When Heather and Sarah Ann were growing up they told each other every secret. But Heather left their small town on the last day of high school vowing never to return. Forced to come back when her father becomes ill, the young documentary filmmaker is pressured into filming Sarah Ann's wedding video. Heather is convinced that the edgy filmmaker and bubbly pink-wearing bride have nothing in common, but as the big day approaches she finds that no one is quite what they seem – especially the old friend she thought she knew better than anyone.
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| Directing | Joan Carr-Wiggin | Director |
| Crew | Alex Lyons | Transportation Coordinator |
| Editing | Rose Mayes | Editor |
| Production | Maribeth Daley | Production Manager |
| Camera | Laurence Bortnick | First Assistant Camera |
| Art | Keith Bowser | Set Decoration |
| Writing | Savitri Gordian | Story |
| Camera | Arthur E. Cooper | Director of Photography |
| Directing | Bill Corcoran | First Assistant Director |
| Camera | Shane Kirkpatrick | Grip |
| Production | Peter Bates | Executive Producer |
| Lighting | Mike Boivin | Gaffer |
| Crew | Verlyn Robinson | Driver |
| Crew | Roy Aason | Driver |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Production | Ian Pozzebon | Location Manager |
| Production | John Roy | Production Accountant |
| Crew | Christina Buchli | Legal Services |
| Production | Jason Garrett | Executive Producer |
| Production | Mark Paladini | Casting |
| Directing | Brandon Jourdin | Second Assistant Director |
| Sound | Alexander Turner | Boom Operator |
| Production | Michelle Kanyo | Production Coordinator |
| Crew | Alyssa Piazza | Stand In |
| Writing | Joan Carr-Wiggin | Screenplay |
| Production | Simone Reynolds | Casting |
| Camera | Lori Longstaff | First Assistant Camera |
| Crew | Diane Pitblado | Dialect Coach |
| Production | JoAnne Rivers | Production Coordinator |
| Crew | Jayme Alter | Legal Services |
| Costume & Make-Up | Ruth Secord | Costume Design |
| Camera | Adam Horwood | Grip |
| Production | Rosalie Chilelli | Assistant Production Manager |
| Crew | Frank Biron | Driver |
| Sound | David Ottier | Sound Recordist |
| Production | Mark Paladini | Co-Executive Producer |
| Art | Wendy Morrow | Production Design |
| Camera | Dylan Bryson | Grip |
| Sound | Mark Dejczak | Sound Effects Editor |
| Production | David Gordian | Producer |
| Camera | Mike Lawrence | Key Grip |
| Camera | Ryan Wiseman | Grip |
| Crew | Jeanette O'Sullivan | Legal Services |
| Lighting | Melanie St-Cyr | Best Boy Electric |
| Crew | Cathy Metlin | Driver |
| Sound | John Laing | Supervising Sound Editor |
| Camera | Allen Rahmer | Key Grip |
| Art | Christine Mozarowski | Set Decoration Buyer |
| Visual Effects | Jeff Bruneel | Visual Effects |
| Sound | Dale Lennon | Dialogue Editor |
| Sound | Rudy Michael | Sound Re-Recording Mixer |
| Crew | Alysia Topol | Stand In |
| Camera | Felipe Rodriguez | Dolly Grip |
| Costume & Make-Up | Jemma Harwood | Makeup Designer |
| Costume & Make-Up | Heather Manson | Hairstylist |
| Production | Alan Latham | Producer |
| Production | David Rogers | Executive Producer |
| Camera | Daniel Abboud | Camera Operator |
| Directing | Cassandra Frechette | Script Supervisor |
| Crew | Tracey Rutkauskas | Stand In |
| Production | Stephanie Gorin | Casting |
| Production | Anthony Pangalos | Production Manager |
| Sound | Guy Farley | Original Music Composer |
| Writing | Joan Carr-Wiggin | Story |
| Art | Dustin Hachey | Property Master |
| Crew | Ken Dhaliwal | Legal Services |
| Sound | Jimmy Robb | Assistant Sound Editor |
