When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
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Directing | Spike Lee | Director |
Production | Kim Taylor-Coleman | Casting |
Editing | Barry Alexander Brown | Editor |
Production | Karen Kehela Sherwood | Executive Producer |
Sound | Terence Blanchard | Original Music Composer |
Costume & Make-Up | Donna Berwick | Costume Design |
Camera | Matthew Libatique | Director of Photography |
Production | Jon Kilik | Executive Producer |
Production | Kim Roth | Executive Producer |
Production | Daniel M. Rosenberg | Executive Producer |
Production | Brian Grazer | Producer |
Editing | Terra Bliss | Digital Intermediate Producer |
Crew | Jodi Michelle Pynn | Stunts |
Art | Wynn Thomas | Production Design |
Production | Jonathan Filley | Co-Producer |
Writing | Russell Gewirtz | Writer |
Sound | William Sarokin | Production Sound Mixer |
Sound | George Leong | Boom Operator |
Editing | Sam Pollard | Additional Editing |
Lighting | Darrin Smith | Best Boy Electric |
Crew | Jeff Ward | Stunt Coordinator |
Visual Effects | Steven Kirshoff | Special Effects Supervisor |
Costume & Make-Up | Paul A. Simmons Jr. | Costume Supervisor |
Lighting | John G. Velez | Gaffer |
Production | Jonathan Filley | Unit Production Manager |
Art | Chris Shriver | Art Direction |
Art | George DeTitta Jr. | Set Decoration |
Sound | Brice Winston | Musician |
Sound | Philip Stockton | Supervising Sound Editor |
Sound | Eugene Gearty | Sound Effects Designer |
Production | Joseph White | Location Manager |
Sound | Todd Bozung | Supervising Music Editor |
Production | Jill Fazzolare | Production Assistant |
Sound | Dicken Berglund | ADR Mixer |
Camera | Kurt Rimmel | Dolly Grip |
Art | Randall Balsmeyer | Title Designer |
Sound | Carlie Bergman | ADR Recordist |
Art | Vincent Guarriello | Key Construction Grip |
Sound | Sara Stern | Apprentice Sound Editor |
Sound | Sean Garnhart | Foley Mixer |
Production | Jean Chien | Assistant Location Manager |
Crew | Fred Buchholz | Special Effects Assistant |
Crew | Devin Maggio | Special Effects Technician |
Camera | Terrence Laron Burke | Best Boy Grip |
Camera | James Parsons | Camera Production Assistant |
Sound | Bob Chefalas | Additional Sound Re-Recording Mixer |
Sound | Marko Costanzo | Foley Artist |
Production | Beth Avery | Location Assistant |
Camera | Ethan Borsuk | Assistant Camera |
Editing | Paul Tanzillo Jr. | Negative Cutter |
Production | Eve Streger | Casting Assistant |
Editing | Curtis Lindersmith | Digital Intermediate Editor |
Production | Mo Link | Extras Casting Assistant |
Camera | David Lee | Still Photographer |
Sound | Marissa Littlefield | ADR Editor |
Sound | Frank Kern | Foley Supervisor |
Camera | Stephen Consentino | "A" Camera Operator |
Production | Carmen Cárdenas | Art Department Production Assistant |
Crew | Bridgett Brown | Intern |
Production | Victoria Brown McCready | Payroll Accountant |
Editing | Alex Jablonski | Assistant Editor |
Production | Kim Jackson | Assistant Production Coordinator |
Crew | Jeffrey L. Glave | Charge Scenic Artist |
Art | Allen Stillman | Shop Electric |
Sound | David Boulton | ADR Engineer |
Visual Effects | Ella Boliver | Digital Compositor |
Production | Jennifer Gaston-Gates | Second Assistant Accountant |
Art | Michael Saccio | Property Master |
Camera | Pierson Silver | Camera Loader |
Crew | Linton Alfred | Stunts |
Camera | Lamont Crawford | Key Grip |
Sound | Howard Drossin | Orchestrator |
Sound | Chris Fielder | Assistant Sound Editor |
Art | James Klotsas | Props |
Crew | Max Frankston | Video Assist Operator |
Sound | Jamie Baker | Foley Editor |
Production | Colin Cumberbatch | Production Supervisor |
Art | Guy Efrat | Location Scout |
Crew | Ryder Washburn | Armorer |
Directing | Rodney "Bear" Jackson | Second Second Assistant Director |
Lighting | Justin Cheatham | Electrician |
Art | Martin Bernstein | Construction Coordinator |
Art | Timothy Main | Construction Foreman |
Art | James C. Feng | Assistant Art Director |
Art | Dan DeTitta | Set Decoration Buyer |
Production | Evelyn Santana | Publicist |
Art | Ross Huttick | Assistant Property Master |
Production | Yana Collins Lehman | Post Production Accountant |
Crew | Nicholas Brown | Set Production Assistant |
Crew | Jackie Bazan | Unit Publicist |
Sound | Fred Rosenberg | Dialogue Editor |
Camera | Stephen Consentino | Steadicam Operator |
Costume & Make-Up | Meg Thornton | Ager/Dyer |
Costume & Make-Up | Laura Sewrey | Assistant Costume Designer |
Production | Diana E. Latham | Production Coordinator |
Crew | Susan Lazarus | Post Production Supervisor |
Crew | John Canavan | Transportation Co-Captain |
Costume & Make-Up | Tsigie White | Costume Assistant |
Production | Miguel Ángel Poveda | Production Manager |
Crew | Carla Meyer | Dialect Coach |
Camera | Ricardo Sarmiento | Camera Operator |
Art | Leann Murphy | Art Department Coordinator |
Costume & Make-Up | Anita Gibson | Key Makeup Artist |
Crew | William Sepulveda | Craft Service |
Directing | Tracey Hinds | Second Assistant Director |
Costume & Make-Up | Patricia Regan | Makeup Artist |
Art | Gabu Camilo | Set Dresser |
Camera | Tony Arnaud | Grip |
Lighting | Justin Panzanaro | Rigging Grip |
Sound | Mark Adams | Musician |
Art | Dan Maslen | Storyboard Artist |
Costume & Make-Up | Colleen Morris-Glennon | Seamstress |
Crew | Robert Antalocy | Carpenter |
Costume & Make-Up | Kenneth Walker | Key Hair Stylist |
Directing | Mike Ellis | First Assistant Director |
Sound | Allan Zaleski | Sound Effects Editor |
Crew | James Hook | Stand In |
Directing | Shari L. Carpenter | Continuity |
Editing | Ryan Denmark | First Assistant Editor |
Lighting | Bill Almeida | Rigging Gaffer |
Crew | Gene O'Neill | Transportation Captain |
Production | Mike Phillips | Production Accountant |
Costume & Make-Up | Careen Fowles | Costumer |
Camera | Pyare Fortunato | First Assistant Camera |
Art | Arne Olsen | Construction Grip |
Crew | Roy Farfel | Stunts |