In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly, and patient Jeffrey Goines, the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
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Production | Charles Roven | Producer |
Art | William Ladd Skinner | Art Direction |
Production | Robert Cavallo | Executive Producer |
Writing | Janet Peoples | Screenplay |
Production | Margery Simkin | Casting |
Camera | Roger Pratt | Director of Photography |
Art | Crispian Sallis | Set Decoration |
Production | Gary Levinsohn | Executive Producer |
Sound | Paul Buckmaster | Original Music Composer |
Art | Jeffrey Beecroft | Production Design |
Sound | Imogen Pollard | Sound Editor |
Directing | Terry Gilliam | Director |
Writing | David Webb Peoples | Screenplay |
Production | Robert Kosberg | Executive Producer |
Editing | Mick Audsley | Editor |
Costume & Make-Up | Julie Weiss | Costume Design |
Production | Kelley Smith-Wait | Associate Producer |
Production | Mark Egerton | Associate Producer |
Production | Lloyd Phillips | Co-Producer |
Visual Effects | Richard Bain | Digital Compositors |
Crew | G. A. Aguilar | Stunts |
Crew | Steve Martin | Stunt Coordinator |
Camera | Peter Norman | Camera Operator |
Crew | Marc Diener | Legal Services |
Crew | Warren Holcomb | Legal Services |
Crew | Lê Hoàng | Carpenter |
Sound | Randy Smith | Boom Operator |
Crew | David S. Lomax | Stunts |
Lighting | Bill Fiedler | Electrician |
Costume & Make-Up | Eric H. Sandberg | Costume Supervisor |
Editing | Eddie Wilder | Color Timer |
Crew | Gary Pugh | Carpenter |
Visual Effects | Martin Body | Digital Compositors |
Lighting | Keith Salkowski | Electrician |
Costume & Make-Up | B.J. Rogers | Assistant Costume Designer |
Costume & Make-Up | Christina Bartolucci | Hairstylist |
Costume & Make-Up | Christine Beveridge | Hair Designer |
Crew | Ted Lubonovich II | Carpenter |
Art | Paul A. Minitello | Painter |
Sound | Jack Stew | Foley |
Visual Effects | Doug Forrest | Digital Compositors |
Visual Effects | Susi Roper | Visual Effects Coordinator |
Crew | Ronald O. Jaynes | Stunts |
Lighting | Mike Finnegan | Rigging Grip |
Production | Mikie Heilbrun | Casting Associate |
Crew | Ernie Malik | Unit Publicist |
Art | Kevin Ishioka | Assistant Art Director |
Art | Lara Kelly | Art Department Coordinator |
Art | John D. Kretschmer | Leadman |
Crew | Paul Maiello | Carpenter |
Crew | Bill Anagnos | Stunts |
Camera | Kyle Rudolph | Camera Operator |
Art | Larry Misselhorn | Greensman |
Sound | Jason Swanscott | Foley |
Art | Robert LaPrell | Assistant Art Director |
Lighting | David Cecil | Electrician |
Crew | Ian Kelly | Video Assist Operator |
Crew | Russell Hurlburt | Special Effects |
Editing | Dan Gane | First Assistant Editor |
Visual Effects | Steve Cutmore | Digital Compositors |
Crew | Douglas Crosby | Stunts |
Production | Elizabeth J. Nevin | Production Coordinator |
Crew | Chuck Jeffreys | Stunts |
Crew | Pamela Susan Hall | Post Production Assistant |
Costume & Make-Up | William A. Kohout | Hairstylist |
Crew | Russell Hardee | Special Effects |
Camera | Vinnie Gerardo | First Assistant Camera |
Crew | Carole French | Craft Service |
Production | Matilde Valera | Production Accountant |
Art | Tim Galvin | Assistant Art Director |
Crew | James Healy | Special Effects |
Crew | Shirley Montefusco | Special Effects Coordinator |
Visual Effects | Chris Panton | Digital Compositors |
Crew | Sandy Alexander | Stunts |
Camera | Phillip V. Caruso | Still Photographer |
Art | Steven Lane Ewing | Construction Coordinator |
Crew | Rick Gamez | Propmaker |
Visual Effects | Kent Houston | Visual Effects Supervisor |
Crew | Thomas Greco | Loader |
Crew | Dennis Davidson | Public Relations |
Costume & Make-Up | Allen Weisinger | Makeup Artist |
Art | Wayne Smith | Standby Painter |
