When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons—they're not cops and they know the tough neighborhood in which they all live.
Is Gone Baby Gone on Netflix? Unfortunately the movie Gone Baby Gone is not yet available on Netflix. Follow us on Facebook to see when Gone Baby Gone becomes available on Netflix!
| Crew | Jerry Bruckheimer | Thanks |
| Editing | William Goldenberg | Editor |
| Writing | Ben Affleck | Screenplay |
| Directing | Ben Affleck | Director |
| Editing | Michael Tronick | Additional Editing |
| Crew | Matt Damon | Thanks |
| Camera | John Toll | Director of Photography |
| Production | Alan Ladd Jr. | Producer |
| Writing | Dennis Lehane | Novel |
| Sound | David Boulton | ADR Mixer |
| Sound | Harry Gregson-Williams | Original Music Composer |
| Production | David Crockett | Executive Producer |
| Production | David Crockett | Unit Production Manager |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Visual Effects | Henrik Fett | Visual Effects Supervisor |
| Art | Sharon Seymour | Production Design |
| Costume & Make-Up | Brenda McNally | Hairstylist |
| Crew | Terrence Malick | Thanks |
| Costume & Make-Up | Mary L. Mastro | Hair Department Head |
| Writing | Aaron Stockard | Screenplay |
| Production | Aaron Stockard | Associate Producer |
| Production | Sean Bailey | Producer |
| Costume & Make-Up | Trish Seeney | Makeup Artist |
| Costume & Make-Up | Alix Friedberg | Costume Design |
| Art | Chris Cornwell | Art Direction |
| Sound | Nerses Gezalyan | Foley Mixer |
| Sound | James Moriana | Foley Artist |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Art | Kyra Friedman Curcio | Set Decoration |
| Production | Chay Carter | Co-Producer |
| Sound | Nic Harcourt | Music Supervisor |
| Production | Donna Morong | Casting |
| Lighting | David Ghegan | Assistant Chief Lighting Technician |
| Crew | Manny Ramírez | Thanks |
| Crew | Jimmy Flynn | Transportation Captain |
| Costume & Make-Up | Tisha D. Nagel | Costumer |
| Costume & Make-Up | John E. Jackson | Makeup Department Head |
| Art | Joseph Kearney | Construction Coordinator |
| Sound | Alan Rankin | Sound Designer |
| Editing | Mathieu Reid | Color Timer |
| Camera | P. Scott Sakamoto | Camera Operator |
| Camera | P. Scott Sakamoto | Steadicam Operator |
| Sound | Christian P. Minkler | Sound Re-Recording Mixer |
| Visual Effects | Andy Simonson | Visual Effects Coordinator |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Victor Ray Ennis | First Assistant Sound Editor |
| Sound | Jon Taylor | Sound Re-Recording Mixer |
| Costume & Make-Up | Deborah Newhall | Key Costumer |
| Crew | Conrad V. Brink Jr. | Special Effects Coordinator |
| Crew | Tina Anderson | Post Production Supervisor |
| Camera | Claire Folger | Still Photographer |
| Directing | Sheila Waldron | Script Supervisor |
| Art | George Lee | Set Designer |
| Sound | Greg Steele | ADR Mixer |
| Sound | Kerry Dean Williams | ADR Supervisor |
| Sound | Chris Hogan | Dialogue Editor |
| Editing | Kevin Hickman | Assistant Editor |
| Production | Charles Harrington | Location Manager |
| Camera | Mike Thomas | Camera Operator |
| Lighting | Jarred Waldron | Chief Lighting Technician |
| Costume & Make-Up | Taryn Weaver | Costumer |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Crew | Robert Martini | Transportation Coordinator |
| Costume & Make-Up | Nancy Hancock | Makeup Artist |
| Crew | Amy Cohn | Unit Publicist |
| Sound | Glynna Grimala | Dialogue Editor |
| Production | Danton Rissner | Producer |
| Costume & Make-Up | Hope Slepak | Costume Supervisor |
| Directing | Takahide Kawakami | Second Assistant Director |
| Crew | Nathaniel Stutz | Craft Service |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Sound | Jim Stuebe | Production Sound Mixer |
| Editing | Skip Kimball | Digital Intermediate Colorist |
| Camera | Patrick McArdle | First Assistant Camera |
| Sound | Sally Boldt | Music Editor |
| Production | Amanda Lamb | Associate Producer |
| Art | J.M. Hunter | Art Department Coordinator |
| Crew | Cort Hessler | Stunt Coordinator |
| Crew | Christopher Murphy | Video Assist Operator |
| Costume & Make-Up | Parrish Kennington | Costumer |
| Crew | Shauna Duggins | Stunt Double |
| Sound | Kevin Hyde | Boom Operator |
| Art | Kurt Smith | Leadman |
| Art | Jonathan Woods | Storyboard Artist |
| Production | Nadia Aleyd | Casting Associate |
| Sound | Jarrett Simon | Utility Sound |
| Editing | Brett M. Reed | First Assistant Editor |
| Crew | Joe Galdo | Post Production Assistant |
| Art | Jeffrey Paul Johnson | Property Master |
| Production | Jeff Valeri | Production Coordinator |
| Art | Vanessa Pyne | Art Department Assistant |
| Art | Steve DeBoer | Construction Foreman |
| Production | Desiree Varni | Production Accountant |
| Crew | Tracy R. Spiegel | Craft Service |
| Sound | Ladd McIntosh | Orchestrator |
| Directing | Christopher Surgent | First Assistant Director |
| Editing | Mary Nelson-Duerrstein | Negative Cutter |
| Camera | Ben Beaird | Key Grip |
| Crew | Lisa Shaftel | Scenic Artist |
| Sound | Jeff Largent | Sound Recordist |
| Directing | Matt Power | Second Second Assistant Director |
| Sound | Weldon Brown | ADR Mixer |
| Camera | Russell Nordstedt | Best Boy Grip |
| Production | Helen Stergiou | First Assistant Accountant |
| Camera | Tony Campenni | Dolly Grip |
