Komm! Ins Offene, Freund! oder Gegen die Dummheit in der Musik (1989)

Two young singers rehearse Eisler's "Ernste Gesänge", his last work, in which the prompt for the film's title can also be found. What is decisive in this film is the encounter with Eisler and his music, the consistency with which he thought about art and people. You can hear tape recordings of Hans Bunge in conversation with Hanns Eisler.

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