In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
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| Camera | Brian Tufano | Additional Photography |
| Directing | Ridley Scott | Director |
| Production | Michael Deeley | Producer |
| Writing | Philip K. Dick | Novel |
| Crew | Philip K. Dick | Thanks |
| Writing | Hampton Fancher | Screenplay |
| Camera | Jordan Cronenweth | Director of Photography |
| Sound | Vangelis | Original Music Composer |
| Art | Lawrence G. Paull | Production Design |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Editing | Marsha Nakashima | Editor |
| Art | David L. Snyder | Art Direction |
| Art | Linda DeScenna | Set Decoration |
| Art | Leslie McCarthy-Frankenheimer | Set Decoration |
| Costume & Make-Up | Michael Kaplan | Costume Design |
| Costume & Make-Up | Charles Knode | Costume Design |
| Camera | Steven Poster | Additional Photography |
| Crew | Logan Frazee | Special Effects Technician |
| Art | Thomas L. Roysden | Set Decoration |
| Editing | Terry Rawlings | Supervising Editor |
| Writing | David Webb Peoples | Screenplay |
| Sound | John Hayward | Sound Re-Recording Mixer |
| Visual Effects | Douglas Trumbull | Visual Effects |
| Sound | Dino Dimuro | Sound Effects Editor |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Per Hallberg | Supervising Sound Editor |
| Costume & Make-Up | Michael Westmore | Prosthetic Makeup Artist |
| Editing | Les Healey | First Assistant Editor |
| Production | Run Run Shaw | Producer |
| Crew | Run Run Shaw | Presenter |
| Costume & Make-Up | James Lapidus | Costumer |
| Production | Alan Collis | Production Manager |
| Production | Saul Kahan | Publicist |
| Art | Tom Southwell | Production Illustrator |
| Directing | Donald Hauer | Second Assistant Director |
| Crew | Bud Yorkin | Presenter |
| Directing | Newt Arnold | First Assistant Director |
| Crew | Jeannie Epper | Stunts |
| Sound | Bud Alper | Sound Mixer |
| Production | John W. Rogers | Unit Production Manager |
| Crew | Gary Combs | Stunt Coordinator |
| Directing | Peter Cornberg | First Assistant Director |
| Sound | Gordon K. McCallum | Sound Mixer |
| Directing | Richard Peter Schroer | Second Assistant Director |
| Costume & Make-Up | Linda Matthews | Costumer |
| Costume & Make-Up | Bridget O'Neill | Makeup Artist |
| Costume & Make-Up | Marvin G. Westmore | Makeup Artist |
| Directing | Ana Maria Quintana | Script Supervisor |
| Sound | Jon Title | Sound Effects Editor |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Camera | Stephen Vaughan | Still Photographer |
| Art | John A. Scott III | Assistant Property Master |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Art | Stephen Dane | Assistant Art Director |
| Art | James F. Orendorff | Construction Coordinator |
| Art | Terry E. Lewis | Property Master |
| Art | Mentor Huebner | Production Illustrator |
| Art | Sherman Labby | Production Illustrator |
| Sound | Peter Pennell | Sound Editor |
| Camera | Albert Bettcher | Camera Operator |
| Camera | Dick Colean | Camera Operator |
| Camera | Robert C. Thomas | Camera Operator |
| Camera | Michael Genne | First Assistant Camera |
| Camera | Steven H. Smith | First Assistant Camera |
| Sound | Nicolas Le Messurier | Sound Re-Recording Mixer |
| Costume & Make-Up | Michael Mills | Prosthetic Makeup Artist |
| Costume & Make-Up | Winnie D. Brown | Costumer |
| Art | Arthur Shippee | Assistant Property Master |
| Crew | Donald Myers | Special Effects Technician |
| Sound | Matt Vowles | Sound Re-Recording Mixer |
| Crew | Greg Curtis | Special Effects Technician |
| Crew | Richard L. Hill | Special Effects Technician |
| Camera | Casey Jones | Grip |
| Crew | Steve Galich | Special Effects Technician |
| Production | Linda Hess | Production Assistant |
| Visual Effects | Richard Yuricich | Visual Effects |
| Lighting | Richard Hart | Gaffer |
| Directing | Morris Chapnick | Second Assistant Director |
| Camera | Victor A. Shelehov | Grip |
| Production | Katherine Haber | Production Executive |
| Art | Dave Margolin | Painter |
| Camera | Cary Griffith | Key Grip |
| Costume & Make-Up | Shirley Padgett | Hairstylist |
| Sound | Joel Fein | Sound Re-Recording Mixer |
| Visual Effects | David Dryer | Visual Effects |
| Sound | Michael Hopkins | Dialogue Editor |
| Art | David Q. Quick | Assistant Property Master |
| Editing | Bill Zabala | Assistant Editor |
| Camera | William E. Fitch | Grip |
| Lighting | Chris Franco | Lighting Technician |
| Art | Laurie Kerr | Supervising Carpenter |
| Costume & Make-Up | Bob E. Horn | Costumer |
| Art | James T. Woods | Paint Coordinator |
| Art | Basil Lombardo | Standby Painter |
| Visual Effects | Peter Truckel | Visual Effects Camera |
| Camera | George D. Greer | Second Assistant Camera |
| Crew | Jerry Perenchio | Presenter |
| Production | Alan B. Rosin | Production Assistant |
| Production | Vickie Alper | Production Coordinator |
| Crew | Steve Warner | Production Controller |
