Three stories told simultaneously in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.
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Production | Avy Kaufman | Casting |
Production | Tom Cruise | Executive Producer |
Sound | Christopher Boyes | Sound Re-Recording Mixer |
Camera | Philippe Rousselot | Director of Photography |
Sound | Bill Abbott | Music Editor |
Directing | Robert Redford | Director |
Production | Robert Redford | Producer |
Sound | Mark Isham | Music |
Editing | Joe Hutshing | Editor |
Production | Daniel Lupi | Unit Production Manager |
Sound | David Boulton | ADR Mixer |
Costume & Make-Up | Mary Zophres | Costume Design |
Sound | Richard Hymns | Supervising Sound Editor |
Art | Leslie A. Pope | Set Decoration |
Sound | Dennie Thorpe | Foley Artist |
Sound | Jana Vance | Foley Artist |
Directing | Dan Bradley | Second Unit Director |
Crew | Charles Croughwell | Stunt Coordinator |
Production | Paula Wagner | Executive Producer |
Sound | Ellen Heuer | Foley Artist |
Art | Jan Roelfs | Production Design |
Art | Maya Shimoguchi | Assistant Art Director |
Costume & Make-Up | Leo Corey Castellano | Makeup Department Head |
Production | Tracy Falco | Producer |
Production | Matthew Michael Carnahan | Producer |
Writing | Matthew Michael Carnahan | Writer |
Production | Andrew Hauptman | Producer |
Art | François Audouy | Art Direction |
Sound | Conrad Pope | Orchestrator |
Sound | David Lucarelli | ADR Recordist |
Sound | Charleen Richards | ADR Mixer |
Sound | Rick Canelli | ADR Recordist |
Editing | Jonathan Schwartz | Assistant Editor |
Directing | Thomas Johnston | Script Supervisor |
Costume & Make-Up | Jenny Eagan | Assistant Costume Designer |
Directing | Adam Somner | First Assistant Director |
Production | Will Weiske | Unit Production Manager |
Costume & Make-Up | Lori DeLapp | Costume Supervisor |
Art | John Chichester | Set Designer |
Editing | Mike Jackson | Assistant Editor |
Sound | Lora Hirschberg | Sound Re-Recording Mixer |
Sound | Frank E. Eulner | Sound Designer |
Sound | Carl Fischer | Boom Operator |
Crew | Elizabeth Himelstein | Dialect Coach |
Sound | Sean England | Foley Artist |
Art | Russell R. Anderson | Leadman |
Lighting | Jack English | Chief Lighting Technician |
Sound | Gwendolyn Yates Whittle | ADR Supervisor |
Art | Steven Melton | Property Master |
Camera | David James | Still Photographer |
Crew | Amanda Brand | Unit Publicist |
Sound | Ewa Sztompke | Dialogue Editor |
Directing | Lucrezia Casta | Second Assistant Director |
Costume & Make-Up | Bunny Parker | Hair Department Head |
Sound | Pascal Garneau | Foley Editor |
Camera | Mark La Bonge | Steadicam Operator |
Lighting | Dennis J. Lootens | Rigging Gaffer |
Art | Michael Diersing | Construction Coordinator |
Sound | J.R. Grubbs | Sound Effects Editor |
Sound | Marilyn McCoppen | Dialogue Editor |
Production | Jonathan Hook | Location Manager |
Costume & Make-Up | Gabriel De Cunto | Makeup Artist |
Sound | Howard London | ADR Mixer |
Production | Elizabeth Greenberg | Casting Associate |
Crew | Myke Schwartz | Stunt Coordinator |
Art | Howard Fannon | Assistant Property Master |
Costume & Make-Up | Corey Hill | Hairstylist |
Editing | Yvan Lucas | Colorist |
Sound | Petur Hliddal | Sound Mixer |
Crew | Brian Avery | Stunts |
Art | Jourdan Henderson | Art Department Coordinator |
Sound | Frank Rinella | Foley Mixer |
Production | Keri Moorhouse | Production Secretary |
Sound | Jeff Gomillion | ADR Mixer |
Costume & Make-Up | Mustaque M. Ashrafi | Makeup Artist |
Sound | Philip Rogers | ADR Recordist |
Production | Georgina Marquis | Production Coordinator |
Camera | Sean J. O'Shea | Second Assistant Camera |
Crew | Graham Stumpf | Post Production Supervisor |
Art | Brent Regan | Construction Foreman |
Camera | Jed Seus | Assistant Camera |
Art | Clint Schultz | Graphic Designer |
Production | Demelza Cronin | Assistant Production Coordinator |
Editing | Gary Burritt | Negative Cutter |
Camera | Darryl Humber | Dolly Grip |
Camera | C. Alan Rawlins | Key Grip |
Art | P.K. MacCarthy | Storyboard Artist |
Editing | David Bilow | Associate Editor |
Sound | Ann Hadsell | ADR Mixer |
Art | Scott Bauer | Assistant Property Master |
Lighting | Frank R. Sims | Rigging Grip |
Crew | Antonio Evans | Set Medic |
Sound | Thomas J. O'Connell | ADR Mixer |
Sound | Brian Gallagher | ADR Recordist |
Crew | Scott Garcia | Pyrotechnician |
Camera | Valentine Marvel | Additional First Assistant Camera |
Lighting | William Kent | Rigging Grip |
Lighting | Mark T. Stockwell Sr. | Rigging Grip |
Camera | Riko Schatke | Best Boy Grip |
Directing | Jenny Nolan | Second Second Assistant Director |
Camera | Xiomara Comrie | Second Assistant Camera |
Sound | Mike Nowak | Conductor |
Directing | Ian Stone | Second Assistant Director |
Camera | April Kelley | Second Assistant "B" Camera |
Production | Jackie Bazan | Publicist |
Lighting | Thomas E. Lee | Rigging Grip |
Production | Corey Sklov | Production Supervisor |
Sound | Michael Gerbes | ADR Mixer |
Camera | Pamela Rittelmeyer | First Assistant Camera |
Crew | Thomas W. Foster | Set Medic |
Production | Brenda Herrera | Publicist |