera | Lori Longstaff | First Assistant Camera |
| Directing | Cassandra Frechette | Script Supervisor |
| Crew | Verlyn Robinson | Driver |
| Production | Jason Garrett | Executive Producer |
| Art | Wendy Morrow | Production Design |
| Camera | Adam Horwood | Grip |
| Sound | John Laing | Supervising Sound Editor |
| Lighting | Melanie St-Cyr | Best Boy Electric |
| Sound | Alexander Turner | Boom Operator |
| Crew | Roy Aason | Driver |
| Sound | Dale Lennon | Dialogue Editor |
| Camera | Arthur E. Cooper | Director of Photography |
| Camera | Laurence Bortnick | First Assistant Camera |
| Camera | Dylan Bryson | Grip |
| Production | Rosalie Chilelli | Assistant Production Manager |
| Crew | Alex Lyons | Transportation Coordinator |
| Crew | Alyssa Piazza | Stand In |
| Directing | Brandon Jourdin | Second Assistant Director |
| Camera | Daniel Abboud | Camera Operator |
| Production | David Rogers | Executive Producer |
| Production | Mark Paladini | Casting |
| Costume & Make-Up | Ruth Secord | Costume Design |
| Lighting | Mike Boivin | Gaffer |
| Crew | Cathy Metlin | Driver |
| Sound | Rudy Michael | Sound Re-Recording Mixer |
| Crew | Ken Dhaliwal | Legal Services |
| Production | Simone Reynolds | Casting |
| Production | JoAnne Rivers | Production Coordinator |
| Production | Ian Pozzebon | Location Manager |
| Camera | Allen Rahmer | Key Grip |
| Camera | Ryan Wiseman | Grip |
| Crew | Diane Pitblado | Dialect Coach |
| Sound | Guy Farley | Original Music Composer |
| Production | David Gordian | Producer |
| Production | Maribeth Daley | Production Manager |
| Art | Dustin Hachey | Property Master |
| Sound | David Ottier | Sound Recordist |
| Production | John Roy | Production Accountant |
| Crew | Frank Biron | Driver |
| Crew | Alysia Topol | Stand In |
| Art | Christine Mozarowski | Set Decoration Buyer |
| Production | Michelle Kanyo | Production Coordinator |
| Production | Peter Bates | Executive Producer |
| Production | Mark Paladini | Co-Executive Producer |
| Production | Anthony Pangalos | Production Manager |
| Directing | Bill Corcoran | First Assistant Director |
| Art | Keith Bowser | Set Decoration |
| Crew | Jeanette O'Sullivan | Legal Services |
| Crew | Tracey Rutkauskas | Stand In |
| Camera | Felipe Rodriguez | Dolly Grip |
| Costume & Make-Up | Heather Manson | Hairstylist |
| Costume & Make-Up | Jemma Harwood | Makeup Designer |
