The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star — the first totally believable synthetic actress.
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| Editing | Paul Rubell | Editor |
| Production | Francine Maisler | Casting |
| Sound | Carter Burwell | Original Music Composer |
| Production | Michael De Luca | Executive Producer |
| Production | Lynn Harris | Executive Producer |
| Camera | Edward Lachman | Director of Photography |
| Art | Leslie A. Pope | Set Decoration |
| Writing | Andrew Niccol | Screenplay |
| Directing | Andrew Niccol | Director |
| Production | Andrew Niccol | Producer |
| Art | Sarah Knowles | Art Direction |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Costume & Make-Up | Elisabetta Beraldo | Costume Design |
| Art | Jan Roelfs | Production Design |
| Costume & Make-Up | Valli O'Reilly | Makeup Department Head |
| Directing | Nicholas Mastandrea | First Assistant Director |
| Production | Bradley Cramp | Executive Producer |
| Crew | Julie Michaels | Stunts |
| Crew | Alisa Christensen | Utility Stunts |
| Crew | Erik Cord | Stunts |
| Crew | Laura Albert | Stunts |
| Crew | Gary J. Wayton | Stunts |
| Costume & Make-Up | Michele Michel | Assistant Costume Designer |
| Sound | Hugo Weng | Dialogue Editor |
| Crew | Mimi Lesseos | Stunts |
| Crew | Monica Staggs | Stunt Double |
| Costume & Make-Up | Robert Q. Mathews | Costume Supervisor |
| Crew | Nancy Young | Stunts |
| Production | Jon Scott Strotheide | Casting |
| Crew | Frank Salvino | Post Production Supervisor |
| Art | Stephanie Higgins Frey | Art Department Coordinator |
| Art | William A. Petrotta | Property Master |
| Art | Victoria Ruskin | Set Designer |
| Sound | Richard King | Sound Designer |
| Sound | Richard King | Supervising Sound Editor |
| Sound | Michael Magill | Dialogue Editor |
| Sound | David M. Roberts | Boom Operator |
| Art | Randall D. Wilkins | Set Designer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Sound | Allen Hartz | ADR Supervisor |
| Sound | Carolyn Tapp | Foley Recordist |
| Camera | Darren Michaels | Still Photographer |
| Directing | Rosemary C. Cremona | Second Assistant Director |
| Costume & Make-Up | Susan Kowarsh | Assistant Costume Designer |
| Crew | Alisa Hensley | Stunts |
| Sound | Eric Gotthelf | ADR Mixer |
| Sound | David Buell | ADR Recordist |
| Lighting | John Owens | Best Boy Electrician |
