Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Is Dances with Wolves on Netflix? Unfortunately the movie Dances with Wolves is not yet available on Netflix.
| Writing | Michael Blake | Screenplay |
| Sound | John Barry | Original Music Composer |
| Production | Elisabeth Leustig | Casting |
| Editing | Neil Travis | Editor |
| Production | Kevin Costner | Producer |
| Art | Lisa Dean | Set Decoration |
| Production | Jim Wilson | Producer |
| Costume & Make-Up | Elsa Zamparelli | Costume Design |
| Directing | Kevin Costner | Director |
| Editing | William Hoy | Editor |
| Editing | Steve Potter | Editor |
| Camera | Dean Semler | Director of Photography |
| Art | Jeffrey Beecroft | Production Design |
| Art | Scott A. Stephens | Property Master |
| Costume & Make-Up | Linda Bowman | Assistant Hairstylist |
| Costume & Make-Up | Patricia Carrisosa | First Assistant Makeup Artist |
| Costume & Make-Up | Tea Jay Glass | Assistant Makeup Artist |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Costume & Make-Up | Deborah Mills-Whitlock | Assistant Hairstylist |
| Costume & Make-Up | Tammy Ashmore | Assistant Makeup Artist |
| Costume & Make-Up | Karin Hayes | Assistant Makeup Artist |
| Costume & Make-Up | Linda Peterson | Assistant Hairstylist |
| Costume & Make-Up | Heather Matisoff | Assistant Hairstylist |
| Costume & Make-Up | Beth Miller | Assistant Hairstylist |
| Costume & Make-Up | Terri Goett | Assistant Makeup Artist |
| Costume & Make-Up | Tamara Guthrie | Key Hair Stylist |
| Camera | Joe Sanchez | Assistant Camera |
| Directing | John Huneck | Second Unit Director |
| Directing | Philip C. Pfeiffer | Second Unit Director |
| Crew | Reed A. Finch | Carpenter |
| Camera | William Eddie Paul | Grip |
| Camera | Henry Tirl | Assistant Camera |
| Camera | John Huneck | Second Unit Director of Photography |
| Camera | Doug Cowden | Grip |
| Camera | William 'Bear' Paul | Key Grip |
| Costume & Make-Up | Ron Beebe | Costume Assistant |
| Crew | Patrick Mollman | Carpenter |
| Sound | Chris Jargo | ADR Editor |
| Camera | Philip C. Pfeiffer | Second Unit Director of Photography |
| Crew | Kerry J. Frosh | Carpenter |
| Sound | Russell Williams II | Production Sound Mixer |
| Directing | Doug Metzger | First Assistant Director |
| Camera | Dudley J. Voll | Second Assistant Camera |
| Production | Rene Haynes | Extras Casting |
| Production | Ka-Mook Nichols | Extras Casting Assistant |
| Camera | Fred L. McLane | Assistant Camera |
| Art | James Allen Bradley | Swing |
| Sound | Justine Turner | Assistant Sound Editor |
| Directing | Stephen P. Dunn | Second Assistant Director |
| Sound | Howard Gindoff | Sound Editor |
| Sound | Bruce Stubblefield | Sound Editor |
| Production | Stacy Hartley | Production Secretary |
| Art | Jay Johnson | Title Designer |
| Lighting | Michael C. Blundell | Electrician |
| Camera | Mark Davison | First Assistant Camera |
| Camera | Tony DeVito | Grip |
| Art | Marvin Holy | Standby Carpenter |
| Art | Darryl Hayes | Swing |
| Art | Dayna Lee | Set Dresser |
| Art | Paul Arthur Hartman | Set Dresser |
| Camera | Jimmy E. Jensen | First Assistant Camera |
| Camera | Lyle Ehlers | Grip |
| Production | Catherine 'Kitty' Duffy | Extras Casting Assistant |
| Sound | Doc Kane | ADR Mixer |
| Lighting | Raymond Gonzales | Electrician |
| Art | Robert Des Jarlais | Standby Carpenter |
| Camera | Lee Blasingame | First Assistant Camera |
| Costume & Make-Up | Susan Brown | Costume Assistant |
| Art | John C. Cameron | Assistant Property Master |
| Camera | Kim Heath | Best Boy Grip |
| Camera | John W. Murphy | Dolly Grip |
| Art | Al Eylar | Construction Foreman |
