The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.
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Sound | Bernard Herrmann | Original Music Composer |
Directing | Orson Welles | Director |
Art | Albert S. D'Agostino | Production Design |
Crew | Vernon L. Walker | Special Effects |
Art | Darrell Silvera | Set Decoration |
Production | Orson Welles | Producer |
Camera | Stanley Cortez | Director of Photography |
Costume & Make-Up | Edward Stevenson | Costume Design |
Writing | Orson Welles | Screenplay |
Crew | Helen Thurston | Stunt Double |
Crew | David Sharpe | Stunt Double |
Costume & Make-Up | Mel Berns | Makeup Department Head |
Production | Jack Moss | Associate Producer |
Sound | Terry Kellum | Sound |
Costume & Make-Up | Robert J. Schiffer | Makeup Artist |
Directing | Harry Mancke | Assistant Director |
Sound | James G. Stewart | Sound Recordist |
Costume & Make-Up | Maurice Seiderman | Makeup Artist |
Sound | Roy Meadows | Boom Operator |
Camera | Jack MacKenzie | Additional Photography |
Sound | John E. Tribby | Sound |
Camera | Orson Welles | Additional Photography |
Editing | Jack Moss | Additional Editing |
Visual Effects | Clifford Stine | Visual Effects |
Sound | James Thompson | Boom Operator |
Art | Chesley Bonestell | Other |
Sound | Earl B. Mounce | Sound |
Editing | Mark Robson | Additional Editing |
Sound | Bailey Fesler | Sound Recordist |
Directing | Robert Wise | Assistant Director |
Writing | Booth Tarkington | Novel |
Editing | Robert Wise | Editor |
Art | A. Roland Fields | Set Dresser |
Art | Mark-Lee Kirk | Set Designer |
Directing | Fred Fleck | Assistant Director |
Lighting | Bill McLellan | Gaffer |
Production | Fred Fleck | Unit Manager |
Costume & Make-Up | Claire Cramer | Wardrobe Designer |
Production | George Schaefer | Executive Producer |