Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
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| Sound | Howard Shore | Original Music Composer |
| Production | John S. Lyons | Casting |
| Art | Leslie Bloom | Set Decoration |
| Sound | Anthony J. Ciccolini III | Sound Editor |
| Sound | Dan Korintus | Sound Editor |
| Camera | Stephen Goldblatt | Director of Photography |
| Editing | Anne V. Coates | Editor |
| Costume & Make-Up | Albert Wolsky | Costume Design |
| Art | Mel Bourne | Production Design |
| Costume & Make-Up | Brian McManus | Makeup Artist |
| Production | Alexis Alexanian | Production Supervisor |
| Sound | James Sabat | Sound Mixer |
| Editing | Robb Sullivan | First Assistant Editor |
| Production | Mike Lobell | Producer |
| Writing | Andrew Bergman | Screenplay |
| Directing | Andrew Bergman | Director |
| Production | Andrew Bergman | Producer |
| Production | Joseph Hartwick | Executive Producer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Crew | Keith Woulard | Stunt Coordinator |
| Sound | Richard P. Cirincione | Dialogue Editor |
| Crew | Dennis Deveaugh | Stunts |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Costume & Make-Up | Sharon Ilson | Key Makeup Artist |
| Crew | Gary Tacon | Stunt Coordinator |
| Sound | Laura Civiello | Dialogue Editor |
| Crew | Jay Amor | Stunts |
| Camera | Richard Quinlan | Second Unit Director of Photography |
| Crew | Sean Kelly | Stunts |
| Art | James Mazzola | Property Master |
| Production | Sandy Watterson | Production Coordinator |
| Camera | Kerry Hayes | Still Photographer |
| Directing | Robin Squibb | Script Supervisor |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Art | Elizabeth Lapp | Art Direction |
| Crew | Steven Ritzi | Stunts |
| Sound | Michael Barry | Sound Re-Recording Mixer |
| Sound | Louis Cerborino | Dialogue Editor |
| Crew | Phil Neilson | Stunt Coordinator |
| Production | Lori Wyman | Extras Casting |
| Camera | Ray De La Motte | Camera Operator |
| Sound | Harry Peck Bolles | Sound Editor |
| Crew | Bruno Van Zeebroeck | Special Effects Coordinator |
| Sound | Bruce Kitzmeyer | ADR Editor |
| Costume & Make-Up | Enzo Angileri | Hairstylist |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Warren Shaw | Sound Editor |
| Costume & Make-Up | Nancy Keslar | Hairstylist |
| Sound | Louis Sabat | Boom Operator |
| Crew | Tom Bahr | Utility Stunts |
| Camera | Mark Van Loon | "B" Camera Operator |
| Crew | Marguerite Pomerhn Derricks | Choreographer |
| Crew | Cort Hessler | Stunts |
| Lighting | Colin J. Campbell | Gaffer |
| Costume & Make-Up | Jene Fielder | Makeup Supervisor |
| Writing | Carl Hiaasen | Novel |
| Sound | Arlene Fishbach | Music Supervisor |
| Crew | Janet Paparazzo | Utility Stunts |
| Directing | Amy Lauritsen | Second Second Assistant Director |
| Sound | Jane McCulley | Supervising ADR Editor |
| Costume & Make-Up | Diana Thomas-Madison | Makeup Artist |
| Sound | James H. Nau | ADR Editor |
| Directing | Kenneth G. Brown | Second Second Assistant Director |
| Crew | Kevin Ball | Stunt Double |
| Costume & Make-Up | Joanne Gair | Makeup Artist |
| Directing | Michael DeCasper | Second Assistant Director |
| Production | Daneen Conroy | Associate Producer |
