After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law. Few know he's a sex offender and pedophile. Walter finds an apartment and is regularly visited by his parole officer. He gets a job at a lumber mill and starts seeing a coworker. Then his new world begins to unravel; as his past becomes known, he strikes up a high-risk friendship with a young girl and realizes that a man loitering near a schoolyard is a child molester prowling for his next victim.
Is The Woodsman on Netflix? Unfortunately the movie The Woodsman is not yet available on Netflix.
| Production | Brook Lenfest | Executive Producer |
| Writing | Steven Fechter | Theatre Play |
| Editing | Brian A. Kates | Editor |
| Sound | Nathan Larson | Original Music Composer |
| Production | Damon Dash | Executive Producer |
| Production | Dawn Lenfest | Executive Producer |
| Production | Kevin Bacon | Executive Producer |
| Camera | Xavier Grobet | Director of Photography |
| Directing | Nicole Kassell | Director |
| Production | Lee Daniels | Producer |
| Editing | Lisa Fruchtman | Editor |
| Production | Billy Hopkins | Casting |
| Art | Stephen Beatrice | Production Design |
| Production | Kerry Barden | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Production | Mark Bennett | Casting |
| Costume & Make-Up | Frank L. Fleming | Costume Design |
| Costume & Make-Up | Lisa R. Frucht | Costume Supervisor |
| Art | Christine Wick | Set Decoration |
| Costume & Make-Up | Teresa Binder Westby | Costume Supervisor |
| Directing | Anthony Pettine | Script Supervisor |
| Sound | Brian A. Kates | Music Editor |
| Production | Marvet Britto | Co-Executive Producer |
| Production | Simone Sheffield | Associate Producer |
| Production | David Robinson | Co-Producer |
| Production | Candice Williams | Associate Producer |
| Sound | Linda Cohen | Music Supervisor |
| Writing | Steven Fechter | Screenplay |
| Production | Missy Moyer | Production Supervisor |
| Production | Lisa Cortés | Co-Producer |
| Costume & Make-Up | Diane Dixon | Key Hair Stylist |
| Production | Valerie Hoffman | Co-Producer |
| Writing | Nicole Kassell | Screenplay |
| Crew | Dakota Anderson | Stunt Coordinator |
| Lighting | Andrew Reed Conner | Gaffer |
| Production | Debra J. Olchick | Unit Production Manager |
| Crew | Norman Douglass | Stunts |
| Directing | Thomas Fatone | First Assistant Director |
| Directing | Patrick D. Gibbons | Second Assistant Director |
| Camera | Adger W. Cowans | Still Photographer |
| Sound | Thomas Varga | Sound Mixer |
| Sound | Karl Wasserman | Boom Operator |
| Sound | Chris Kellett | Boom Operator |
| Sound | Michael Primmer | Boom Operator |
| Sound | Aaron Rudelson | Boom Operator |
| Sound | Brian Jordan | Boom Operator |
| Art | Christine Sysko | Leadman |
| Art | Sharon Potts | Property Master |
| Art | Tom West | Assistant Property Master |
| Art | Alan J. Mehlbrech | Key Construction Grip |
| Costume & Make-Up | Kara Morasco | Seamstress |
| Lighting | Richard Asbury | Best Boy Electric |
| Camera | Chris Beattie | Key Grip |
| Camera | Kimberly Rial | Best Boy Grip |
| Lighting | Timothy Weston | Rigging Grip |
| Camera | Mark Catania | Dolly Grip |
| Camera | Kevin Hackenberg | Dolly Grip |
| Production | Amy Comstock | Production Accountant |
| Production | Steven Holtzman | First Assistant Accountant |
| Production | Steven Holtzman | Payroll Accountant |
| Crew | William M. Hamilton Jr | Transportation Coordinator |
| Crew | Jeremy Walker | Unit Publicist |
| Crew | Michael Mezaros | Post Production Supervisor |
| Crew | Kelley Cribben | Post Production Supervisor |
| Sound | Joe Caterini | Supervising Sound Editor |
| Sound | Will Ralston | Supervising Dialogue Editor |
| Sound | Matthew Haasch | Foley Editor |
| Sound | Igor Nikolic | Sound Effects Editor |
| Sound | Jay Peck | Foley Artist |
| Sound | Paul Sacco | Dolby Consultant |
| Sound | Joe Caterini | Sound Re-Recording Mixer |
| Editing | Noëlle Penraat | Negative Cutter |
| Editing | Fred Heid | Color Timer |
