Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.
Is 1234 on Netflix? Unfortunately the movie 1234 is not yet available on Netflix.
| Directing | Giles Borg | Director |
| Production | Phillip Haydn-Slater | Executive Producer |
| Writing | Giles Borg | Writer |
| Production | Alasdair Maccuish | Executive Producer |
| Crew | Jenny Field | Post Production Supervisor |
| Sound | Rachel Carberry | ADR Recordist |
| Production | Simon Kearney | Producer |
| Production | Rob Pursey | Executive Producer |
| Production | Sue Jones | Casting |
| Art | Richard Campling | Production Design |
| Costume & Make-Up | Amy Holt | Assistant Makeup Artist |
| Production | Mark Eaves | Associate Producer |
| Production | Cliff Roberson | Executive Producer |
| Costume & Make-Up | Alice Wolfbauer | Costume Design |
| Art | Lee Whiteman | Set Decoration |
| Sound | Howard Bevan | Boom Operator |
| Visual Effects | James Clarke | Visual Effects |
| Lighting | Paul Murphy | Gaffer |
| Production | Gary Phillips | Executive Producer |
| Editing | Kevin Austin | Editor |
| Crew | Lisa Jordan | Post Production Assistant |
| Directing | Bernardo Nascimento | First Assistant Director |
| Directing | David A. Smith | Third Assistant Director |
| Sound | James Custance | Sound Engineer |
| Sound | Jamie Gambell | Sound Mixer |
| Production | Dean O'Toole | Co-Producer |
| Production | Pav Sanghera | Executive Producer |
| Production | Mark Vennis | Executive Producer |
| Costume & Make-Up | Almut Gramer | Makeup Designer |
| Art | Hugues Mace | Standby Property Master |
| Camera | David Sidney Hughes | Steadicam Operator |
| Art | Andy Symeou | Runner Art Department |
| Costume & Make-Up | Carla Fernandes | Costume Assistant |
| Art | Kally Donnelly | Runner Art Department |
| Camera | Murat Ayyıldız | Camera Trainee |
| Lighting | Richard Miles | Electrician |
| Editing | Scott Edwards | Assistant Editor |
| Production | Kate Chadderton | Production Coordinator |
| Camera | Xavier Amorós | Focus Puller |
| Camera | Emma Edwards | Second Assistant Camera |
| Directing | Jessica Squires | Script Supervisor |
| Camera | Susan Smart | Set Photographer |
| Art | Johnny Campling | Art Direction |
| Lighting | Johann Cruickshank | Rigging Gaffer |
| Editing | Stuart Fyvie | Digital Colorist |
| Production | Ben O'Farrell | Location Manager |
| Directing | Jorge Cañada Escorihuela | Second Assistant Director |
| Camera | David Agha-Rafei | Second Assistant Camera |
| Camera | Andy Sauer | Grip |
| Costume & Make-Up | Fatima Ibrahim | Costume Supervisor |
| Lighting | Matthew Hickin | Electrician |
| Camera | Alex Meacock | Grip |
| Art | Sophie Wyatt | Assistant Art Director |
| Visual Effects | Will Innes-Smith | Visual Effects |
| Lighting | Matthew Forward | Lighting Programmer |
| Costume & Make-Up | Eithne Farry | Dresser |
| Camera | John Harris | Best Boy Grip |
| Art | Angel Van den Akker | Runner Art Department |
| Production | James Leahy | Executive Producer |
| Production | Ed O'Brien | Executive Producer |
| Production | Jo Gross | Production Manager |
| Art | Rosanna Mallinson | Runner Art Department |
| Camera | Mike Eley | Director of Photography |
