Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
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| Art | Bert Davey | Art Direction |
| Writing | James Cameron | Screenplay |
| Camera | Adrian Biddle | Director of Photography |
| Art | Peter Lamont | Production Design |
| Crew | Paul Weston | Stunt Coordinator |
| Art | Ken Court | Art Direction |
| Art | Crispian Sallis | Set Decoration |
| Editing | Ray Lovejoy | Editor |
| Sound | Michael Clifford | Music Editor |
| Crew | Brian Johnson | Special Effects |
| Art | Michael Lamont | Art Direction |
| Production | Gale Anne Hurd | Producer |
| Sound | James Horner | Original Music Composer |
| Directing | James Cameron | Director |
| Art | Fred Hole | Art Direction |
| Crew | Norman Baillie | Special Effects |
| Crew | Elanor Bertram | Stunts |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Editing | Simon Harris | Assistant Editor |
| Production | Judy Taylor | Casting |
| Costume & Make-Up | Tiny Nicholls | Costume Supervisor |
| Production | Mike Fenton | Casting |
| Production | Mary Selway | Casting |
| Production | Jane Feinberg | Casting |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Camera | Bob Penn | Still Photographer |
| Camera | Shaun O'Dell | Camera Operator |
| Lighting | Jack Thetford | Gaffer |
| Sound | Don Sharpe | Supervising Sound Editor |
| Visual Effects | Richard Hewitt | Visual Effects Supervisor |
| Visual Effects | Dennis Skotak | Visual Effects Supervisor |
| Camera | David Worley | Camera Operator |
| Art | Bert Hearn | Property Master |
| Sound | Archie Ludski | Dialogue Editor |
| Sound | Roy Charman | Sound Recordist |
| Art | Terry Ackland-Snow | Supervising Art Director |
| Crew | Chris Webb | Stunts |
| Sound | Robin Clarke | Music Editor |
| Writing | David Giler | Story |
| Production | Gordon Carroll | Executive Producer |
| Production | David Giler | Executive Producer |
| Production | Walter Hill | Executive Producer |
| Writing | Walter Hill | Story |
| Writing | Ronald Shusett | Characters |
| Writing | James Cameron | Story |
| Writing | Dan O'Bannon | Characters |
| Art | Vic Simpson | Construction Manager |
| Production | Mo Coppitters | Unit Production Manager |
| Art | Syd Mead | Concept Artist |
| Directing | Stan Winston | Second Unit Director |
| Editing | Peter Boita | Associate Editor |
| Sound | Greig McRitchie | Orchestrator |
| Production | Hugh Harlow | Production Supervisor |
| Crew | Jazzer Jeyes | Stunts |
| Crew | Malcolm Weaver | Stunts |
| Directing | Melvin Lind | Second Assistant Director |
| Crew | Sue Crosland | Stunts |
| Crew | Louise Head | Stunt Double |
| Crew | Clive Curtis | Stunt Double |
| Crew | Simon Crane | Stunts |
| Crew | Eddie Powell | Stunts |
| Directing | Diana Dill | Script Supervisor |
| Production | Joyce Turner | Production Coordinator |
| Costume & Make-Up | Elaine Bowerbank | Key Hair Stylist |
| Directing | Derek Cracknell | First Assistant Director |
| Art | Ron Cobb | Conceptual Design |
| Crew | Paul Tucker | Production Controller |
| Editing | Phil Sanderson | First Assistant Editor |
| Crew | Stuart Fell | Stunts |
| Crew | Sean McCabe | Stunts |
| Crew | Bill Weston | Stunts |
| Visual Effects | H. R. Giger | Creature Design |
| Production | Gil Whelan | Unit Production Manager |
| Sound | Rocky Phelan | Foley Editor |
| Crew | Steve Dent | Stunts |
| Crew | Kiran Shah | Stunt Double |
| Crew | Jason White | Stunts |
| Crew | Stuart St. Paul | Stunts |
| Crew | Geoff Freeman | Unit Publicist |
| Costume & Make-Up | Peter Robb-King | Makeup Supervisor |
| Crew | Peter Russell | Visual Effects Art Director |