| Art | Ron Ashmore | Lead Painter |
| Camera | Bryon Bower | Grip |
| Camera | Michael Dunson | Grip |
| Art | Jay B. Curry | Swing |
| Sound | Dan O'Connell | Foley Artist |
| Crew | Albert White Hat | Dialogue Coach |
| Art | Jim Hill | Construction Foreman |
| Sound | John Duvall | Foley Editor |
| Crew | Larry Belitz | Technical Advisor |
| Art | David L. Aaron | Title Designer |
| Sound | Mary Jo Devenney | Production Sound Mixer |
| Sound | Rubén Domingo | Assistant Sound Editor |
| Sound | Linda Moss | Sound Editor |
| Production | Chris Romberg | Post Production Accountant |
| Sound | Ed Fassl | Sound Editor |
| Sound | Jeff Rosen | Sound Editor |
| Crew | Dan Wesson | Animal Wrangler |
| Crew | Doris Leader Charge | Dialogue Coach |
| Sound | Albert Gasser | Sound Editor |
| Crew | Cathy Smith | Technical Advisor |
| Crew | S. Fox Sloan | Animal Wrangler |
| Sound | Timothy A. Hoggatt | Foley Mixer |
| Sound | Barbara Barnaby | Supervising ADR Editor |
| Production | Doris Hartley | Production Coordinator |
| Crew | Lee Loesch | Cableman |
| Crew | Gary E. Pfaff | Pilot |
| Sound | Joel Berkovitz | Foley Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Editing | Gary Burritt | Negative Cutter |
| Directing | Angela Robinson | Script Supervisor |
| Art | William Ladd Skinner | Art Direction |
| Crew | Wayne Jones | Transportation Co-Captain |
| Editing | Chip Masamitsu | Editor |
| Crew | Jonathan A. Rosenfeld | Transportation Captain |
| Sound | Robert Fitzgerald | Sound Designer |
| Crew | Robbie Knott | Special Effects |
| Sound | Albert Aquino | Boom Operator |
| Crew | David Siegel | Transportation Coordinator |
| Art | Stephanie Waldron | Greensman |
| Costume & Make-Up | Birgitta Bjerke | Costume Supervisor |
| Art | Ben Zeller | Construction Coordinator |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Gordon | Set Costumer |
| Crew | Erik Rondell | Stunts |
| Costume & Make-Up | Joani Yarbrough | Hairstylist |
| Production | Tim Wilson | Location Manager |
| Camera | S. Phillip Sparks | Additional Camera |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Production | John T. Haun | Production Accountant |
| Lighting | Víctor Pérez | Gaffer |
| Crew | Norman Howell | Stunt Coordinator |
| Camera | Ben Glass | Still Photographer |
| Sound | Jeffrey Perkins | Sound Re-Recording Mixer |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Lighting | Marc Wostak | Best Boy Electric |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Sound | Hari Ryatt | Supervising Sound Editor |
| Art | Patrick Cassidy | Leadman |
| Sound | Robert Fitzgerald | Supervising Sound Editor |
| Crew | Peter Haas | Unit Publicist |
| Sound | Cliff Kohlweck | Music Editor |
| Camera | J. Michael Muro | Camera Operator |
| Camera | J. Michael Muro | Steadicam Operator |
| Production | Derek Kavanagh | Unit Production Manager |
| Visual Effects | Paul Curley | Visual Effects |
| Crew | Michael J. Harker | Post Production Supervisor |
| Production | Jory Weitz | Casting |
| Editing | Robert C. Lusted | Assistant Editor |
| Production | Jake Eberts | Executive Producer |
| Editing | Mike Stanwick | Color Timer |
| Visual Effects | Matthew Yuricich | Visual Effects |
| Production | Rene Haynes | Casting |
| Visual Effects | Robert D. Bailey | Visual Effects |
| Production | Bonnie Arnold | Associate Producer |
| Crew | Kevin Reynolds | Thanks |
| Crew | Billy Joe Fredericks | Stunts |
| Sound | Tommy Morgan | Additional Soundtrack |
| Directing | Jan Evans | Script Supervisor |
| Sound | John Coinman | Music Supervisor |
| Crew | Blair Forward | Playback Coordinator |
