In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
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Editing | Walter Murch | Editor |
Sound | Walter Murch | Sound Re-Recording Mixer |
Production | Bob Weinstein | Executive Producer |
Production | Harvey Weinstein | Executive Producer |
Production | Saul Zaentz | Producer |
Writing | Anthony Minghella | Screenplay |
Directing | Anthony Minghella | Director |
Camera | John Seale | Director of Photography |
Camera | John Seale | Camera Operator |
Sound | Chris Newman | Sound Recordist |
Sound | Mark Berger | Sound Re-Recording Mixer |
Production | Scott Greenstein | Executive Producer |
Production | Paul Zaentz | Associate Producer |
Production | Steve E. Andrews | Associate Producer |
Directing | Steve E. Andrews | First Assistant Director |
Production | Alessandro von Norman | Line Producer |
Sound | Gabriel Yared | Original Music Composer |
Production | Michelle Guish | Casting |
Production | David Rubin | Casting |
Art | Stuart Craig | Production Design |
Art | Aurelio Crugnola | Art Direction |
Art | Aurelio Crugnola | Set Decoration |
Costume & Make-Up | Ann Roth | Costume Design |
Writing | Michael Ondaatje | Novel |
Visual Effects | Richard Conway | Special Effects Supervisor |
Sound | Pat Jackson | Supervising Sound Editor |
Sound | Ivan Sharrock | Sound Recordist |
Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
Sound | John Nutt | Dialogue Editor |
Art | Alessandra Querzola | Assistant Set Decoration |
Art | Franco Fumagalli | Assistant Art Director |
Art | John Bush | Assistant Set Decoration |
Lighting | Morris Flam | Gaffer |
Costume & Make-Up | Gary Jones | Co-Costume Designer |
Directing | Dianne Dreyer | Script Supervisor |
Art | Neil Lamont | Assistant Art Director |
Directing | Emma Schofield | Second Assistant Director |
Sound | Richard Quinn | ADR Editor |
Sound | Dianna Stirpe | Dialogue Editor |
Crew | Larry Kaplan | Unit Publicist |
Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
Sound | David Parker | Sound Re-Recording Mixer |
Sound | Malcolm Fife | Foley Editor |
Art | Steve Clarke | Standby Painter |
Sound | Sara Bolder | Dialogue Editor |
Art | Stephenie McMillan | Set Decoration |
Costume & Make-Up | Louise Constad | Makeup Artist |
Sound | Robert Randles | Music Editor |
Costume & Make-Up | Antonio Maltempo | Makeup Artist |
Sound | Marc-Jon Sullivan | Boom Operator |
Production | Lynn Kamern | Unit Production Manager |
Editing | Gary Burritt | Negative Cutter |
Camera | Tommaso Mele | Key Grip |
Editing | William Pine | Color Timer |
Art | Deborah Ross | Title Designer |
Art | Tony Teiger | Property Master |
Sound | Richard Duarte | Foley Mixer |
Costume & Make-Up | Giuseppe Desiato | Makeup Artist |
Art | Tony Wright | Storyboard Artist |
Crew | Carolyn Choa | Choreographer |
Sound | Donald Banks | Boom Operator |
Lighting | Giuseppe Meloni | Rigging Gaffer |
Sound | Mark Levinson | ADR Supervisor |
Art | Luigi Quintili | Construction Coordinator |
Lighting | Michele Mele | Rigging Grip |
Production | Franco Ballati | Unit Production Manager |