Three stories told simultaneously in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.
Is Lions for Lambs on Netflix? Unfortunately the movie Lions for Lambs is not yet available on Netflix.
| Directing | Robert Redford | Director |
| Production | Matthew Michael Carnahan | Producer |
| Production | Tracy Falco | Producer |
| Production | Andrew Hauptman | Producer |
| Production | Robert Redford | Producer |
| Camera | Philippe Rousselot | Director of Photography |
| Editing | Joe Hutshing | Editor |
| Production | Avy Kaufman | Casting |
| Art | Jan Roelfs | Production Design |
| Art | François Audouy | Art Direction |
| Art | Leslie A. Pope | Set Decoration |
| Costume & Make-Up | Mary Zophres | Costume Design |
| Writing | Matthew Michael Carnahan | Writer |
| Crew | Brian Avery | Stunts |
| Sound | Mark Isham | Original Music Composer |
| Camera | Valentine Marvel | Additional First Assistant Camera |
| Costume & Make-Up | Mustaque M. Ashrafi | Makeup Artist |
| Costume & Make-Up | Leo Corey Castellano | Makeup Department Head |
| Costume & Make-Up | Gabriel De Cunto | Makeup Artist |
| Costume & Make-Up | Corey Hill | Hairstylist |
| Costume & Make-Up | Bunny Parker | Hair Department Head |
| Production | Daniel Lupi | Unit Production Manager |
| Crew | Graham Stumpf | Post Production Supervisor |
| Production | Will Weiske | Unit Production Manager |
| Directing | Dan Bradley | Second Unit Director |
| Directing | Lucrezia Casta | Second Assistant Director |
| Directing | Jenny Nolan | Second Second Assistant Director |
| Directing | Adam Somner | First Assistant Director |
| Directing | Ian Stone | Second Assistant Director |
| Art | Russell Anderson | Leadman |
| Art | Scott Bauer | Assistant Property Master |
| Art | John Chichester | Set Designer |
| Art | Michael Diersing | Construction Coordinator |
| Art | Howard Fannon | Assistant Property Master |
| Art | Jourdan Henderson | Art Department Coordinator |
| Art | P.K. MacCarthy | Storyboard Artist |
| Art | Steven Melton | Property Master |
| Art | Brent Regan | Construction Foreman |
| Art | Clint Schultz | Graphic Designer |
| Art | Maya Shimoguchi | Assistant Art Director |
| Sound | David Boulton | ADR Mixer |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | Rick Canelli | ADR Recordist |
| Sound | Sean England | Foley Artist |
| Sound | Frank E. Eulner | Sound Designer |
| Sound | Carl Fischer | Boom Operator |
| Sound | Brian Gallagher | ADR Recordist |
| Sound | Pascal Garneau | Foley Editor |
| Sound | Michael Gerbes | ADR Mixer |
| Sound | Jeff Gomillion | ADR Mixer |
| Sound | J.R. Grubbs | Sound Effects Editor |
| Sound | Ann Hadsell | ADR Mixer |
| Sound | Ellen Heuer | Foley Artist |
| Sound | Petur Hliddal | Sound Mixer |
| Sound | Richard Hymns | Supervising Sound Editor |
| Sound | Howard London | ADR Mixer |
| Sound | David Lucarelli | ADR Recordist |
| Sound | Marilyn McCoppen | Dialogue Editor |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Frank Rinella | Foley Mixer |
| Sound | Philip Rogers | ADR Recordist |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Jana Vance | Foley Artist |
| Sound | Gwendolyn Yates Whittle | ADR Supervisor |
| Crew | Scott Garcia | Pyrotechnician |
| Crew | Charles Croughwell | Stunt Coordinator |
| Crew | Myke Schwartz | Stunt Coordinator |
| Camera | Xiomara Comrie | Second Assistant Camera |
| Lighting | Jack English | Chief Lighting Technician |
| Camera | Darryl Humber | Dolly Grip |
| Camera | David James | Still Photographer |
| Camera | April Kelley | Second Assistant "B" Camera |
| Lighting | William Kent | Rigging Grip |
| Camera | Mark La Bonge | Steadicam Operator |
| Lighting | Thomas E. Lee | Rigging Grip |
| Lighting | Dennis J. Lootens | Rigging Gaffer |
| Camera | Sean J. O'Shea | Second Assistant Camera |
| Camera | C. Alan Rawlins Sr. | Key Grip |
| Camera | Pamela Rittelmeyer | First Assistant Camera |
| Camera | Riko Schatke | Best Boy Grip |
| Camera | Jed Seus | Assistant Camera |
| Lighting | Frank R. Sims | Rigging Grip |
| Lighting | Mark T. Stockwell Sr. | Rigging Grip |
| Production | Elizabeth Greenberg | Casting Associate |
| Costume & Make-Up | Lori DeLapp | Costume Supervisor |
| Costume & Make-Up | Jenny Eagan | Assistant Costume Designer |
| Editing | David Bilow | Associate Editor |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Mike Jackson | Assistant Editor |
| Editing | Yvan Lucas | Colorist |
| Editing | Jonathan Schwartz | Assistant Editor |
| Production | Jonathan Hook | Location Manager |
| Sound | Bill Abbott | Music Editor |
| Sound | Conrad Pope | Orchestrator |
| Sound | Mike Nowak | Conductor |
| Directing | Thomas Johnston | Script Supervisor |
| Production | Jackie Bazan | Publicist |
| Crew | Amanda Brand | Unit Publicist |
| Production | Demelza Cronin | Assistant Production Coordinator |
| Crew | Antonio Evans | Set Medic |
| Crew | Thomas W. Foster | Set Medic |
| Production | Brenda Herrera | Publicist |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Production | Georgina Marquis | Production Coordinator |
| Production | Keri Moorhouse | Production Secretary |
| Production | Corey Sklov | Production Supervisor |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Crew | Scott Koche | Set Production Assistant |
