When Heather and Sarah Ann were growing up they told each other every secret. But Heather left their small town on the last day of high school vowing never to return. Forced to come back when her father becomes ill, the young documentary filmmaker is pressured into filming Sarah Ann's wedding video. Heather is convinced that the edgy filmmaker and bubbly pink-wearing bride have nothing in common, but as the big day approaches she finds that no one is quite what they seem – especially the old friend she thought she knew better than anyone.
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| Directing | Joan Carr-Wiggin | Director |
| Production | Simone Reynolds | Casting |
| Directing | Brandon Jourdin | Second Assistant Director |
| Camera | Lori Longstaff | First Assistant Camera |
| Production | David Gordian | Producer |
| Lighting | Melanie St-Cyr | Best Boy Electric |
| Production | John Roy | Production Accountant |
| Crew | Cathy Metlin | Driver |
| Crew | Roy Aason | Driver |
| Sound | John Laing | Supervising Sound Editor |
| Costume & Make-Up | Ruth Secord | Costume Design |
| Camera | Arthur E. Cooper | Director of Photography |
| Production | Maribeth Daley | Production Manager |
| Production | Michelle Kanyo | Production Coordinator |
| Camera | Daniel Abboud | Camera Operator |
| Lighting | Mike Boivin | Gaffer |
| Art | Keith Bowser | Set Decoration |
| Directing | Cassandra Frechette | Script Supervisor |
| Production | Anthony Pangalos | Production Manager |
| Camera | Mike Lawrence | Key Grip |
| Sound | Guy Farley | Original Music Composer |
| Crew | Alysia Topol | Stand In |
| Production | Jason Garrett | Executive Producer |
| Production | Stephanie Gorin | Casting |
| Production | JoAnne Rivers | Production Coordinator |
| Production | Peter Bates | Executive Producer |
| Sound | Alexander Turner | Boom Operator |
| Visual Effects | Jeff Bruneel | Visual Effects |
| Writing | Joan Carr-Wiggin | Screenplay |
| Production | Mark Paladini | Co-Executive Producer |
| Art | Wendy Morrow | Production Design |
| Camera | Adam Horwood | Grip |
| Camera | Dylan Bryson | Grip |
| Sound | Dale Lennon | Dialogue Editor |
| Editing | Rose Mayes | Editor |
| Art | Christine Mozarowski | Set Decoration Buyer |
| Production | Alan Latham | Producer |
| Crew | Verlyn Robinson | Driver |
| Crew | Jayme Alter | Legal Services |
| Crew | Christina Buchli | Legal Services |
| Writing | Savitri Gordian | Story |
| Production | Mark Paladini | Casting |
| Production | Ian Pozzebon | Location Manager |
| Crew | Alex Lyons | Transportation Coordinator |
| Camera | Shane Kirkpatrick | Grip |
| Crew | Diane Pitblado | Dialect Coach |
| Production | Rosalie Chilelli | Assistant Production Manager |
| Crew | Alyssa Piazza | Stand In |
| Crew | Ken Dhaliwal | Legal Services |
| Writing | Joan Carr-Wiggin | Story |
| Directing | Bill Corcoran | First Assistant Director |
| Camera | Laurence Bortnick | First Assistant Camera |
| Sound | Rudy Michael | Sound Re-Recording Mixer |
| Camera | Allen Rahmer | Key Grip |
| Sound | David Ottier | Sound Recordist |
| Crew | Frank Biron | Driver |
| Sound | Mark Dejczak | Sound Effects Editor |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Production | David Rogers | Executive Producer |
| Camera | Ryan Wiseman | Grip |
| Art | Dustin Hachey | Property Master |
| Crew | Tracey Rutkauskas | Stand In |
| Crew | Jeanette O'Sullivan | Legal Services |
| Costume & Make-Up | Heather Manson | Hairstylist |
| Costume & Make-Up | Jemma Harwood | Makeup Designer |
| Camera | Felipe Rodriguez | Dolly Grip |
| Sound | Jimmy Robb | Assistant Sound Editor |
