London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.
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| Production | Bob Weinstein | Executive Producer |
| Production | Harvey Weinstein | Producer |
| Sound | Michelle Williams | Songs |
| Sound | Alexandre Desplat | Main Title Theme Composer |
| Production | Deborah Aquila | Casting |
| Production | Mark Cooper | Co-Producer |
| Production | Christine Langan | Executive Producer |
| Production | Nina Gold | Casting |
| Crew | Denise Faye | Choreographer |
| Production | David Parfitt | Producer |
| Art | Charmian Adams | Supervising Art Director |
| Production | Colin Vaines | Co-Executive Producer |
| Writing | Adrian Hodges | Screenplay |
| Costume & Make-Up | Jill Taylor | Costume Designer |
| Art | Donal Woods | Production Design |
| Sound | Conrad Pope | Original Music Composer |
| Sound | Conrad Pope | Conductor |
| Production | Jamie Laurenson | Executive Producer |
| Production | Ivan Mactaggart | Executive Producer |
| Production | Kelly Carmichael | Executive Producer |
| Costume & Make-Up | Charlotte Sewell | Costume Supervisor |
| Sound | Dana Sano | Music Supervisor |
| Directing | Simon Curtis | Director |
| Production | Simon Curtis | Executive Producer |
| Crew | Julian Spencer | Stunt Coordinator |
| Sound | Lang Lang | Musician |
| Crew | Tania Blunden | Post Production Supervisor |
| Editing | Adam Recht | Editor |
| Directing | Guy Heeley | First Assistant Director |
| Camera | Ben Smithard | Director of Photography |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Production | Tricia Wood | Casting |
| Writing | Colin Clark | Book |
| Directing | Chris Foggin | Third Assistant Director |
| Crew | Penny Ryder | Stunt Double |
| Crew | Kathleen Marshall | Choreographer |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Art | Judy Farr | Set Decoration |
| Visual Effects | Alan Church | Visual Effects Supervisor |
| Costume & Make-Up | Martin Pakledinaz | Costume Designer |
| Lighting | Mark Clayton | Gaffer |
| Visual Effects | Sheila Wickens | Visual Effects Supervisor |
| Sound | Paul Hanks | Foley Artist |
| Sound | Myron Nettinga | Sound Effects Editor |
| Sound | Nick Lowe | Supervising Sound Editor |
| Sound | Ian Waggott | Foley Artist |
| Sound | Catherine Hodgson | Sound Effects Editor |
| Production | Jason Wheeler | Location Manager |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Crew | Jane Gibson | Choreographer |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Art | Mark Kebby | Art Direction |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Sound | Maggie Rodford | Music Supervisor |
| Camera | Adam Coles | Focus Puller |
| Camera | Laurence Cendrowicz | Still Photographer |
| Production | Sara Desmond | Production Manager |
| Crew | Belinda McGinley | Stunts |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Art | Mike Power | Property Master |
| Sound | Richard Dyer | Sound Mixer |
| Production | Cleone Clarke | Associate Producer |
| Lighting | Jules Fisher | Lighting Design |
| Lighting | Peggy Eisenhauer | Lighting Design |
| Directing | Charlie Reed | Second Assistant Director |
| Directing | Vicki Howe | Script Supervisor |
