Kate is secretly betrothed to a struggling journalist, Merton Densher. But she knows her Aunt Maude will never approve of the match, since Kate's deceased mother has lost all her money in a marriage to a degenerate opium addict. When Kate meets a terminally ill American heiress named Millie traveling through Europe, she comes up with a conniving plan to have both love and wealth.
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Costume & Make-Up | Sandy Powell | Costume Design |
Directing | Iain Softley | Director |
Writing | Hossein Amini | Screenplay |
Writing | Henry James | Novel |
Art | John Beard | Production Design |
Art | Joanne Woollard | Set Decoration |
Art | Andrew Sanders | Supervising Art Director |
Art | Barry Gibbs | Property Master |
Art | Martyn John | Art Direction |
Production | Billy Hopkins | Casting |
Sound | Dean Humphreys | Sound Re-Recording Mixer |
Sound | Dominic Lester | Sound Re-Recording Mixer |
Sound | Maggie Rodford | Music Supervisor |
Sound | Paula Boram | Foley Artist |
Sound | Steve Schwalbe | ADR Editor |
Directing | Anna Worley | Script Supervisor |
Sound | Lauren Potter | Foley Artist |
Editing | Tariq Anwar | Editor |
Production | Michelle Guish | Casting |
Sound | Becky Bentham | Music Supervisor |
Production | Kerry Barden | Casting |
Production | Suzanne Smith Crowley | Casting |
Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
Sound | Ed Colyer | Foley Mixer |
Crew | Stephen McLaughlin | Score Engineer |
Sound | Ed Shearmur | Music |
Camera | Eduardo Serra | Director of Photography |
Production | Caroline Wood | Associate Producer |
Production | David Parfitt | Producer |
Production | Mark Cooper | Line Producer |
Production | Harvey Weinstein | Executive Producer |
Production | Stephen Evans | Producer |
Production | Bob Weinstein | Executive Producer |
Production | Paul Feldsher | Executive Producer |
Art | Bill Hargreaves | Props |
Art | Ray Chan | Assistant Art Director |