Alex Owens, a teen juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
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| Production | Jerry Bruckheimer | Producer |
| Costume & Make-Up | Michael Kaplan | Costume Design |
| Production | Don Simpson | Producer |
| Art | Charles Rosen | Production Design |
| Sound | Giorgio Moroder | Original Music Composer |
| Sound | Adam Fields | Music Supervisor |
| Production | Lynda Obst | Associate Producer |
| Production | Peter Guber | Executive Producer |
| Production | Jon Peters | Executive Producer |
| Writing | Joe Eszterhas | Screenplay |
| Directing | Adrian Lyne | Director |
| Writing | Thomas Hedley Jr. | Screenplay |
| Writing | Thomas Hedley Jr. | Story |
| Camera | Donald Peterman | Director of Photography |
| Production | Gretchen Rennell | Casting |
| Art | Marvin March | Set Decoration |
| Crew | Ted Grossman | Stunts |
| Directing | Marty P. Ewing | Second Assistant Director |
| Crew | Conrad E. Palmisano | Stunt Driver |
| Editing | Walt Mulconery | Editor |
| Editing | Bud S. Smith | Editor |
| Production | Casey Silver | Production Assistant |
| Sound | Keith Forsey | Original Music Composer |
| Editing | M. Scott Smith | Associate Editor |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Costume & Make-Up | Robert L. Stevenson | Hairstylist |
| Production | Julie Selzer | Casting Assistant |
| Production | Tom Jacobson | Unit Production Manager |
| Production | Tom Jacobson | Associate Producer |
| Crew | George Robotham | Stunts |
| Camera | John R. Shannon | Still Photographer |
| Sound | Sylvester Levay | Conductor |
| Camera | John J. Connor | Camera Operator |
| Editing | Mitchell Sinoway | Associate Editor |
| Crew | Michael Lantieri | Special Effects |
| Crew | John Robotham | Stunts |
| Crew | Jeffrey Hornaday | Choreographer |
| Sound | Phil Ramone | Music Supervisor |
| Sound | Robert Knudson | Sound Re-Recording Mixer |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Production | John R. Woodward | Location Manager |
| Crew | Louie Elias | Stunts |
| Editing | Robert Lederman | Associate Editor |
| Crew | Victor Paul | Stunts |
| Sound | Ken Topolsky | Music Coordinator |
| Production | Donna M. Belajac | Location Casting |
| Sound | Louis L. Edemann | Sound Effects Editor |
| Art | Mark Wade | Property Master |
| Sound | Cecelia Hall | Sound Effects Editor |
| Sound | George Watters II | Sound Effects Editor |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Sound | Jim Henrikson | Music Editor |
| Crew | Joel Marrow | Transportation Coordinator |
| Directing | Joanie Blum | Script Supervisor |
| Sound | David W. Gray | Dolby Consultant |
| Crew | Joe Dunne | Stunt Coordinator |
| Art | Walt Hadfield | Construction Coordinator |
| Camera | Dickson P. Sorensen | Additional Photography |
| Costume & Make-Up | Paula Cain | Costume Supervisor |
| Sound | James E. Webb | Sound Mixer |
| Crew | George Fisher | Stunts |
| Lighting | Kal Manning | Gaffer |
| Camera | Calvin Sterry | Key Grip |
| Production | Matt Casella | Casting Assistant |
| Editing | Richard Alderete | Associate Editor |
| Directing | Albert M. Shapiro | First Assistant Director |
| Camera | Clay H. Wilson | Dolly Grip |
| Production | Rita Clarke Holt | Location Casting |