Sound | Peter Joly | Supervising Sound Editor |
Crew | David Acord | Special Effects |
Crew | Paul Couch | Stunts |
Camera | Craig Haagensen | Camera Operator |
Camera | Lee Shapira | Grip |
Crew | Elena Moscatt | Craft Service |
Art | Carl Catanese | Leadman |
Crew | Wesley Goodwin | Carpenter |
Crew | Scott T. Pina | Carpenter |
Crew | E.J. Evans | Stunts |
Camera | Rhett Bloomquist | Grip |
Lighting | Andrew Reed Conner | Electrician |
Camera | Blackford 'Boots' Shelton | First Assistant Camera |
Crew | Lucy Darwin | Post-Production Manager |
Crew | Beecher Tomlinson | Special Effects |
Directing | Marilyn Bailey | Script Supervisor |
Crew | Ted Criswell | Set Medic |
Crew | Glen Foster | Carpenter |
Crew | Mark Kendig | Carpenter |
Crew | John Copeman | Stunts |
Crew | Steve Martin | Stunts |
Lighting | Craig Ligget | Rigging Gaffer |
Lighting | Matt Miller | Rigging Grip |
Camera | Brian Snell | Grip |
Crew | Reva Grantham | Craft Service |
Crew | Avi Korein | Security |
Art | Charley Armstrong | Location Scout |
Crew | Paul Kocar | Special Effects |
Crew | Thomas Lockey | Special Effects |
Crew | Joseph P. Mercurio | Special Effects |
Visual Effects | Anthony Simonaitis | Special Effects Supervisor |
Crew | Steve Santosusso | Stunts |
Crew | Brian Smyj | Stunts |
Editing | Brian Ufberg | First Assistant Editor |
Crew | Elliot Santiago | Stunts |
Crew | Glynn Williams | Post Production Assistant |
Production | Scott Elias | Location Manager |
Costume & Make-Up | Peggy Nicholson | Key Hair Stylist |
Crew | Richard Curry | Driver |
Art | Matt Codd | Production Illustrator |
Crew | Silvija L. Moess | Scenic Artist |
Art | Thomas Turnbull | Construction Foreman |
Production | Lloyd Phillips | Unit Production Manager |
Art | Penny Causer | Title Designer |
Art | Kate Bartouldus | Set Dresser |
Editing | Trevor Collins | Negative Cutter |
Lighting | Chuck Finch | Chief Lighting Technician |
Sound | Ian Wilson | Foley Editor |
Sound | Tasha Pym | Apprentice Sound Editor |
Art | Scott Maginnis | Assistant Property Master |
Camera | Patrick McGrath | Dolly Grip |
Directing | Mark Egerton | First Assistant Director |
Sound | Mark Berrow | Musician |
Sound | Simon Cozens | Assistant Sound Editor |
Production | Marissa Giunta | Casting Assistant |
Costume & Make-Up | Melissa Stanton | Wardrobe Supervisor |
Crew | Jim Clubb | Animal Coordinator |
Sound | Budge Tremlett | ADR Editor |
Production | Charles Miller | Assistant Production Manager |
Crew | Ken Tarallo | Pyrotechnician |
Camera | Mike Miller | Key Grip |
Directing | Andrew Bernstein | Second Assistant Director |
Sound | Danny Longhurst | Dialogue Editor |
Sound | Jay Meagher | Sound Mixer |
Art | Doug Harlocker | Property Master |
Directing | Philip A. Patterson | Second Assistant Director |
Production | Susan Gish | Extras Casting |
Production | Kathi Ash | Assistant Location Manager |
Production | John 'JR' Craigmile | Payroll Accountant |
Crew | Gary Pilkinton | Special Effects Technician |
Camera | Thomas Jirgal | Best Boy Grip |
Editing | Eric McClain | Colorist |
Production | Richard Suckle | Production Executive |
Production | Valerie Bartlett | Production Secretary |
Sound | Ted Swanscott | Foley Recordist |
Costume & Make-Up | Marina Marit | Costumer |
Sound | Diane Greaves | Foley Artist |
Production | Tim Downs | Location Production Assistant |
Lighting | Steven Litecky | Assistant Chief Lighting Technician |
Crew | Terry Jackson | Stunt Double |
Sound | Thomas J. O'Connell | ADR Mixer |
Art | Robert Holtzman | Set Buyer |
Camera | Bill Gerardo | Second Assistant Camera |
Editing | Amanda Pollack | Assistant Editor |
Camera | William Jones | Grip |
Production | Mike Lemon | Local Casting |
Production | Alex Brown | Production Assistant |
Writing | Chris Marker | Original Film Writer |
Art | James Kelley | Set Dresser |