Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a sadistic streak. A helpless pawn in one of Norris's narcotic scams with a bent cop, Dunston, Tom is dragged deeper into a vicious circle of blood money, vice and ruthless violence from which their seems no way out. Until fate gives Tom a glimmer of hope. When Norris is killed in his apartment, Tom seizes his chance to escape. Terrified and covered in Norris's blood, Tom heads downstairs to his neighbors, Max and Nikki his new friends in the city. With going to the police out of the question, Max and Nikki speed Tom to their desolate cottage deep in the Welsh countryside. With the luxury of space, Tom begins to realize a long-forgotten dream; a return to happier times before his innocence was shattered. Suppressed emotion flood back provoked by Tom's attraction to Nikki...
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Writing | Gary Wicks | Writer |
Production | Gary Jones | Producer |
Production | Laurence Floyd | Producer |
Production | Simon A. Maudsley | Executive Producer |
Sound | Adrian Thomas | Music |
Directing | Gary Wicks | Director |
Production | Keith Dearling | Executive Producer |
Production | Andrew Tate | Executive Producer |
Production | Richard Hallows | Executive Producer |
Costume & Make-Up | Rupert Simon | Makeup & Hair |
Art | Nick Blanche | Standby Art Director |
Lighting | Andrew Taylor | Gaffer |
Art | Stuart Heath | Special Props |
Editing | Kerry Kohler | Editor |
Lighting | Steve Slocombe | Electrician |
Editing | Michael Nollet | Assistant Editor |
Sound | John Boughtwood | Music Supervisor |
Costume & Make-Up | Anja Mai | Costume Design |
Art | James Enright | Sculptor |
Directing | Jez Oakley | Assistant Director |
Art | Claire Pidgeon | Graphic Designer |
Sound | Richard Fettes | Dialogue Editor |
Sound | Gerard Loret | First Assistant Sound Editor |
Crew | Theo Kypri | Stunts |
Camera | Glyn Williams | Second Assistant Camera |
Sound | Bruce White | Musician |
Art | Martyn John | Production Design |
Art | Robert Wischhusen-Hayes | Property Buyer |
Editing | James Herbert | Online Editor |
Sound | Mark Berrow | Musician |
Sound | Colin Miller | Supervising Sound Editor |
Crew | Lyndon S. Hellewell | Stunts |
Lighting | Peter Chester | Best Boy Lighting Technician |
Production | Ian Pollington | Location Manager |
Sound | Jacques Leroide | Foley Editor |
Visual Effects | Manex Efrem | Special Effects Supervisor |
Camera | Nick Briggs | Still Photographer |
Lighting | Mark Hutchings | Electrician |
Editing | Ben Renton | Assistant Editor |
Directing | Natalie Lovatt | Continuity |
Costume & Make-Up | Nigel Egerton | Costume Design |
Art | Paul McNamara | Standby Property Master |
Crew | Billy Worth | Script |
Crew | Peter Pedrero | Stunts |
Editing | Rab Wilson | Associate Editor |
Costume & Make-Up | Catherine Heys | Makeup Artist |
Crew | Warren Lever | Carpenter |
Sound | John Rodda | Sound |
Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
Lighting | Andrew Bailey | Electrician |
Production | Beth Charkham | Casting |
Production | Cate Arbeid | Production Manager |
Directing | Alex Kaye-Besley | Additional Third Assistant Director |
Camera | Mike House | Key Grip |
Production | Camilla Stephenson | Assistant Location Manager |
Camera | Dave Bennett | Director of Photography |