The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
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| Directing | Terrence Malick | Director |
| Writing | Terrence Malick | Writer |
| Production | Dede Gardner | Producer |
| Art | Jeanette Scott | Set Decoration |
| Sound | Roanna Gillespie | Music Supervisor |
| Production | Bill Pohlad | Producer |
| Camera | Jörg Widmer | Camera Operator |
| Production | Donald Rosenfeld | Executive Producer |
| Costume & Make-Up | Kelly Nelson | Hair Department Head |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Directing | Rebecca Fulton | Script Supervisor |
| Sound | Alexandre Desplat | Original Music Composer |
| Production | Sarah Green | Producer |
| Costume & Make-Up | Darylin Nagy | Makeup Department Head |
| Crew | Jeff Schwan | Stunt Coordinator |
| Editing | Hank Corwin | Editor |
| Production | Grant Hill | Producer |
| Editing | Jay Rabinowitz | Editor |
| Editing | Daniel Rezende | Editor |
| Production | Brad Pitt | Producer |
| Production | Vicky Boone | Casting |
| Editing | Mark Yoshikawa | Editor |
| Art | Jack Fisk | Production Design |
| Production | Francine Maisler | Casting |
| Lighting | Mark Manthey | Gaffer |
| Camera | Emmanuel Lubezki | Director of Photography |
| Costume & Make-Up | Jean Ann Black | Makeup Artist |
| Costume & Make-Up | Suzy Freeman | Costume Supervisor |
| Editing | Billy Weber | Editor |
| Sound | Dick Bernstein | Music Editor |
| Sound | Erik Aadahl | Supervising Sound Editor |
| Sound | Justin Herman | Sound Engineer |
| Visual Effects | Douglas Trumbull | Visual Effects |
| Visual Effects | Bryan Hirota | Visual Effects |
| Sound | Will Files | Sound Designer |
| Visual Effects | Dan Glass | Visual Effects |
| Sound | Craig Berkey | Sound Designer |
| Sound | Joel Dougherty | Sound Editor |
| Sound | John Pritchett | Sound Mixer |
| Sound | Erik Aadahl | Sound Designer |
| Sound | Matthew Reale | Sound Re-Recording Mixer |
| Sound | Kirk Francis | Sound Mixer |
| Sound | Chris Scarabosio | Sound Re-Recording Mixer |
| Visual Effects | Bradley Friedman | Visual Effects |
| Visual Effects | Michael Shand | Visual Effects |
| Visual Effects | Paul Riddle | Visual Effects |
| Production | Sarah Green | Unit Production Manager |
| Sound | Hamilton Sterling | Foley Editor |
| Crew | Trey Edward Shults | Intern |
| Production | Sandhya Shardanand | Associate Producer |
| Production | Steve Schwartz | Co-Executive Producer |
| Production | Paula Mae Schwartz | Co-Executive Producer |
| Production | Susan Kirr | Line Producer |
| Production | Carlo Hintermann | Line Producer |
| Production | Nicolas Gonda | Co-Producer |
| Production | Ivan Bess | Associate Producer |
| Production | Greg Eliason | Other |
| Production | Nigel Ashcroft | Other |
| Art | David Crank | Art Direction |
| Directing | Paul Atkins | Second Unit Director |
| Sound | Zbigniew Preisner | Songs |
| Art | George Hull | Concept Artist |
