In 1870s New York, spinster heiress Catherine Sloper is courted by the much younger, penniless Morris Townsend, much to the chagrin of her overprotective father. Catherine must decide whether to spend the rest of her life alone, or marry a man interested in her solely for her inheritence.
Is Washington Square on Netflix? Unfortunately the movie Washington Square is not yet available on Netflix.
| Directing | Agnieszka Holland | Director |
| Art | Michael Davis | Construction Coordinator |
| Crew | Christine Anne Baur | Stunts |
| Directing | Alice Tompkins | Script Supervisor |
| Costume & Make-Up | Anna B. Sheppard | Costume Design |
| Editing | David Siegel | Editor |
| Art | Alan E. Muraoka | Art Direction |
| Production | Julie Bergman Sender | Producer |
| Art | William A. Cimino | Set Decoration |
| Art | Allan Starski | Production Design |
| Production | Roger Birnbaum | Producer |
| Camera | Jerzy Zieliński | Director of Photography |
| Production | Debra Zane | Casting |
| Costume & Make-Up | Mark Burchard | Costume Supervisor |
| Costume & Make-Up | Wayne Herndon | Key Hair Stylist |
| Sound | Christopher Kennedy | Music Editor |
| Sound | Derek Marcil | Sound Re-Recording Mixer |
| Crew | Elizabeth Aldrich | Choreographer |
| Directing | Carol DePasquale | Script Supervisor |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Costume & Make-Up | Micheline Trépanier | Makeup Artist |
| Production | John Strawbridge | Casting Associate |
| Lighting | Rodney French | Rigging Grip |
| Costume & Make-Up | Michael O'Conner | Costume Supervisor |
| Sound | Andy Hill | Music Supervisor |
| Art | Ellen Sara Popiel | Art Department Coordinator |
| Costume & Make-Up | Aaron F. Quarles | Hairstylist |
| Sound | Javier Bennassar | Sound Effects Editor |
| Visual Effects | Pascal Charpentier | Visual Effects Supervisor |
| Sound | David Melhase | Sound Effects Editor |
| Camera | Ronald Batzdorff | Still Photographer |
| Crew | Douglas Retzler | Special Effects Coordinator |
| Camera | Richard Merryman | Camera Operator |
| Camera | Jim McConkey | Steadicam Operator |
| Sound | John Ross | Sound Re-Recording Mixer |
| Visual Effects | Christian Guillon | Visual Effects Producer |
| Sound | Catherine Harper | Foley |
| Camera | Joseph E. Gallagher | First Assistant Camera |
| Costume & Make-Up | Morgan Elliott | Assistant Costume Designer |
| Sound | Ossama Khuluki | Foley |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Lighting | Vojislav Mikulic | Gaffer |
| Costume & Make-Up | Martha R. Timlin | Set Costumer |
| Costume & Make-Up | Thomas F. Timlin Jr. | Set Costumer |
| Editing | Mark L. Levine | First Assistant Editor |
| Writing | Henry James | Novel |
| Directing | Mary-Jane April | Second Assistant Director |
| Production | Chrisann Verges | Associate Producer |
| Production | Chrisann Verges | Unit Production Manager |
| Production | Randy Ostrow | Executive Producer |
| Crew | Jeff Ward | Stunt Coordinator |
| Directing | J. Miller Tobin | First Assistant Director |
| Sound | Robert Jackson | Dialogue Editor |
| Sound | David Grant | Supervising Dialogue Editor |
| Sound | Marilyn Graf | Dialogue Editor |
| Sound | Thomas Jones | Dialogue Editor |
| Sound | Michael Ferdie | Dialogue Editor |
| Art | Lorraine Walker | Property Master |
| Sound | Patrick Giraudi | Additional Sound Re-Recording Mixer |
| Sound | Tim Boggs | Supervising ADR Editor |
| Art | Stephen B. Walker | Property Master |
| Sound | Susan Shin | Dialogue Editor |
| Sound | Jan A. P. Kaczmarek | Original Music Composer |
| Sound | Joseph F. Brennan | Boom Operator |
| Writing | Carol Doyle | Screenplay |
| Crew | Janet Paparazzo | Stunt Coordinator |
