Babe, fresh from his victory in the sheepherding contest, returns to Farmer Hoggett's farm, but after Farmer Hoggett is injured and unable to work, Babe has to go to the big city to save the farm.
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| Camera | Andrew Lesnie | Director of Photography |
| Production | Alison Barrett | Casting |
| Art | Roger Ford | Production Design |
| Art | Kerrie Brown | Set Decoration |
| Sound | Randy Newman | Songs |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Tami Treadwell | ADR Recordist |
| Writing | George Miller | Screenplay |
| Directing | George Miller | Director |
| Production | George Miller | Producer |
| Production | Doug Mitchell | Producer |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Production | Nikki Barrett | Casting |
| Sound | Peter Gabriel | Theme Song Performance |
| Writing | Judy Morris | Screenplay |
| Writing | Mark Lamprell | Screenplay |
| Sound | Nigel Westlake | Original Music Composer |
| Editing | Jay Friedkin | Editor |
| Editing | Margaret Sixel | Editor |
| Production | Bill Miller | Producer |
| Production | Martin G. Wood | Associate Producer |
| Costume & Make-Up | Norma Moriceau | Costume Design |
| Crew | Nash Edgerton | Stunts |
| Sound | Gethin Creagh | Sound Re-Recording Mixer |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Camera | Robin Morgan | Key Grip |
| Crew | Glenn Ruehland | Stunts |
| Camera | Jasmine Yuen Carrucan | Second Assistant Camera |
| Production | Barbara Gibbs | Executive Producer |
| Production | Barbara Gibbs | Unit Production Manager |
| Visual Effects | Roger Cowland | Visual Effects |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Wayne Pashley | Sound Supervisor |
| Art | Colin Gibson | Art Direction |
| Costume & Make-Up | Lesley Vanderwalt | Hair Designer |
| Costume & Make-Up | Lesley Vanderwalt | Makeup Designer |
| Visual Effects | Matt Villa | Visual Effects Coordinator |
| Sound | Peter D. Smith | Sound Re-Recording Mixer |
| Production | Lorelle Adamson | Production Coordinator |
| Sound | Roger Savage | Sound Re-Recording Mixer |
| Sound | John Simpson | Foley Artist |
| Visual Effects | Allen Hall | Special Effects Supervisor |
| Sound | Gerry Long | Foley Artist |
| Sound | Ian McLoughlin | Sound Re-Recording Mixer |
| Sound | Michael Thompson | Sound Re-Recording Mixer |
| Crew | Rocky McDonald | Stunts |
| Directing | Sophie Fabbri-Jackson | Script Supervisor |
| Costume & Make-Up | Bec Taylor | Makeup & Hair |
| Costume & Make-Up | Lynn Wheeler | Makeup & Hair |
| Sound | Gareth Vanderhope | Sound Effects Designer |
| Sound | Gareth Vanderhope | Sound Supervisor |
| Camera | Carolyn Johns | Still Photographer |
| Production | Sharon Ross | Production Office Coordinator |
| Directing | P.J. Voeten | First Assistant Director |
| Art | Peter Pound | Concept Artist |
| Visual Effects | Tad Pride | Special Effects Supervisor |
| Camera | Colin Deane | Camera Operator |
| Crew | Linda Megier | Stunts |
| Sound | Ben Osmo | Sound Recordist |
| Production | Gabrielle Healy | Extras Casting |
| Costume & Make-Up | Celinda Alvarado | Seamstress |
| Costume & Make-Up | Kerry Lee Jury | Makeup & Hair |
| Sound | Julius Chan | Sound Supervisor |
| Crew | Brit Sooby | Stunts |
| Directing | Jacinta Hayne | Second Assistant Director |
| Crew | Guy Norris | Stunt Coordinator |
| Camera | Ady Rose | Best Boy Grip |
| Camera | Lyddy Van Gyen | Focus Puller |
| Crew | Melody Sorensen | Stunt Double |
| Visual Effects | Maria Antoniv | Visual Effects |
| Crew | Bernadette Winthers | Stunts |
