In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Is 3:10 to Yuma on Netflix? Yes! The movie 3:10 to Yuma is now on Netflix in the countries listed below.
| Production | Cathy Konrad | Producer |
| Art | Andrew Menzies | Production Design |
| Writing | Derek Haas | Screenplay |
| Camera | Phedon Papamichael | Director of Photography |
| Costume & Make-Up | Arianne Phillips | Costume Design |
| Directing | James Mangold | Director |
| Editing | Michael McCusker | Editor |
| Production | Sarah Katzman | Casting |
| Writing | Michael Brandt | Screenplay |
| Production | Lisa Beach | Casting |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Art | Greg Berry | Art Direction |
| Art | Jay Hart | Set Decoration |
| Costume & Make-Up | Aleah Ames | Set Costumer |
| Crew | David Fencl | Armorer |
| Camera | David Luckenbach | Steadicam Operator |
| Sound | Dawn Fintor | Foley |
| Art | Dan Pemberton | Construction Coordinator |
| Crew | Sara Cueva | Visual Effects Editor |
| Visual Effects | Paulina Kuszta | Visual Effects Coordinator |
| Costume & Make-Up | Michael Castellano | Set Costumer |
| Costume & Make-Up | Jane Galli | Makeup Department Head |
| Crew | J.P. Jones | Property Master |
| Costume & Make-Up | Carlos Rosario | Assistant Costume Designer |
| Costume & Make-Up | Betty Lou Skinner | Key Hair Stylist |
| Camera | Paul Sanchez | Camera Operator |
| Costume & Make-Up | Lorraine Crossman | Set Costumer |
| Costume & Make-Up | Debra Chapman | Seamstress |
| Camera | Richard Foreman Jr. | Still Photographer |
| Camera | Chip Byrd | First Assistant Camera |
| Sound | John Murray | Foley |
| Crew | Colin Dennis | Carpenter |
| Visual Effects | Paul Graff | Visual Effects Supervisor |
| Costume & Make-Up | Bren Cook | Set Costumer |
| Sound | Jim Schultz | Music Editor |
| Lighting | Stephen Mullen | Rigging Gaffer |
| Production | Marie A. Kohl | Casting Associate |
| Sound | Monique 'Nico' Salvato | First Assistant Sound Editor |
| Visual Effects | Robert Stromberg | Visual Effects Supervisor |
| Art | Roberta Marquez Seret | Art Department Coordinator |
| Production | Charla Bowersox | Casting Associate |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Costume & Make-Up | Pilar Agoyo | Seamstress |
| Costume & Make-Up | Wendy M. Craig | Set Costumer |
| Production | Jo Edna Boldin | Casting |
| Editing | Marcie Jastrow | Digital Intermediate |
| Visual Effects | Christina Graff | Visual Effects Producer |
| Costume & Make-Up | Juliet Hyde-White | Set Costumer |
| Directing | Sheila Waldron | Script Supervisor |
| Camera | J. Steven Matzinger | First Assistant Camera |
| Camera | Melissa Moseley | Still Photographer |
| Sound | Alicia Stevenson | Foley |
| Sound | Donald Sylvester | Sound Designer |
| Camera | Bob Hall | First Assistant Camera |
| Camera | Philip Shanahan | First Assistant Camera |
| Sound | David Betancourt | Foley |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Crew | Ron Bolanowski | Special Effects Coordinator |
| Editing | Shawn Broes | Digital Intermediate |
| Costume & Make-Up | Kathrine Gordon | Hair Department Head |
| Lighting | Cory Geryak | Gaffer |
| Visual Effects | Mark Dornfeld | Visual Effects Supervisor |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Costume & Make-Up | Gloria Pasqua Casny | Key Hair Stylist |
| Costume & Make-Up | John Caglione Jr. | Makeup Artist |
| Costume & Make-Up | Lisa Taylor Roberts | Makeup Artist |
| Crew | Arthur Arndt | Carpenter |
| Costume & Make-Up | Terry Anderson | Assistant Costume Designer |
| Crew | Freddie Hice | Stunt Coordinator |
| Sound | Ted Caplan | Sound Effects Editor |
| Lighting | Blake Pike | Rigging Grip |
| Sound | Elizabeth Rainey | Foley |
| Editing | Marisa Clayton | Digital Intermediate |
| Crew | Aaron Downing | Post Production Supervisor |
| Directing | Nicholas Mastandrea | Assistant Director |
| Crew | Doug Hemphill | Thanks |
| Production | Stuart M. Besser | Unit Production Manager |
| Editing | Lee Grubin | Assistant Editor |
| Production | Lynwood Spinks | Executive Producer |
| Crew | Mark Jan Wlodarkiewicz | Thanks |
| Production | Ryan Kavanaugh | Executive Producer |
| Writing | Halsted Welles | Screenplay |
| Crew | Alexander Mackendrick | Thanks |
| Production | Dixie J. Capp | Associate Producer |
| Art | Kenneth Hunter | Location Scout |
| Costume & Make-Up | Pierre Barrera | Set Dressing Artist |
| Camera | Joe Bacharka | Grip |
| Lighting | Bradley Barnes | Lighting Technician |
| Crew | Tad Griffith | Stunts |
| Sound | Marco Beltrami | Original Music Composer |
| Sound | Donald Sylvester | Supervising Sound Editor |
| Camera | Mark Vargo | Second Unit Director of Photography |
| Sound | Simon Coke | Dialogue Editor |
| Sound | Scott Curtis | Foley Editor |
| Sound | Matthew Harrison | Foley Editor |
| Sound | David Giammarco | Sound Mixer |
| Sound | Paul Massey | Sound Mixer |
| Sound | Jim Stuebe | Production Sound Mixer |
| Crew | Troy Gilbert | Stunts |
| Writing | Elmore Leonard | Short Story |
| Production | Stuart M. Besser | Executive Producer |
| Directing | Maria Mantia | Second Assistant Director |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Crew | Danny Wynands | Stunts |
| Production | Matthew Cardarople | Production Assistant |
